You say one for the treble, two for the time
Come on, y'all, let's rock this
You say one for the treble, two for the time
Come on
Speech is my hammer, bang the world into shape
Now let it fall (huh)

My restlessness is my nemesis
It's hard to really chill and sit still
Committed to page, I write a rhyme
Sometimes won't finish for days
Scrutinize my literature, from the large to the miniature
I mathematically administer
Subtract the wack
Selector, wheel it back, I'm feeling that
(Ha ha ha) from the core to the perimeter black
You know the motto
"Stay fluid even in staccato"
(Mos Def) full blooded, full throttle
Breathe deep inside the drum hollow
There's the hum, young man where you from?
Brooklyn number one
Native son, speaking in the native tongue
I got my eyes on tomorrow (there it is)
While you still tryna find where it is
I'm on the Ave where it lives and dies
Violently but silently
Shine so vibrantly that eyes squint to catch a glimpse
Embrace the bass with my dark ink fingertips
Used to speak the king's English
But caught a rash on my lips
So now my chat just like dis
Long range from the base-line (swish)
Move like an apparition
Low to the ground with ammunition (chi-chi-chi-baow)
Move from the gate, voice cued on your tape
Putting food on your plate
Many crews can relate
Who choosing your fate? Yo
We went from picking cotton
To chain gang line chopping
To B-Bopping
To Hip-Hopping
Blues people got the blue chip stock option
Invisible man, got the whole world watching
(Where ya at?) I'm high, low, East, West, all over your map
I'm getting big props, with this thing called Hip Hop
Where you can either get paid or get shot
When your product in stock
The fair-weather friends flock
When your chart position drop
Then the phone calls
Chill for a minute
Let's see who else tops
Snatch your shelf spot
Don't gas yourself akh'
The industry just a better built cell block
A long way from the shell tops
And the bells that L rocked
Rock (rock), rock (rock), rock (rock), rock (rock)
Rock, rock (ha), rock, rock

(Over here just sayin')
(Hip Hop)
(Class is in session)
(Hip Hop, one, on-on-one, one, two, one, two)
(Sweat inside my hand)
(Hip Hop)
(The more emotion I put into it, the harder I rock)
(Hip Hop)

Hip Hop is prosecution evidence
An out of court settlement, ad space for liquor
Sick without benefits (huh)
Luxury tenements choking the skyline
It's low life getting tree-top high (top high)
It is a back water remedy
Bitter intent to memory, a class E felony
Facing the death penalty (huh)
Stimulant and sedative, original repetitive
Violently competitive, a school unaccredited (there it is)
The break beats you get broken with
On time and inappropriate
Hip Hop went from selling crack to smoking it
Medicine for loneliness
Remind me of Thelonius and Dizzy
Boppers to B-Boys getting busy
The war-time snap shot
The working man's jack-pot
A two dollar snack box
Sold beneath the crack spot
Olympic sponsor of the black Glock
Gold medalist in the back shot
From the sovereign state of the have-nots
Where farmers have trouble with cash crops (huh)
It's all city like Phase 2
Hip Hop will simply amaze you
Praise you, pay you
Do whatever you say do
But, black, it can't save you


Lyrics submitted by nsxdriven

Hip Hop Lyrics as written by Joseph Kirkland Dante Smith

Lyrics © Sony/ATV Music Publishing LLC, Sentric Music, Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

Hip Hop song meanings
Add Your Thoughts

7 Comments

sort form View by:
  • 0
    General Comment

    @ZestyMordant: So true!

    eiatheplayaon November 23, 2007   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.