One two
Get behind the walls of new Roma, want to buy the farm
But the land's not yours to own?
Who owns Police? Who holds floor grease on a sandy beach?
Blood beach
Dance with a man he starts clutching, he ugly
Punks hung halo teach
Hugged by the math with the cable reach
A hundred and sixty-six channels lit
To train that animal shit
Where the mind's eye redefined
Where's God?
Buy a car, Kick tires

Back in Eighty-Six I lived
With a four-course artistry
Metal ones took turns showin' off colors and shit
Like I invaded the mating dance ritual
Criminal now
Wild things defined beautiful under my power
El Producto flash-fest-iss
Motherfuckers be like, "Ow, why haven't we left yet"
Blithering sideway twang, the youth and brain management troupe
The man is like BOOOP
You can't touch the Krush Groove
I live by the lunch table
Touched fables
Ducked labels
Lookout for the one he'd abide with the terrible stables
Signed to Rawkus
I'd rather be mouth fucked by Nazis unconscious
Callin' all bomb threats
Radio re-activated, caress
Under hella-ified missile defense
Fenced in, better blame it on fame shit and grin
Walk with a bag full of kittens
Take it to the river and throw yourself in
In about four seconds the ether will begin to leak

Who want to hold hands with this sicko malnutritionist
Soaked in newspeak?
Dissolve into the syncopated fragments of vinyl
splashed on loose leaf
We can embrace on the business end of my face first
Joe vs. the Volcano suicide beef
Dance with the vinyl monster
Devil in a blue skyline with clean conscience
Save the gesture
But can't save the children, weren't worth the effort
I'm a Caveman
Your modern ways frighten and confuse me
I watch your spirit box with the blinking lights and think
Are those little people trapped in that box? (No, Caveman)
But I do know converted mic digital 8-bus Mackie Avalon compression
Combined with 8-step effected
Dirty words paralyze words and infect shit
Infectious
Insofar as the ineffectual bed for elections
Development arrested
Trapped in the Cuckoo's nest
Looking for the nexus
If it's wild like that y'all found
infrared scope in the clutch of a tyrant
New World lullaby Sirens
Stuck migrants, bust 'em by violence
It's all bad timing
Getting merked on a Tram over Roosevelt Island
You think that's spacey?
Deep Space 9 millimeter, son, keep smiling

This is for the fringes and such
My generation just sit like dust
Feed 'em off of us and ask what I trust
Tell these stories, I'm right here holdin' my nuts
Right here holdin' my nuts
Right here holdin' my nuts
Right here holdin' my nuts
Right here holdin' my nuts

This is for the fringes and such
My generation ain't friends with slugs
Thank god for the drugs and drums
Tell these to read it, I'll be right here hidin' from guns
Right here hidin' from guns
Right here hidin' from guns


Lyrics submitted by errigan

Deep Space 9mm Lyrics as written by

Lyrics © CONCORD MUSIC PUBLISHING LLC

Lyrics powered by LyricFind

Deep Space 9mm song meanings
Add Your Thoughts

10 Comments

sort form View by:
  • 0
    General Comment

    This song is perfect. El-P is definitely one of the most creative hip hop artists in the studio these days.

    Lateralus518on July 21, 2010   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Light Up The Sky
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.