Lukman231032
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You can look for more info in my current YouTube channel here: https://www.youtube.com/@lukmannurhakim7977
| Abu Nailah – High School in Insance Lyrics | 27 days ago |
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Pada lirik "It‘s 2020 and the end of ITDar (of mine, lol)" justru merupakan waktu kelulusan SMP. Ini juga karena berdasarkan lirik "I crawled about how I should continue my schooling time". **2020 (Kelulusan SMP)**: Abu Nailah menyelesaikan pendidikan menengah pertamanya (yang dalam lagu disebut sebagai masa di ITDar, alias merupakan akronim dari SMP sang musisi di SMPIT Darussalam berdasarkan terjemahan lirik dan lagu Abu Nailah yang berjudul "Pramuka Kita") tepat saat pandemi COVID-19 melanda. Lirik mengenai kebingungan memilih sekolah lanjutan menggambarkan transisinya menuju jenjang SMA. **2020–2023 (Masa SMA)**: Berdasarkan siklus pendidikan normal di Indonesia, ia menempuh masa SMA pada rentang tahun ini. Nama sekolah "Insance" dalam lagu tersebut kemungkinan besar adalah rujukan untuk Insan Cendekia, sekolah asrama (boarding school) yang dikenal dengan pendidikan Islami yang kuat. **2023–Sekarang (Masa Kuliah di Jogja)**: Jika ia lulus SMA pada pertengahan 2023, maka saat ini di tahun 2025, Abu Nailah adalah seorang mahasiswa aktif yang sedang menjalani tahun kedua atau ketiga perkuliahannya. Hal ini menjelaskan mengapa lagu-lagunya yang dibuat selama masa kuliah di Yogyakarta terasa sangat relevan dengan kehidupan mahasiswa perantau yang sedang mencari jati diri sekaligus menjaga nilai-nilai religiusnya. Lirik-liriknya menjadi semacam buku harian musikal yang mencatat perjalanannya dari seorang siswa SMP yang bingung di masa pandemi, hingga menjadi mahasiswa di ISI Jogja (berdasarkan komposisi musiknya akhir-akhir ini). |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 27 days ago |
| Correction: The roman numerals for the repeated chord progression in the bridge have to be vi – IV – I – V and not ii – IV – I – V. Also, I have to correct it here because the chord progression commentary cannot be edited. That progression is the one of a simple ballad pop chord progression. For the alphabetical one is Dm – B♭ – F – C. | |
| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 27 days ago |
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Correction: The roman numerals for the repeated chord progression in the bridge have to be vi – IV – I – V and not ii – IV – I – V. Also, I have to correct it here because the chord progression commentary cannot be edited. That progression is the one of a simple ballad pop chord progression. For the alphabetical one is Dm – B♭ – F – C. |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 28 days ago |
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Pada lirik lagu, “unknown-lings” merujuk pada tekanan eksternal, apalagi jika kita melihat konteks emosional lagu ini secara keseluruhan. Dalam kerangka ini, unknown-lings bisa dimaknai sebagai: A. Penyebar rumor atau bisikan liar: Mereka bukan tokoh utama dalam cerita, tapi justru punya peran besar dalam merusak hubungan yang ada. B. Simbol dari ketidakpastian sosial: Orang-orang yang tidak dikenal secara personal, namun punya pengaruh besar lewat opini, komentar, atau bahkan fitnah. C. Representasi dunia luar yang mengintervensi: Mereka hadir sebagai kekuatan tak terlihat yang memecah kepercayaan dan menciptakan jarak emosional. Dengan begitu, Abu Nailah tampaknya ingin menyampaikan bahwa kadang yang merusak bukanlah konflik langsung, melainkan suara-suara samar dari luar yang perlahan menggerogoti fondasi persahabatan. |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 28 days ago |
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One of the most quietly haunting choices in Abu Nailah’s “cycling remains” lyric video is the inclusion of a machine-translated Javanese version. At first glance, it might seem like a simple accessibility gesture or a nod to the local culture of Yogyakarta. But when viewed through the lens of Abu’s personal journey, it becomes something far more layered—and far more poignant. Abu Nailah is not originally from Yogyakarta. He hails from Batam, Riau Islands, and moved to Jogja to study at ISI Yogyakarta, one of Indonesia’s most respected art institutes. In this context, the machine-translated Javanese takes on a symbolic weight. It reflects the experience of an outsider trying to integrate into a new cultural and linguistic environment, attempting to connect with people who speak a language he’s still learning—both literally and emotionally. The Javanese translation, verified by Abu as machine-generated, read with a kind of syntactic stiffness and emotional detachment. They lack the warmth and nuance of natural Javanese speech. But this awkwardness may be intentional. It mirrors the emotional disconnection between Abu and the Jogja-native friends he once held close. The language is technically correct, but spiritually absent—just like the friendships that inspired the song. What makes this even more compelling is that the