Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
See, I think drugs have done some good things for us, I really do
And if you don't believe drugs have done good things for us
Do me a favor, go home tonight and take all your albums
All your tapes and all your CDs and burn 'em, 'cause you know what?
The musicians who've made all that great music that's enhanced your lives
Throughout the years, real fucking high on drugs
Dreaming of that face again
It's bright and blue and shimmering
Grinning wide
And comforting me with it's three warm and wild eyes
On my back and tumbling
Down that hole and back again
Rising up
And wiping the webs and the dew from my withered eye
In, out, in, out, in, out
A child's rhyme stuck in my head
It said that life is but a dream
I've spent so many years in question
To find I've known this all along
So good to see you
I've missed you so much
So glad it's over
I've missed you so much
Came out to watch you play
Why are you running away?
Came out to watch you play
Why are you running?
Shrouding all the ground around me
Is this holy crow above me
Black as holes within a memory
And blue as our new second sun
I stick my hand into his shadow
To pull the pieces from the sand
Which I attempt to reassemble
To see just who I might have been
I do not recognize the vessel
But the eyes seem so familiar
Like phosphorescent desert buttons
Singing one familiar song
So good to see you
I've missed you so much
So glad it's over
I've missed you so much
Came out to watch you play
Why are you running away?
Came out to watch you play
Why are you running away?
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
So good to see you once again
I thought that you were hiding
And you thought that I had run away
Chasing the tail of dogma
I opened my eye
I opened my eye
I opened my eye and there we were
I opened my eye
I opened my eye
I opened my eye and there we were
So good to see you once again
I thought that you were hiding from me
And you thought that I had run away
Chasing a trail of smoke and reason
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
And if you don't believe drugs have done good things for us
Do me a favor, go home tonight and take all your albums
All your tapes and all your CDs and burn 'em, 'cause you know what?
The musicians who've made all that great music that's enhanced your lives
Throughout the years, real fucking high on drugs
Dreaming of that face again
It's bright and blue and shimmering
Grinning wide
And comforting me with it's three warm and wild eyes
On my back and tumbling
Down that hole and back again
Rising up
And wiping the webs and the dew from my withered eye
In, out, in, out, in, out
A child's rhyme stuck in my head
It said that life is but a dream
I've spent so many years in question
To find I've known this all along
So good to see you
I've missed you so much
So glad it's over
I've missed you so much
Came out to watch you play
Why are you running away?
Came out to watch you play
Why are you running?
Shrouding all the ground around me
Is this holy crow above me
Black as holes within a memory
And blue as our new second sun
I stick my hand into his shadow
To pull the pieces from the sand
Which I attempt to reassemble
To see just who I might have been
I do not recognize the vessel
But the eyes seem so familiar
Like phosphorescent desert buttons
Singing one familiar song
So good to see you
I've missed you so much
So glad it's over
I've missed you so much
Came out to watch you play
Why are you running away?
Came out to watch you play
Why are you running away?
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
So good to see you once again
I thought that you were hiding
And you thought that I had run away
Chasing the tail of dogma
I opened my eye
I opened my eye
I opened my eye and there we were
I opened my eye
I opened my eye
I opened my eye and there we were
So good to see you once again
I thought that you were hiding from me
And you thought that I had run away
Chasing a trail of smoke and reason
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
Prying open my third eye
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Wow Aragorn, your pretty dumb huh? Rappo was intelligently making clear the connection of the nursery rhyme "Row Row Row Your Boat" to the line "A child's rhyme stuck in my head, it said life is but a dream" before you take shots at people, think of what you're saying.