The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Pass me that lovely little gun
My dear, my darling one
The cleaners are coming, one by one
You don't even want to let them start
They're knocking now upon your door
They measure the room, they know the score
They're mopping up the butcher's floor
Of your broken little hearts
(Oh, children)
Forgive us now for what we've done
It started out as a bit of fun
Here, take these before we run away
The keys to the gulag
(Oh, children)
(Lift up your voice, lift up your voice)
(Children)
(Rejoice, rejoice)
Come on
Come on
Come on
Come on
Here comes Frank and poor old Jim
They're gathering round with all my friends
We're older now, and the light is dim
And you are only just beginning
Oh, children
We have the answer to all your fears
It's short, it's simple, it's crystal-clear
It's roundabout and it's somewhere here
Lost amongst our winnings
(Oh, children)
(Lift up your voice, lift up your voice)
(Children)
(Rejoice, rejoice)
The cleaners have done their job on you
They're hip to it, man, they're in the groove
They've hosed you down, you're good as new
And they're lining up to inspect you
Oh children
Poor old Jim's white as a ghost
He's found the answer that we lost
We're all weeping now, weeping because
There ain't nothing we can do to protect you
(Oh, children)
(Lift up your voice, lift up your voice)
(Children)
(Rejoice, rejoice)
(Hey little train, we're jumping on)
(The train that goes to the Kingdom)
We're happy, Ma, we're having fun
And the train ain't even left the station
(Hey, little train, wait for me)
(I once was blind but now I see)
And have you left a seat for me?
Is that such a stretch of the imagination?
(Hey little train, wait for me)
(I was held in chains but now I'm free)
I'm hanging in there, don't you see?
In this process of elimination
(Hey little train, we're jumping on)
(The train that goes to the Kingdom)
We're happy, Ma, we're having fun (children)
It's beyond my wildest expectation (oh, children)
(Hey little train, we're jumping on)
(The train that goes to the Kingdom)
We're happy, Ma, we're having fun
The train ain't even left the station (oh, children)
(Hey, little train, wait for me)
(I once was blind but now I see)
My dear, my darling one
The cleaners are coming, one by one
You don't even want to let them start
They're knocking now upon your door
They measure the room, they know the score
They're mopping up the butcher's floor
Of your broken little hearts
(Oh, children)
Forgive us now for what we've done
It started out as a bit of fun
Here, take these before we run away
The keys to the gulag
(Oh, children)
(Lift up your voice, lift up your voice)
(Children)
(Rejoice, rejoice)
Come on
Come on
Come on
Come on
Here comes Frank and poor old Jim
They're gathering round with all my friends
We're older now, and the light is dim
And you are only just beginning
Oh, children
We have the answer to all your fears
It's short, it's simple, it's crystal-clear
It's roundabout and it's somewhere here
Lost amongst our winnings
(Oh, children)
(Lift up your voice, lift up your voice)
(Children)
(Rejoice, rejoice)
The cleaners have done their job on you
They're hip to it, man, they're in the groove
They've hosed you down, you're good as new
And they're lining up to inspect you
Oh children
Poor old Jim's white as a ghost
He's found the answer that we lost
We're all weeping now, weeping because
There ain't nothing we can do to protect you
(Oh, children)
(Lift up your voice, lift up your voice)
(Children)
(Rejoice, rejoice)
(Hey little train, we're jumping on)
(The train that goes to the Kingdom)
We're happy, Ma, we're having fun
And the train ain't even left the station
(Hey, little train, wait for me)
(I once was blind but now I see)
And have you left a seat for me?
Is that such a stretch of the imagination?
(Hey little train, wait for me)
(I was held in chains but now I'm free)
I'm hanging in there, don't you see?
In this process of elimination
(Hey little train, we're jumping on)
(The train that goes to the Kingdom)
We're happy, Ma, we're having fun (children)
It's beyond my wildest expectation (oh, children)
(Hey little train, we're jumping on)
(The train that goes to the Kingdom)
We're happy, Ma, we're having fun
The train ain't even left the station (oh, children)
(Hey, little train, wait for me)
(I once was blind but now I see)
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The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
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Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
This is among the most sophisticated songs ever written; it is true literature.
The verses alternate between a young person with a broken heart and old folks who are passing away. What links them together is Time, in this song represented by "the cleaners".
Time heals all wounds, including the young person's broken heart. But there's a paradox because the passage of time is also leading us inexorably toward death.
The cleaners will clean our broken little hearts but they will also, eventually, clean every last trace of us off the Earth.
What is the solution to this paradox (the "answer to all our fears")?
For a Christian like Nick Cave, the solution is to embrace Christ, so that Time ceases to be a set of cleaners wiping us from history, and becomes a train carrying us in the direction of the Kingdom which we will reach at death.
We lost this answer in our pursuit of winnings (earthly possessions); the desire for earthly possessions is a trap ("a gulag") which keeps us from discovering the way out.
Jim rediscovered the answer (the Kingdom) at death, and then the narrator has a conversion experience (much like Nick Cave). He "once was blind" but now can see, he was "held in chains" (in the gulag) but now is free.
As soon as he has this conversion experience, his experience of time changes from dread (fear of getting old) to anticipation (of meeting God at death). Instantaneously he is free of the gulag and celebrates, even before the train of his new life starts moving. Merely being pointed in the right direction (being born again) is a basis for happiness.
You might expect that having been freed of his chains and having gotten on the train, the narrator would now "lift up his voice" and "rejoice". But here is where the song, to me, becomes literature. If you'll note, the rejoicing comes before he gets on the train. That is, I think, because the song is actually the means by which he will be saved. Lifting up his voice to God in song (accepting Christ) is the act that converts his heart to God, puts him on the train and keeps him heading toward the Kingdom. You might even say that rejoicing (ie exclaiming Christ as one's saviour) is the train itself.
The lesson of the song is that instead of singing our woes (our broken little hearts, poor old Jim, the light is dim) we should change our tune so to speak and lift up our voices in song to God.
It is a song, therefore, about song.
@seanbrady I don't know about it being a song about song. But I like the other things you have to say. I've listened to three songs by Nick Cave and the Bad Seeds and had no idea he was a Christian. He writes from a viewpoint directly opposite that in "Into My Arms," for instance. But I think that's an important thing to keep in mind when interpreting his work, certainly.