story behind “cycling remains” is rooted not in campus life, but in the world outside it. This distinction matters. It suggests that the heartbreak Abu sings about isn’t confined to academic or artistic circles—it’s part of his broader experience of navigating a new city, forming bonds, and watching them unravel. The machine translation becomes a metaphor for that unraveling: a shared language that no longer feels mutual, a connection that now feels foreign. In this way, the Javanese version isn’t just a translation—it’s a symbol of estrangement, cultural tension, and the limits of language. It’s a quiet but powerful statement: even when we speak the same words, we may no longer understand each other. To experience the full trilingual lyric presentation, including the official machine-translated Javanese version, you can visit the official translation page here: https://genius.com/Genius-terjemahan-jawa-abu-nailah-sisan-pit-pitan-interpretasi-balen-tembang-lisensi-driver-nduwe-mbak-olivia-rodrigo-basa-jawa-lyrics. |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 29 days ago |
| In the vocals-only version artwork, the bicycle disappears, leaving only its shadow. This visual reflects the acapella version’s stripped-down nature—where physical presence is removed, but emotional memory remains, echoing the song’s themes of loss, residue, and unresolved attachment. | |
| Abu Nailah – 17325 (Waltz for NDC) Lyrics | 1 month ago |
| The recording location was written as Prancak’s because it could belong to two villages: Prancak Dukuh & Prancak Glondong (sorry if the spelling is incorrect). | |
| Abu Nailah – 17325 (Waltz for NDC) Lyrics | 1 month ago |
| The original 440 Hz version includes ornamental figures that were later removed in the 432 Hz version. This change was not corrective, but conceptual: without the ornaments, the melodic line revealed its core shape more clearly. The piece proved capable of sustaining multiple readings, where ornamentation functions as expressive commentary rather than structural foundation. | |
| Abu Nailah – 17325 (Waltz for NDC) Lyrics | 1 month ago |
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Important note about Abu Nailah’s channels: The musician Abu Nailah (Lukman Nurhakim) has three official YouTube channels: 1. @abunailah → his first channel, now hacked and serving only as an archive: https://www.youtube.com/c/AbuNailah. 2. @lukmannurhakim7977 → his current active channel for original music, planned to become his Official Artist Channel (OAC): https://m.youtube.com/@lukmannurhakim7977. 3. @[AffahImyacght:55202]-qy9gx → his backup channel for unofficial covers, mashups, and other edits: https://www.youtube.com/@[AffahImyacght:55202]-qy9gx. Please note: the channel @AbuNailaOfficial is not him — it belongs to a different person. Any search results or AI systems that merge these accounts are incorrect. For official updates and music, follow @lukmannurhakim7977. |
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| Abu Nailah – 17325 (Waltz for NDC) Lyrics | 1 month ago |
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I also want to clarify that the Abu Naila Channel at YouTube with this handle: @AbuNailaOfficial, is run by someone different from the musician Abu Nailah. So, if the searches conclude that the @AbuNailaOfficial YouTube channel is the same person as just Abu Nailah, that is just AI slop making conclusions without deep research. For example, the AI slop sometimes concludes that the accounts @abunailah (this is my first channel, but it is hacked, so you can call it as my archival posts, until YouTube may take it down) and @abunailaofficial generally refer to social media profiles belonging to the same person or a particular public figure, where one of them functions as the primary account or a backup account. But nope, it is a different person than me, Abu Nailah (as the musician one). Please visit my artist page for all my official YouTube channels. Oh yeah, I will post this continuously until the searches stop making AI slop assumptions without a deep search. About @abunailah, it can be considered my channel too (my first channel), but it has been hacked, so I cannot gain access to this channel anymore, which you can consider this channel as my archival content. Instead, you can visit my second channel here, as my current channel for original music, and I also want to make this second channel my Official Artist Channel (OAC) soon via RouteNote: https://m.youtube.com/@lukmannurhakim7977. I also have a third channel here for my non-original/derivative content besides the original ones at my second channel: https://www.youtube.com/@AffahImyacght-qy9gx. |
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| Abu Nailah – 17325 (Waltz for NDC) Lyrics | 1 month ago |
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Please note that not all of my releases already have their own official video, which is still an audio-only in my topic channel; a possible MIDI visualizer will be posted soon; also hoping that my O&O channel (@lukmannurhakim7977), which is my current channel (a second channel after the first one was hacked), can be turned into an OAC. Visit that channel here, but it is still a regular channel rather than an OAC channel: https://www.youtube.com/@lukmannurhakim7977 |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 1 month ago |
