"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Here on these cliffs of Dover
So high you can't see over
And while your head is spinning
Hold tight, it's just beginning
You come from parents wanton
A childhood rough and rotten
I come from wealth and beauty
Untouched by work or duty
And oh, my love, my love
And oh, my love, my love
We both go down together
I found you, a tattooed tramp
A dirty daughter from the labor camps
I laid you down on the grass of a clearing
You wept but your soul was willing
And oh, my love, my love
And oh, my love, my love
We both go down together
And my parents will never consent to this love
But I hold your hand
Meet me on my vast veranda
My sweet, untouched Miranda
And while the seagulls are crying
We fall but our souls are flying
And oh, my love, my love
And oh, my love, my love
And oh, my love, oh my love
And oh, my love, my love
We both go down together
So high you can't see over
And while your head is spinning
Hold tight, it's just beginning
You come from parents wanton
A childhood rough and rotten
I come from wealth and beauty
Untouched by work or duty
And oh, my love, my love
And oh, my love, my love
We both go down together
I found you, a tattooed tramp
A dirty daughter from the labor camps
I laid you down on the grass of a clearing
You wept but your soul was willing
And oh, my love, my love
And oh, my love, my love
We both go down together
And my parents will never consent to this love
But I hold your hand
Meet me on my vast veranda
My sweet, untouched Miranda
And while the seagulls are crying
We fall but our souls are flying
And oh, my love, my love
And oh, my love, my love
And oh, my love, oh my love
And oh, my love, my love
We both go down together
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Fast Car
Tracy Chapman
Tracy Chapman
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
Well, If this really is a prequel to LAL, then maybe the couple didn't die. In the beginning, the lyrics say "Here on these cliffs of Dover So high you can't see over And while your head is spinning Hold tight, it's just beginning" Maybe those words just mean that they are both so in love that they get that weird butterfly-in-your-stomach feeling. "We fall, but our souls our flying" They fall in love, they fall in embrace, ect. If they didn't die, then the only lyric that confuses me is "You wept, but your soul was willing". It wouldn't make sense.
Now, lets say that they do both die. Then, the lyrics: "Here on these cliffs of Dover So high you can't see over And while your head is spinning Hold tight, it's just beginning" is them, holding hands, looking over the edge, thinking their final thoughts before they leap. "You wept, but your soul was willing" Miranda didn't want to die, who does? But she is willing to do it, for the sake of love. "We fell, but our souls were flying" They are literally falling of the cliff at this point. They have accepted their death, and while I'm not saying that they're happy about dying, they're glad that they will get to be together forever. "We both go down together" They both jump and plummet to earth together.
If they both did die, AND this is the prequel to LAL, then maybe the "dry ravine" was the ground underneath the cliff. Miranda was pregnant and literally about to give birth when she jumped, and I think maybe she survived a little longer, and was able to push Leslie out. Or Leslie was never actually birthed, but she became a ghost anyway.
Another crazy idea: Miranda and the narrator had a baby together, but, unable to take all the ridicule of their "socially wrong" relationship, killed themselves. The narrator's parents, while they disliked it, took the baby under their wing. The baby grew up to be Leslie's mother, and we all know what happened after that.