Classic love story true to his western tx roots. One of my favorites as a story, but I think there are alot of songs that are amazing not even listed on this site. I guess I should figure out how to add them, because I have about 8 REK cd's.
Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one anymore
Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh, please, don't drop me home
Because it's not my home, it's their home
And I'm welcome no more
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Take me out tonight
Take me anywhere, I don't care, I don't care, I don't care
And in the darkened underpass
I thought, oh God, my chance has come at last
But then a strange fear gripped me
And I just couldn't ask
Take me out tonight
Oh, take me anywhere, I don't care, I don't care, I don't care
Driving in your car
I never, never want to go home
Because I haven't got one, la-di-dum
Oh, I haven't got one
Oh, oh
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one anymore
Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh, please, don't drop me home
Because it's not my home, it's their home
And I'm welcome no more
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Take me out tonight
Take me anywhere, I don't care, I don't care, I don't care
And in the darkened underpass
I thought, oh God, my chance has come at last
But then a strange fear gripped me
And I just couldn't ask
Take me out tonight
Oh, take me anywhere, I don't care, I don't care, I don't care
Driving in your car
I never, never want to go home
Because I haven't got one, la-di-dum
Oh, I haven't got one
Oh, oh
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
Lyrics submitted by weezerific:cutlery, edited by Mellow_Harsher, manfromspider
There Is a Light That Never Goes Out Lyrics as written by Johnny Marr Steven Morrissey
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
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So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
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Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
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'...and a strange fear gripped me and i just couldn't ask' is typical of young, shy men who can pluck up the courage to go for the first kiss. absolutely the best lyrics ever (imho). being so happy you wouldn't mind dying is not a concept that i've ever got though. the reason it's take me out rather than take me home is that he feels he's living a boring life but also that he is scared of sex.