The magnificent seven

Ring, ring, it's 7:00 A.M.
Move yourself to go again
Cold water in the face
Brings you back to this awful place

Knuckle merchants and your bankers too
Must get up and learn those rules
Weather man and the crazy chief
One says sun and one says sleet

A.M., the F.M. the P.M. too
Churnin' out that boogaloo
Gets you up and it gets you out
But how long can you keep it up?

Gimme Honda, gimme Sony
So cheap and real phony
Hong Kong dollar, Indian cents
English pounds and Eskimo pence

You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, yeah

You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, yeah

Working for a rise, better my station
Take my baby to sophistication
Seen the ads, she thinks it's nice
Better work hard, I seen the price

Never mind that it's time for the bus
We got to work and you're one of us
Clocks go slow in a place of work
Minutes drag and the hours jerk

Yeah, wave bye, bye (when can I tell 'em what I do?)
(In a second, maan, alright Chuck)

Wave bub-bub-bub-bye to the boss
It's our profit, it's his loss
But anyway the lunch bells ring
Take one hour, do your thang
Cheeesboiger

What do we have for entertainment?
Cops kickin' gypsies on the pavement
Now the news has snapped to attention
Lunar landing of the dentist convention

Italian mobster shoots a lobster
Seafood restaurant gets out of hand
A car in the fridge, a fridge in the car
Like cowboys do in TV land

You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, huh

You lot, what?
Don't stop, give it all you got, yeah
You lot, what?
Don't stop

So get back to work and sweat some more
The sun will sink and we'll get out the door
It's no good for man to work in cages
Hit the town, he drinks his wages

You're frettin', you're sweatin'
But did you notice, you ain't gettin'
You're frettin', you're sweatin'
But did you notice, not gettin' anywhere

Don't you ever stop, a long enough to start
Take your car outta that gear
Don't you ever stop, long enough to start
Get your car outta that gear

Karlo Marx and Frederick Engels
Came to the checkout at the 7-11
Marx was skint but he had sense
Engels lent him the necessary pence

What have we got? Yeah, ooh
What have we got? Yeah, ooh
What have we got? Magnificence
What have we got?

Luther King and Mahatma Gandhi
Went to the park to check on the game
But they was murdered by the other team
Who went on to win fifty-nil

You can be true, you can be false
You'll be given the same reward
Socrates and Milhous Nixon
Both went the same way through the kitchen

Plato the Greek or Rin Tin Tin
Who's more famous to the billion millions?
News flash, 'Vacuum cleaner sucks up budgie'
Ooh, bye-bye, bub-bye

The magnificent seven
Magnificent
Magnificent seven


Lyrics submitted by Punkloser71, edited by jpaulo, woody27, CatActual

The Magnificent Seven [Edit] Lyrics as written by Mick Jones Joe Strummer

Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

The Magnificent Seven song meanings
Add Your Thoughts

29 Comments

sort form View by:
  • +2
    General Comment

    The Magnificent Seven were the 7 public cemeteries built outside Victorian London because the city graveyards got too full. This song is about busting your butt only to have your final rest in one of the Seven.. In 1832 Parliament passed a bill encouraging the establishment of seven private cemeteries in a ring around outer London, to provide ample space for burial. These are known today as the Magnificent Seven. The first to open, in 1832, was Kensal Green, followed by West Norwood (1837), Highgate Cemetery (1839), Nunhead (1840), Brompton (1840), Abney Park (1840), and Tower Hamlets (1841),

    The Magnificent Seven appealed in particular to the newly emerging middle class, keen to distance itself from the working class and to present to the public its social status. Graves were seen as a public extension to the family’s property, and cemeteries such as the Magnificent Seven provided a secure, well-maintained, costly place for families to establish permanent monuments to themselves — an immortality of sorts.

    gibbkathyon October 25, 2010   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Ave Grave
Thee More Shallows
So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new. This song could be gospel of John but from the perspective of Jesus. Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness". The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1. All of this happened simply because he was doing his thing, not because of any agenda he had or strategy. And then he gets scourged (storm of thorns) There are some plot holes here but I think it's an interesting interpretation.
Album art
Love in a Vacuum
'Til Tuesday
Well, in my opinion this song is about being a young & maybe a little naive &/or introverted girl and finding yourself loving a man who is at first very charming, carefree & outgoing, and seems at first to be without limits, as in "There was a time you opened up every doorway you didn't mind if everything wasn't your way" then that man starts to gradually become more introverted & shows their more possessive/obsessive side to you as the relationship progresses, even while they keep up the appearance of being carefree & outgoing to everyone else, "Don't pull away that goes against what you told me I look in your eyes I realize what you've sold me is love in a vacuum" so you confront them about the way they're acting and of course they deny it, "I think you've changed but you insist that that's not true" quite possibly they are an addict of some sort, my guess would be cocaine, &/or showing very obsessive behavior towards you (early on in the video for this song we see the man hanging a picture up, it is a very large portrait of Aimee & it is prominently displayed in his/their apartment for the duration of the song), thus their "love in a vacuum", "You look so strange, so distant that you're hardly you Now I can see how you have been acting different You say it's me but I know that it isn't it's love in a vacuum" but still you are in love with them and don't want to leave them and you know that they are truly in love with you and they don't want you to leave them either, maybe they are convinced you can save them from themself, maybe they are so broken that the possibility of an overdose &/or suicide attempt is very real and you want to get through to them that their behavior not only dangerous but it is also just pissing you off and if they don't wise up they run the risk of loosing you, as in the lines "You will be lonely if you leave me alone", so you want to save them but can't get through to them due to the addiction &/or emotional problems they have, "Love in a vacuum and that's not enough love in a vacuum You will be lonely you'll be the only one who feels this way You will be lonely if you leave me alone You will be lonely you'll be the only one who feels this way it's just not enough" you want them to understand that the love they are giving you is not enough when it is filtered through the vacuum of their drug addiction &/or emotional impairment, "You will be lonely you'll be the only one who feels this way it's just not enough and just wait you will be lonely Love in a vacuum Love in a vacuum and that's not enough Love in a vacuum". 'Love In A Vacuum' for me is a hauntingly truthful acute argument on the loneliness of obsession and almost inevitable loss of love that follows people who are broken in some way or another; the obsessives, the coke heads, the drunks, addicts or the just-plain-old emotionally broken; a razor sharp, lyrically driven, deceptively poppy, yet ultimately-depressing-in-the-best-way song. Quintessential Aimee Mann.
Album art
Techno Ted
Audioslave
Techno Ted may be a person who caused Chris incredible emotional pain & trepidation as well as moments of peace & happiness but now is removed and awaiting his fate. Darling may be a different person who is also free of him and can live her life free of Ted's tyranny. "In between all the laughing, and daydreams ... lies: a desert of truth" Lies are like a desert or the omission of Truth: Where there were Lies then Truth was absent. The song, "Techno Ted", may be a cathartic celebration of the downfall of this person.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."