Ooh, babe
Don't leave me now
Don't say it's the end of the road
Remember the flowers I sent
I need you, babe
To put through the shredder
In front of my friends
Ooh, babe
Don't leave me now
How could you go?
When you know how I need you
To beat to a pulp on a Saturday night
Ooh, babe, don't leave me now
How can you treat me this way?
Running away
Ooh, babe
Why are you running away?
Ooh, babe
Don't leave me now
Don't say it's the end of the road
Remember the flowers I sent
I need you, babe
To put through the shredder
In front of my friends
Ooh, babe
Don't leave me now
How could you go?
When you know how I need you
To beat to a pulp on a Saturday night
Ooh, babe, don't leave me now
How can you treat me this way?
Running away
Ooh, babe
Why are you running away?
Ooh, babe
Lyrics submitted by Demau Senae, edited by nasses321
Don't Leave Me Now Lyrics as written by George Roger Waters
Lyrics © BMG Rights Management, Songtrust Ave, Warner Chappell Music, Inc.
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"How could you go/when you know how I need you/to beat to a pulp on a Saturday night"
"I need you babe/to put through the shredder/in front of my friends"
But throughout, he thinks he's the victim. It's his right to dominate his wife and she shouldn't be leaving him because he's exercising his dominance. He also thinks he's giving enough in return: "Remember the flowers I sent?"
The phone call at the end is his wife having moved to England and shacked up with another man. This man has been warned of Pink's antics and the new man doesn't want "Mrs. Floyd" to have anything to do with Pink anymore.
I must say, I agree with the new guy's sentiments...
"'The 11:15 from Newcastle is now approaching'
"The 11:18 arrival....'"
Wich means the girlsfriend moved to the US.
Then in Young Lust, Pink tries to call her, but a man answers (her new boyfriend) and hangs up.
[Phone rings..Clink of receiver being lifted]
"Hello..?"
"Yes, a collect call for Mrs. Floyd from Mr. Floyd.
Will you accept the charges from United States?"
[clunk! of phone being put down]
"Oh, He hung up! That's your residence, right? I wonder why he hung up?
Is there supposed to be someone else there besides your wife there to answer?"
[Phone rings again...clunk of receiver being picked up]
"Hello?"
"This is United States calling, are we reaching...
[interrupted by phone being put down]
"See he keeps hanging up, and it's a man answering."
[whirr of connection being closed]
Pink is trying to call his wife, not girlfriend. He's married, as shown in the movie. His wife is cheating on him. You were close in that respect, though.
Although we aren't inclined to believe that Pink abused his wife physically, the song leads us to assume that he has, as the line goes, "To beat to a pulp on a Saturday night." We don't have any other evidence suggesting he hasn't physically beaten his wife, although I agree that the line "To put through the shredder" probably does refer to emotional abuse. Also, I'd like to point out that when people are discussing what Pink could have done to his wife that made her leave, find another man, and refuse his calls (we assume she knew who was calling), they think that he had an emotional wall around himself that made her upset. She couldn't get through to him because of his wall. That isn't correct. I'd like to quote wikipedia.org for the correct interpretation:
"He eventually gets married, but he and his wife grow apart and she has an affair while Pink is on tour. When Pink learns of the affair, he compensates with expensive materialistic possessions and turns to a willing groupie (Jenny Wright), only to trash the hotel room and drive her away."
Orrrr, she was just being mean and not answering. *shrug*