Hurdy Gurdy Man

k i read your posts and would like to add... From Wikipedia, the free encyclopedia Jump to: navigation, search "Hurdy Gurdy Man" Single by Donovan B-side "Teen Angel" Released May 1968 (UK) June 1968 (U.S.) Format 7" 45 RPM Recorded April 3, 1968, CBS Studios, London, England[1] Genre Psychedelic rock, folk rock, Acid Rock Length 3:15 Label Pye Epic (USA) Writer(s) Donovan Producer Mickie Most Donovan UK singles chronology "Jennifer Juniper" (2/1968) "Hurdy Gurdy Man" (1968) "Atlantis" (1968)

Donovan USA singles chronology "Jennifer Juniper" (3/1968) "Hurdy Gurdy Man" (1968) "Laléna" (10/1968)

"Hurdy Gurdy Man" is a song by the Scottish musician Donovan. It was written and recorded in early 1968 and released in May as a single and gave name to the album The Hurdy Gurdy Man, which was released in October of that year. It reached #5 in the U.S. and #4 in the UK pop charts. The song was written for Donovan's old friend and guitar mentor Mac MacLeod. MacLeod was in a Danish band at the time called Hurdy Gurdy.[2][3] The song features a harder rock sound than Donovan's usual material. It also features an Indian influence with the use of a tambura in it.

In the booklet that came with Donovan's 1992 double CD, Troubadour: The Definitive Collection 1964-1976, Allan Holdsworth and Jimmy Page are listed as the electric guitar players and John Bonham and Clem Cattini as drummers on the recording. However, according to John Paul Jones, who arranged and played bass on the track (and also booked the session musicians), Clem Cattini played the drums and Alan Parker played the electric guitar.[4] The song was an anthem for free-spirited hippies at the time due to its psychedelic sound.

Chart positions were #4 UK Singles Chart; #5 Billboard Pop Singles (US); #3 Cash Box (US)

John Paul Jones, who with Page and Bonham later formed Led Zeppelin, was the musical director for the session. According to drummer Clem Cattini, the musicians who played on the song were:

Donovan - acoustic guitar John Paul Jones - arrangement, musical director and bass guitar Alan Parker - electric guitar Clem Cattini - drums. [5]

The session was produced by Mickie Most and engineered by Eddie Kramer.

In interviews with Keith Altham for the NME and Hit Parader, and Tony Wilson for Melody Maker,[2] Donovan explained he wrote "Hurdy Gurdy Man" as a gift for his friend and early guitar mentor Mac MacLeod. Donovan wanted MacLeod's band Hurdy Gurdy to record it. However, Donovan changed his mind about giving the song as gift and recorded his own version. Donovan claimed in an interview with Little Steven Van Zandt that he had originally hoped Jimi Hendrix would play on the song, but as he was unavailable, Jimmy Page played instead. Page has often been credited as playing electric guitar, which Donovan still maintains: Page, Jones and Cattini assert that it was Parker. Donovan's claim is documented in Hannes Rossacher's 2008 documentary Sunshine Superman: The Journey of Donovan, where he asserts that "Hurdy Gurdy Man" ushered in the Celtic rock sound which would lead to Page, Jones, and Bonham going on to form Led Zeppelin soon afterwards.

ok here is some of my info.. now go call or visit one of your old friends :)

what a great song! i dedicate this post to my old fried buddy g.parker i forget your true name but we spent many a night blazin in the attic of yer mam & paps log cabin home in douglas bro! what haunts me about this song is what i found on the net...

The hurdy gurdy in Eastern Europe The hurdy-gurdy has a well developed tradition in Eastern Europe, in particular in Hungary, Poland, Belarus and Ukraine. In Ukraine it is known as the lira or relia. It was and still is played by professional, often blind, itinerant musicians known as lirnyky. Their repertoire is primarily para-religious in theme, although it includes many historic epics known as dumy and folk dances. Lirnyky were categorised as beggars by the Russian authorities and underwent harsh repressive measures if they performed in the streets of major cities until 1902, when the authorities were asked by ethnographers attending the 12th All-Russian Archaeological conference to stop persecuting them. In the 1930s this tradition was almost totally eradicated by the Soviet authorities when some 250-300 lirnyky were rounded up for an ethnographic conference and executed as a socially undesirable element in contemporary Soviet society. Today the instrument is undergoing a revival and is also being used in various ethnographic ensembles.

as my ol gramps used to say " jesus h frikin christ!!" ok i left out a curse word.. and furthermore... Terminology A person who plays the hurdy gurdy is called a hurdy gurdyist, hurdy gurdy player, or (particularly for players of French instruments) viellist.

Due to the prominence of the French tradition, many instrument and performance terms used in English are commonly taken from the French, and players generally need to know these terms to read relevant literature. Such common terms include the following:

trompette: the highest-pitched drone string that features the buzzing bridge mouche: the drone string pitched a fourth or fifth below the trompette petit bourdon: the drone string pitched an octave below the trompette gros bourdon: the drone string pitched an octave below the mouche chanterelle(s): melody string(s), also called chanters or chanter strings in English chien: (literally "dog"), the buzzing bridge tirant: a small peg set in the instrument’s tailpiece that is used to control the sensitivity of the buzzing bridge sic Encyclopedia: Hurdy-gurdy Top Home > Library > Entertainment & Arts > Music Encyclopedia A string instrument bowed mechanically, with three main elements: a set of melody and drone strings, a resin-coated wooden wheel which acts as a bow, and a keyboard with tangents that bear on the strings when depressed.

In the Middle Ages the hurdy-gurdy (organistrum) was used in the teaching and performance of religious music. 12th-century pictures show it as fiddle-shaped with three strings, up to 2 m long, resting on the laps of two players (one operated the tangents, the other turned the wheel). Eight tangents provided a diatonic octave (with Bâ™­ as well as B) from C. The drone strings were an octave apart with the centre melody string a 4th or 5th below the higher. In the 13th century the instrument was smaller and played by one musician, often to accompany songs. It became established as a popular minstrel instrument. Its social standing has varied; in the 17th century it was a beggar's instrument. During the 18th, when ‘rusticity’ was in vogue, it saw an upsurge of popularity among the French aristocracy (as the vielle à voue), and pieces were written specially for it (e.g. Mozart's four German dances, k 602). Haydn wrote for a related instrument, the lira organizzata.

The hurdy-gurdy is usually viol-shaped, with two melody strings passing through the box housing the tangents. One of the drones causes its bridge to rattle. The instrument is slung around the neck and held so that the keys fall back into place after being released. The player can articulate rhythm with minute interruptions of the wheel's rotation while pressing the keys with the left-hand fingers.

The hurdy-gurdy is still played in parts of Europe as a folk instrument; variant forms include the Swedish nyckelharpa, played with a bow in place of the wheel.

have to say i love the ability to surf the net, wikipedia and this great forum where i can say what i want (hope it don't get deleted)!