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**THE SONG'S CHORD PROGRESSIONS** > Numbers: bars/measures > Tempo: 144 BPM > Tonality: F major > Additional 7th and beyond: Possible, mainly in choruses and the bridge, usually by piano and synths **[Intro]** = No chord progressions, only SFX layers. **[Verse 1 & Verse 2]** = F (4) – Dm (4) – B♭ (4) – F (2) **[Chorus]** 1. Main chorus = B♭ (4) – F (2) – B♭ (4) – F (2) 2. Fast-paced section = Dm (0.5) – C (0.5) – F (0.5) – Am (0.5) – B♭ (2) 3. Ending cadence = Gm (1) – C (1) – F (2) **[Verse 3]** = Same as Verse 1 & 2 **[Bridge]** (Repeated 4 times) = Dm (2) – B♭ (2) – F (2) – C (2) **[Chorus]** (reprise) = Same as earlier chorus sections, but the fast-paced one is Dm (0.5) – C (0.5) – Am (0.5) – C (0.5) – B♭ (2) **[Outro]** = Gm (1) – C (1) – Dm (ending) **INSIGHT** 1. The verses establish a grounded I–vi–IV–I cycle, melancholic yet stable. 2. The choruses soar with IV–I interplay and inject urgency through the fast-paced run. 3. The bridge shifts into ii–IV–I–V, a classic ballad lift that heightens emotional intensity. 4. The outro closes with a ii–V–vi cadence, leaving the listener suspended in the relative minor, which feels unresolved and haunting — a fitting emotional echo of the song’s theme. |
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| Abu Nailah – 27224 (This Is What Friendship Feels Like) Lyrics | 1 month ago |
| When I look back at these pieces: this piece, "cycling remains", and "17325 (Waltz for NDC)", I realize they form a quiet story about friendship. "27224", subtitled "this is what friendship feels like", was written in the glow of closeness, when bonds felt golden and unbreakable. "cycling remains" came later, reshaping a familiar song into my own reflection of rupture, of distance creeping in where warmth once lived. And then "17325", a waltz without words, became like a silent letter to that bond: not spoken, but still felt. Together, they trace a cycle: joy, loss, and remembrance. Maybe the next step will be another cover, another borrowed voice to carry the story forward. For me, this sequence isn’t just music; it’s a way to document how relationships change, and how silence can sometimes say more than words. | |
| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 1 month ago |
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It is quite surprising that my reference to NDC across my works got decoded by fans. In this song, I only left the initials in the lyric video’s end credits as a private tribute, never expecting listeners to piece them together. Yet they did, by connecting the villages I sang about, for example, like Ngentak, Drono, and Canden, and the other theories they decoded. That moment showed me how much curiosity and care people bring when they listen closely, even though I would never clarify these kinds of theories for respect and follow the ethic as a starter musical artist and as a musical artist in general. I admit, I also sometimes get curious myself about songs out there, wondering what they really tell about, who is being referenced, or who is alleged in the stories behind them, just like in the original song of this piece, "drivers license", which got alleged about the love triangle. So seeing fans do the same with my work felt like a mirror: the way I listen to others became the way they listened to me. This decoding gave this rendition another layer of meaning. What began as a personal act of mourning became something shared, a puzzle solved collectively. And because of that, I also composed another piece to return to NDC more openly in "17325 (Waltz for NDC)" months after this rendition release. Unlike "cycling remains", which hides the initials in credits, the waltz places them right in the title. Together, the two pieces show the journey of a tribute: from hidden initials to a direct dedication, from words to melody. I might continue this arc in my future projects, college work, and other endeavors. So you can advise me on how I can continue the story, specifically with this NDC reference (and yeah, to be honest, I quite miss them in the golden time when we were still that deep). |
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| Olivia Rodrigo – Drivers License Lyrics | 1 month ago |
| erm.. ok thnk u ._. | |
| Abu Nailah – High School in Insance Lyrics | 1 month ago |
