And this I know his teeth as white as snow
What a gas it was to see him
Walk her everyday into a shady place
With her lips she said

She said, "Hey Paul, hey Paul, hey Paul
Let's have a ball
Hey Paul, hey Paul, hey Paul
Let's have a ball
Hey Paul, hey Paul, hey Paul
Let's have a ball"

Gigantic, gigantic, gigantic
A big, big love
Gigantic, gigantic, gigantic
A big, big love

Lovely legs there are
What a big black mass, what a hunk of love
He'll walk her every day into a shady place
Like the dark, but I'd want him

"Hey Paul, hey Paul, hey Paul
Let's have a ball
Hey Paul, hey Paul, hey Paul
Let's have a ball
Hey Paul, hey Paul, hey Paul
Let's have a ball"

Gigantic, gigantic, gigantic
A big, big love
Gigantic, gigantic, gigantic
A big, big love

Gigantic, gigantic, gigantic
A big, big love

Gigantic, gigantic, gigantic
A big, big love
A big, big love
A big, big love
A big, big love
A big, big love
A big, big love
A big, big love
A big, big love
A big, big love


Lyrics submitted by numb, edited by saintvolge

Gigantic Lyrics as written by Charles Thompson Kim Deal

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Gigantic song meanings
Add Your Thoughts

86 Comments

sort form View by:
  • +3
    My Interpretation

    OK, to deny the interracial sexual element of this song you would have to be either willfully dense or hopelessly oblivious yet i believe as with many pixies songs there exists a metaphysical interpretation underlying the surface. Let's imagine that the woman narrating is speaking of her feelings for Paul as a spiritual manifestation of the love of god and naturally comparing Paul's physical characteristics to her preconceived notion of god's appearance. The opening line, "And this I know: His teeth as white as snow" sounds like a declaration of faith using a simile that contains divine symbology. The color white being symbolic of light and purity and the comparison with snow which falls from the heavens. The heavens being the mythological dwelling place for most deities.

    The next line, "What a gas it was to see him" can be seen as an expression of exuberant joy at the thought of being in the presence of your creator in addition to being a metaphor for the energy such a force would emanate. The following line, "Walk her every day into a shady place" I think suggests that contrary to conventional wisdom god may not always have the best intentions and in reality does have a dark side so even though this entity provides this amazing illumination it is still capable of leading some souls into shady places. The pre chorus line, With her lips she said, "Hey, Paul, hey Paul, hey Paul Let's have a ball" reveals both the humorous irony of this song and the desired outcome of this supernatural relationship. The irony residing in the meaning of the name Paul which is of latin origin and is defined as, "small; humble" if that wasn't intended, excuse the pun but it's one gigantic coincidence.

    Now, the let's have a ball line is of course a metaphor for having a good time but in the metaphysical context a ball is explained as an spherical celestial body. So, having a ball could be akin to having a world which is what two people in a relationship would be sharing or in relation to god it could be said that one experiences god through this world. At this point, the remaining lyrics I haven't expounded upon shouldn't be that HARD to attribute DEEPER meaning to within the spiritual context theorized throughout. The idea of god is gigantic, the existence of such a being powerful enough to have created the known universe and all life made from it is a gigantic concept.

    I consider "Divine Hammer" to be a sexual/spiritual sequel of sorts to "Gigantic" in a way. Hopefully, I'm not the only one who sees it from this vantage point. If anybody else does please let your thoughts be known. Oh, just to clarify I'm agnostic leaning towards atheist but even in the absence of faith god is a fascinating idea to ponder.

    R.I.P. Morgan Freeman and may black Jesus return in 2012! ;)

    CollapsedHeadon November 04, 2009   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Mental Istid
Ebba Grön
This is one of my favorite songs. https://fnfgo.io
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.