"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
There's no more cops outside
It just takes away
It's kinda why I'll talk to you
It's hella sensitive
Always the same old taste just new injury
Well I'll wear the claws if you'd like that
Yeah if you'd like that we can ride on a black horse
A great new wave Hesperian death horse
I can call you when I get back
Yeah when I get back I will call
But don't speak, don't say nothing
In case we ever do meet again
Something's wrong with you
Well I hope we never do meet again
You always sharpen your teeth 'cause you're like that
And you're like that every time you pull heart back
And her compact's carving deeper in your lap
I would call but I forget where the phone is at
Guess I'll talk to you when I get back
Yeah when I get back I will talk
But don't speak, don't say nothing
In case we ever should meet again
There are some things wrong with you
I hope we never do meet again
I hope we never do meet again
I hope we never do meet again
Something's wrong with you
And I hope we never do meet again
Something's wrong with you
And I hope we never do meet again
Something's wrong with you
And I hope we never do meet again
But don't speak, don't say nothing
In case we have to meet again
'Cause something's wrong with you
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
It just takes away
It's kinda why I'll talk to you
It's hella sensitive
Always the same old taste just new injury
Well I'll wear the claws if you'd like that
Yeah if you'd like that we can ride on a black horse
A great new wave Hesperian death horse
I can call you when I get back
Yeah when I get back I will call
But don't speak, don't say nothing
In case we ever do meet again
Something's wrong with you
Well I hope we never do meet again
You always sharpen your teeth 'cause you're like that
And you're like that every time you pull heart back
And her compact's carving deeper in your lap
I would call but I forget where the phone is at
Guess I'll talk to you when I get back
Yeah when I get back I will talk
But don't speak, don't say nothing
In case we ever should meet again
There are some things wrong with you
I hope we never do meet again
I hope we never do meet again
I hope we never do meet again
Something's wrong with you
And I hope we never do meet again
Something's wrong with you
And I hope we never do meet again
Something's wrong with you
And I hope we never do meet again
But don't speak, don't say nothing
In case we have to meet again
'Cause something's wrong with you
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
And I hope we never do meet again
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Fast Car
Tracy Chapman
Tracy Chapman
Mental Istid
Ebba Grön
Ebba Grön
This is one of my favorite songs. https://fnfgo.io
Cajun Girl
Little Feat
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
anyone else think that the woman at the start of the song is talking about condoms...?
@GlassJAw182 Probably. Why tho ?