Sometimes, sometimes, sometimes, sometimes

Hybrid
I've been diggin in crates ever since I was livin in space
Before the rat race, before monkeys had human traits
I mastered numerology, big band theology, performed lobotomies with telekinetic psychology
Invented the mic to so I can start blessin it
Chin-checkin' kids to make my point like an impressionist
Many men have tried to shake us
But I twist mic chords like double helixes to show them what I'm made of
I buckle knees like leg braces,
Cast a spell of instrumentalist on all of you MC's who hate us
So you can try on, leave you without a shoulder to cry on
From now to infinity, let icons be bygones
I fire bombs, ghostly notes haunt this
I tried threats, but moved on to a promise
I stomp shit with or without an accomplice
And run the gauntlet with whoever that wants this

High voltage
The unforgettable sound
High voltage
Bringin you up and takin you down
High voltage
Comin at you from every side
High voltage
Making the rhythm and rhyme collide

Akira, I've put a kink in the backbones, of clones, with microphones
Never satisfied my rhyme jones
Spraying bright day over what you might say
My blood types krylon, Technicolor type A
On highways ripe with road rage
Cages a win, cages a tin, that bounce all around
Surround sound
Devouring the scenes
Subliminal gangrene paintings, over all the same things
Sing songs karaoke copy bullshit
Break bones verbally with sticks and stones tactics
Fourth dimension, compact convention
Write rhymes with ease while the track stands at attention
Meant to put you away, with the pencil
Pistol, official, sixteen line, a rhyme missile
While you risk your all
I pick out at your flaws
Spittin' rah blah, blah, blah you can say you saw

High voltage
The unforgettable sound
High voltage
Bringin you up and takin you down
High voltage
Comin at you from every side
High voltage
Making the rhythm and rhyme collide

High voltage
The unforgettable sound
High voltage
Bringin you up and takin you down
High voltage
Comin at you from every side
High voltage
Making the rhythm and rhyme collide

Who's the man, demanding you hand over your Land Rover
The man's bolder than the Pharoahe when he jams you glance over
I am visclorosous, the most ferocious
When I spy my third eye, it's extremely high voltage

That's why I need ruby quartz glasses,
'Cause when I glance there's a chance
That I might blast the masses
Subliminals transmitted through piano
Integrated in flow, calculated to nano

I use skills when I need pleas sees the rhyme
I hear when I bleed as I proceed through time
I walk through walls and the inanimate obstacles
By inducing the reduction of cells and molecules

I bring the knowledge the you swallow a state that's a hologram
I botch your head, fatten your lip like collagen
The telepath deliver verses with no postage
Pharoahe Monch, Mike Shinoda, we are high voltage

High voltage
The unforgettable sound
High voltage
Bringin you up and takin you down
High voltage
Comin at you from every side
High voltage
Making the rhythm and rhyme collide

High voltage
The unforgettable sound
High voltage
Bringin you up and takin' you down
High voltage
Comin at you from every side
High voltage
Making the rhythm and rhyme collide
High voltage


Lyrics submitted by mysteriousdragon

H! Vltg3 Lyrics as written by Brad Delson Mike Shinoda

Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.

Lyrics powered by LyricFind

H! Vltg3 song meanings
Add Your Thoughts

16 Comments

sort form View by:
  • 0
    General Comment

    This song is no doubt one of the best on this Album...it truly kicks ass! (old lady ass at that!)

    BiGG STu

    KaylasThug86on August 15, 2002   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.