Brucie dreams life's a highway too many roads bypass my way
Or they never begin. innocence coming to grief
At the hands of life - stinkin' car thief, that's my concept of sin
Does heaven wait all heavenly over the next horizon '

But look at us now, quit driving, some things hurt more much more than cars and girls.
Just look at us now, start counting, what adds up the way it did when we were young '
Look at us now, quit driving, some things hurt much more than cars and girls.

Life's a drive through a dust bowl, what's it do, do to a young soul
We are deeply concerned, someone stops for directions,
Something responds deep in our engines, we have all been burned
Will heaven wait all heavenly over the next horizon '

But look at us now, quit driving, some things hurt more much more than cars and girls.
Just look at us now, start counting, what adds up the way it did when we were young '
Look at us now, quit driving, some things hurt much more than cars and girls.

Little boy got a hot rod, thinks it makes him some kind of new god
Well this is one race he won't win,
'cos life's no cruise with a cool chick
Too many folks feelin' car sick, but it never pulls in.
Brucie's thoughts - pretty streamers
- guess this world needs it's dreamers may they never wake up.

But look at us now, quit driving, some things hurt more much more than cars and girls.
Just look at us now, start counting, what adds up the way it did when we were young '
Look at us now, quit driving, some things hurt much more than cars and girls.

But look at us now, quit driving, some things hurt more much more than cars and girls.
Just look at us now, start counting, what adds up the way it did when we were young ''
Look at us now, quit driving, some things hurt much more than cars and girls.


Lyrics submitted by Bobo192

Cars & Girls Lyrics as written by Paddy Mcaloon

Lyrics © Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Cars And Girls song meanings
Add Your Thoughts

7 Comments

sort form View by:
  • +2
    General Comment

    I heard that Bruce Springsteen liked this song, and took it as a compliment rather than an insult, which according to Paddy from Prefab was how it was intended. Was just meant to highlight the differences between singers and their songs.

    Robertl1on June 27, 2006   Link
  • +2
    My Opinion

    This song is one of my 'ten of the best'. Prefab Sprout are highly underrated in my opinion.

    I'm not a Springsteen fan at all, the new Bob Dylan? who the hell were they trying to kid? I absolutely love the fact that Prefab Sprout were having a little dig at Brucies 'narrow mindedness'. As the title suggests, some things hurt more, much more, than cars and girls.

    DJDiscoon December 30, 2009   Link
  • +1
    My Interpretation

    Nice one Cliff. I agree with much of your interpretation. This song is so powerful. The music sounds like the lyric - by that I mean it makes you feel what the words are saying. And like with so much that Prefab have done, there's a lot more to it than there first appears. Paddy McAloon is a smart and thoughtful man. And respectful. So with regard to Springsteen I interpret Paddy's sentiments towards him like this. I think Paddy would be aware of Bruce's lyrics and understand that the highway for Bruce is where real life happens (Working On The Highway and Highway Patrolman) and also a means of escaping from it (Born To Run). 'Brucie dreams life's a highway' suggests that Paddy feels the optimism in 'Born To Run', for example, may be misplaced, Bruce just dreaming that life could be that way. There is along with this the suggestion that life hasn't brought the opportunities it might have, 'too many roads bypass my way or never begin'. 'Brucie's thoughts - Pretty streamers. Guess this world needs its dreamers. May they never wake up' says this to me: 'Yeah, Bruce's thoughts may be a bit fluffy but if he and others can bring and share that optimism, it's a good thing. And I think that Paddy, realising that his own 'innocence has come to grief', is saying 'good for them!' with an overtone of 'wish I were still able to see it that way'. I don't think it's criticism of Bruce's lyrical subject matter. After all, on a practical note, why would he have a pop at debatably America's most adored working class hero, certainly in 1988, at a time when Prefab would have been trying to have their stuff accepted over there? Then there's the car. I view the car on two levels, the literal level: 'little boy got a hot rod' (can't but delight in the Freud of that!!). Much fun to be had with cars as a youngster. Same can be said for girls! And yes, there are more important things in life to consider than cars and girls, something of which many of us become aware but not until later; ... and then there's the metaphor: 'too many folks feeling car sick, but it never pulls in', the car as the vehicle in which we experience life and make our discoveries, good and bad; 'someone stops for directions', 'something responds deep in our engines', 'we have all been burned', beautiful expressions of how life can treat us; and then how to deal with it - 'quit driving' (as in, let life itself do the driving rather than try to steer it ourselves), 'start counting' (what we have, not what we don't, perhaps, or ask ourselves what really means something now we're older). Add to this the insight of sin (the mistakes we make) robbing us of our 'car' by stealing our innocence and the contrasting hope, albeit uncertain hope, of 'heaven waiting heavenly over the next horizon' (life will get better) and you have here the most astonishing exploration of retrospect ever distilled into four minutes and twenty-five seconds of music. And Paddy was only 31 years old when this was released. I have long believed that if you like the sound of something then it has something to bring you. I have always loved this song but until this morning I have never really applied my own rule of investigating it thoroughly to see what its gift might be. I now have that gift and having recently lost my Mom, I know beyond measure that some things hurt more much more than cars and girls. Paddy, genius, thank you. And you Cliff, since it was your sharing that got me paying attention.