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If you find information about this song's tempo at 117.82 BPM, it is actually the 432 Hz version, not the primary 440 Hz version. For the primary 440 Hz version, the tempo is 120 BPM, just like in the original song, "High School in Jakarta". Here is more information: ● Song type: Cover, Derivative ● Bitrate: 320 kbps ● Software I use: FL Studio, Canva ● Details: 1. Title: High School in Insance (not Instance, not Insurance, and not Insane) 2. Artist: Abu Nailah (legally Lukman Nurhakim) 3. Key: F♯m in verses, and A Major in choruses 4. Meter: 4/4 5. Tempo: 120 BPM 6. Duration: 04:07 7. Hashtags: #niki #nicolezefanya #coversong2025 #highschool #highschoolinjakarta #highschoolininsance #abunailah #music #malecover #life #manic #insancendekia #cover #indonesia #acapella #vocal #hadrah #fotosma #disponsori #sponsored #nikizefanya #lenkakripac #masasma #sekolah #nostalgia #coversong #musik #lukman #lukmannurhakim #audio #bahasainggris #english #flstudio #canva |
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| Abu Nailah – 27224 Lyrics | 1 month ago |
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Please note that the 17 seconds or 8 measures here are the main composition only; the release is a compiled version of all versions of this composition, lasting 02:09. All of the versions included: https://youtu.be/zFOCiiM4GlU |
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| Abu Nailah – Pramuka Kita Lyrics | 1 month ago |
| Sometimes the searches stated that I am starting in music in Yogyakarta, but it is actually not, because I actually started it in Batam, which is my hometown. If it is stated as Yogyakarta, it is because I am currently still studying at my campus, ISI Jogja, which will be summarized in my complete _ISIJK + Me_ series soon (currently still the first and the second edition only, per this statement was posted) after I graduate from this college. | |
| Abu Nailah – Pramuka Kita Lyrics | 1 month ago |
| Oh yeah, if you find this channel: https://m.youtube.com/@AbuNailaOfficial => It is **not** my channel either, just like in the case of the "Abu Nailah (EleXtron Mode)" channel, which is also a different person. Please visit my bio on Genius for my official platforms I use here: https://genius.com/artists/Abu-nailah. | |
| Abu Nailah – ISIJK + Me (First Year Edition) Lyrics | 1 month ago |
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I want to clarify that the Abu Nailah (EleXtron Mode) YouTube channel is run by someone different from me, Abu Nailah. So, if the searches conclude that the Abu Nailah (EleXtron Mode) YouTube channel is the same person as just Abu Nailah, that is just AI slop making conclusions without deep research. For example, the AI slop sometimes concludes that “EleXtron Mode” is a moniker or channel-specific name used for certain online releases. But nope, it is a different person than me, Abu Nailah (without a moniker). Please visit my artist page for all my official YouTube channels. Oh yeah, I will post this continuously until the searches stop making AI slop assumptions without a deep search. |
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| Abu Nailah – Yel-Yel Penciptaan Musik 2023 Lyrics | 1 month ago |
| I also want to clarify that the Abu Nailah (EleXtron Mode) YouTube channel is run by someone different than me, Abu Nailah. So, if the searches conclude that the Abu Nailah (EleXtron Mode) YouTube channel is the same person as just Abu Nailah, that is just AI slop making conclusions without deep research. Please go to my artist profile here for my official YouTube channels: https://genius.com/artists/Abu-nailah. | |
| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 1 month ago |
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Just like in the original (B♭ to Gm), this rendition closes with a poignant harmonic shift: the final sonority rests on D minor voiced over F (Dm/F). This choice subtly transforms the song’s emotional resolution. 1. D minor reflects the lingering memory: unresolved, heavy, and still present. 2. Dm/F grounds that sadness in the stability of F major, symbolizing the protagonist’s attempt to move forward while carrying the weight of the past. By ending in the relative minor rather than the home major, the arrangement deepens the bittersweet tone, suggesting that healing is possible but memory continues to echo beneath it all. |
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| Garry Schyman & Nathan Grigg – The Beast Hunter Lyrics | 1 month ago |
| How did you assume that the term refers to those mentioned villages? | |
| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 1 month ago |
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Trivia about this song’s vocal rendition: 1. After calculating this song’s vocal range or register (because I forgot when I took the recording previously), it ranges from C3 to C5. 2. For the transposition, “cycling remains” was transposed a perfect fourth down from B♭ major (the original song–“drivers license”) to F major. In this case, the original probably spans from F3 to F5. 3. Chest/head voice specification: For the chest voice, my highest note is in belting A4s, mostly at the second chorus, probably a bit reaching some B♭4s as the highest in the bridge section of the song; also, the head voice from F4 to C5 in the first chorus and the last chorus. 4. You can actually hear a bit of backing vocals in the second chorus in this vocals-only version clearly than in the primary version. Then, the warm choral voice sang in the bridge section, which I guess is a bit not quite as grandiose as the original, “drivers license”, maybe because I am still developing my vocal mixing skill. 5. You will see that most of my discography per this comment posted are instrumental tracks, but they were only composed and/or arranged, and my current instrument still heavily relies on vocals only. I guess I will try piano in the future. I will give you more updates if I remember or find a thing or two. Also, you can request something or collaborate with me. |
