This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
The last night of the fair
By the big wheel generator
A boy is stabbed
And his money is grabbed
And the air hangs heavy like a dulling wine
She is famous
She is funny
An engagement ring
Doesn't mean a thing
To a mind consumed by brass (money)
And though I walk home alone
I might walk home alone...
...But my faith in love is still devout
The last night of the fair
From a seat on a whirling waltzer
Her skirt ascends for a watching eye
It's a hideous trait (on her mother's side)
From a seat on a whirling waltzer
Her skirt ascends for a watching eye
It's a hideous trait (on her mother's side)
And though I walk home alone
I might walk home alone...
...But my faith in love is still devout
Then someone falls in love
And someone's beaten up
Someone's beaten up
And the senses being dulled are mine
And someone falls in love
And someone's beaten up
And the senses being dulled are mine
And though I walk home alone
I might walk home alone ...
...But my faith in love is still devout
This is the last night of the fair
And the grease in the hair
Of a speedway operator
Is all a tremulous heart requires
A schoolgirl is denied
She said : "How quickly would I die
If I jumped from the top of the parachutes?"
La...
This is the last night of the fair
And the grease in the hair
Of a speedway operator
Is all a tremulous heart requires
A schoolgirl is denied
She said : "How quickly would I die
If I jumped from the top of the parachutes?"
La...
So...scratch my name on your arm with a fountain pen
(This means you really love me)
Scratch my name on your arm with a fountain pen
(This means you really love me)
Oh...
And though I walk home alone
I just might walk home alone
But my faith in love is still devout
I might walk home alone
But my faith in love is still devout
I might walk home alone
But my faith in love is still devout
La...
By the big wheel generator
A boy is stabbed
And his money is grabbed
And the air hangs heavy like a dulling wine
She is famous
She is funny
An engagement ring
Doesn't mean a thing
To a mind consumed by brass (money)
And though I walk home alone
I might walk home alone...
...But my faith in love is still devout
The last night of the fair
From a seat on a whirling waltzer
Her skirt ascends for a watching eye
It's a hideous trait (on her mother's side)
From a seat on a whirling waltzer
Her skirt ascends for a watching eye
It's a hideous trait (on her mother's side)
And though I walk home alone
I might walk home alone...
...But my faith in love is still devout
Then someone falls in love
And someone's beaten up
Someone's beaten up
And the senses being dulled are mine
And someone falls in love
And someone's beaten up
And the senses being dulled are mine
And though I walk home alone
I might walk home alone ...
...But my faith in love is still devout
This is the last night of the fair
And the grease in the hair
Of a speedway operator
Is all a tremulous heart requires
A schoolgirl is denied
She said : "How quickly would I die
If I jumped from the top of the parachutes?"
La...
This is the last night of the fair
And the grease in the hair
Of a speedway operator
Is all a tremulous heart requires
A schoolgirl is denied
She said : "How quickly would I die
If I jumped from the top of the parachutes?"
La...
So...scratch my name on your arm with a fountain pen
(This means you really love me)
Scratch my name on your arm with a fountain pen
(This means you really love me)
Oh...
And though I walk home alone
I just might walk home alone
But my faith in love is still devout
I might walk home alone
But my faith in love is still devout
I might walk home alone
But my faith in love is still devout
La...
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The Night We Met
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From Johnny Rogan's book on The Smiths songs (this is one of those where every song is discussed): "Morrissey borrowed freely from the pen of comedienne Victoria Wood and hijacked her song 'Fourteen Again' for his own satiris purposes. What emerges is a striking adaptation in which Wood's humorously affectioante reminiscences are subverted into a threatening landcsape where casual violence and the threat of romantic suicide are menacingly present." "As Marr points out, the primary idea was to create a song that captured the raw excitement of youths visiting a Manchester fairground. (...) Morrissey also travelled back to his earlier memories in dramatising the dazzling unpredictability of faiground life. 'As a child, I was literally educated on fairgrounds', he claimed. 'It was the big event. It was why everybody was alive. On threadbare Manchester council estates once a year fairs would come around. It was a period of tremendous violence, hate, distress, high romance and all the truly vital things in life...In Rushholme, it was the only thing people had." "