    OldDogon September 23, 2015   Link
  • 0
    General Comment

    A song against the endless stram of songs in the 80's that focused on girls and cars, mostly against the superfical nonsense of hair metal, with a little dig against Bruce Springsteen.

    Citzon June 25, 2004   Link
  • 0
    My Interpretation

    I've heard this was a subtle dig at Springsteen, but I really think it goes a lot deeper than that. Basically, it's a story of ' life's a bitch ' . A story of how the fun things in life are far too often overshadowed by the bad. The writer tells how he is a realist, looking at life in terms of grim realities and harsh truths, and ends by suggesting that there are those who will ignore these regardless and hopefully they'll never see the truth ( Pretty streamers - guess this world needs its' dreamers, may they never wake up! ) Never fai to be moved to tears by the haunting last verse - Little boy got a hot rod.. etc. So close to the truth it's not funny. Young and indestructible, but ignorant to that harsh reality of life. Perhaps the greatest lyric ever in the history of popular music, by the greatest ever lyricist. Paddy McAloon is a genius.

    Cliff3225on July 23, 2014   Link
  • 0
    General Comment

    Had no idea that referred to Bruce Springsteen. I kinda prefer its being just some kid in their room, with a highway they can hear, and only kind of see, in the distance. But, yeah. I don't think it's disparaging to Bruce, nor to songs about cars and girls. Sure, I imagine anyone passed that stage in their life knows there's a bunch of problematic gender stuff packed into that little slice of our popular culture, but... Maybe there isn't a "but" there. But, I think, given that McAloon is associated with "the quest for perfect pop," he's clearly still deeply affected by elements of pop culture, which has had a lot to do with adolescence since, uh, the '50s, I think? Everyone acts like YA books are a millenial thing, but teenagers have been the driving (hey!) force in pop culture for a long time. I think a lot of people like certain pieces of art or culture, in fact, because they so embody feelings they used to have and still occasionally do - I love driving home from work. At some point in there, I am totally just like I was as a kid, the same sense of freedom and exploration, etc., even if it's only temporary - even if it's actually part of a ritualistic fail-safe release valve for the frustrations of daily life in first-world late-capitalism. I don't know, I have mixed feelings about art - it's a consolation, but it's hard to spot the line between "I should console myself about this" and "I should change this, maybe put a stop to it, or at least try to, at least contribute to putting a stop to it." I think the ambiguity of that line is part of why a song like this exists. Not that "ambiguity" should be taken as a permission to inaction. But I think that's a longer topic, and this is already pretty long.

    oscardiogeneson July 03, 2020   Link
  • -1
    General Comment

    Yeah - i always thought this song was terribly unfair as regards Bruce. I'm not sure the Sprouts ever listened to any of his lyrics.

    mattythetigeron February 28, 2006   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.