Here on these cliffs of Dover
So high you can't see over
And while your head is spinning
Hold tight, it's just beginning

You come from parents wanton
A childhood rough and rotten
I come from wealth and beauty
Untouched by work or duty

And oh, my love, my love
And oh, my love, my love
We both go down together

I found you, a tattooed tramp
A dirty daughter from the labor camps
I laid you down on the grass of a clearing
You wept but your soul was willing

And oh, my love, my love
And oh, my love, my love
We both go down together

And my parents will never consent to this love
But I hold your hand

Meet me on my vast veranda
My sweet, untouched Miranda
And while the seagulls are crying
We fall but our souls are flying

And oh, my love, my love
And oh, my love, my love
And oh, my love, oh my love
And oh, my love, my love
We both go down together


Lyrics submitted by sethbrown

We Both Go Down Together Lyrics as written by Colin Meloy

Lyrics © BMG Rights Management

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We Both Go Down Together song meanings
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    General Comment

    I doubt this has anything to do with "Leslie Anne Levine", but I can't say I'm very much interested whether that connection is true or not, since both songs pretty much stand for themselves.

    But I do agree with the poster who said that the guy's dragging "Miranda" into this mess. First off, the "you wept but your soul was willing" part sounds more like denial: "You may be crying but I KNOW that you really love me deep inside, and that your true desire is to die along with me". Kinda mad, this narrator. Also, I don't think he loves her. Do you call someone you love "a tattooed tramp", "a dirty daughter from the labour camps"? I thought not. Instead he seems to WANT to have a tragic lovestory. He just has a fantasy he wants to make real. First off, if he says she's a "tramp", how can she be "untouched"? He just wishes she was. And the parents not agreeing? He doesn't even know they don't - he just THINKS / supposes not ("and my parents will never consent to this love"). A supposition is not enough to die over. The action takes place in the modern world (tattooed women, you know), and that makes it even less likely for a young couple to "poetically" jump off a cliff cause someone doesn't agree with their relationship. And I especially don't picture a girl being enthusiastic about kill herself just because her possible inlaws reject her.

    He's just a sick demented guy who wants to be part of something dramatic. I can just see him saying his entire "we fall but our souls are flying" speech to her, with theatrical body-language; and behind him, a scared and somewhat confused "Miranda", with a "run now" face :P I wouldn't even be surprised if her name wasn't "Miranda" at all, but he just called her that cause it sounds so "old" and elegant. Or in relation to Miranda from "The Tempest".

    He was probably raised in a very "boring" and "naive" world of rich people, he can't understand the rough part of life; while "Miranda" knows it much better than most.

    My interpretation.

    CynicalTruthon April 09, 2009   Link

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