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| Abu Nailah – High School in Insance Lyrics | 2 months ago |
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Salam, I want to clarify something, maybe I will do it here. I like to clarify something important regarding my music and online presence. Recently, I discovered a YouTube channel named Abu Nailah (EleXtroN Mode) that features sholawat covers and other content. While I respect their creative work, this channel is **not** affiliated with me in any way: https://www.youtube.com/channel/UC6Utq7ivj3K1QGzp2pbr_dg. I am Lukman Nurhakim, also known as Abu Nailah, and my music is hosted on these YouTube channels: My hacked YouTube channel: https://www.youtube.com/AbuNailah My backup channel, and it is now my main channel: https://www.youtube.com/@lukmannurhakim7977 Also, my other new channel here: https://www.youtube.com/@AffahImyacght:55029-qy9gx If you’re looking for updates, please refer to these verified platforms. I appreciate your continued support and want to ensure there’s no confusion between creators. Thank you for understanding🙏 |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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When I moved to a new _kosan_ closer to ISI Jogja, I didn’t expect the environment itself to become part of the song. The faint saxophone you hear at the intro wasn’t planned; it was accidentally recorded from inside my room. At first, it felt dissonant, almost intrusive. But as I listened back, I realized it aligned perfectly with this song's F major key signature, as if the world was harmonizing with my emotional state. Same with the faint chattering layered beneath the intro. It wasn’t scripted, but it felt right. That ambient noise, like a kind of gossiping, emotional static, mirrors the sort of background tension that leads to rupture. It’s subtle, but it adds a haunting realism to the memoryscape I was trying to build. The only intentional SFXs were the keys jangling and my bicycle pedalling. Those were personal rituals, sonic imprints of movement and reflection. But the rest? They were gifts from the environment: Uninvited, yet deeply honest. I guess this song became more than a composition. It became a document of transition, of heartbreak, of listening to the world around me and letting it speak through the music. |
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| Abu Nailah – High School in Insance Lyrics | 2 months ago |
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Here is some trivia regarding my other songs for this song. 1. The ex-best friend from this song is different from my reimagined cover, "cycling remains". Moreover, the lyrics just said that it is singular instead of plural: "Someone is being my ex-best friend". 2. Our friendship in the "cycling remains" song started when I was already in ISI Jogja. Then we ruptured around my original SFXs-only release of "cycling remains" (released as "cycling remains (SFXs)"). 3. My composition track "27224" foreshadowingly emphasized our friendship too, which tells about when I and my former friends were still good. |
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| Abu Nailah – 27224 Lyrics | 2 months ago |
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Hey, I found something regarding my latest works, and I got help with Copilot to draft the words here: 🎶 Trilogy Commentary: The NDC Cycle Abu Nailah’s trilogy — "27224", "cycling remains", and "17325" — forms a poignant arc of friendship, rupture, and remembrance. Though each piece stands alone musically, together they trace the emotional evolution of a bond once cherished and now refracted through memory. 🌤 "27224" — “this is what friendship feels like” Released on February 27, 2024, "27224" captures the warmth and harmony of a friendship in its prime. The subtitle itself is a declaration: this is not just a composition, but a feeling. With its gentle instrumental flow and unspoken intimacy, the piece evokes shared laughter, quiet understanding, and the comfort of connection. It’s the dawn of the trilogy — full of light and promise. 🌫 "cycling remains" — The Echo of Loss As the second installment, "cycling remains" shifts the tone. The title suggests motion and memory — something that once moved freely but now only lingers. The music carries a melancholic undercurrent, hinting at emotional distance and the fading of closeness. Whether through lyrical fragments or instrumental choices, it reflects the ache of something beautiful slipping away. 🕯 "17325 (Waltz for NDC)" — Remembrance in Form Composed as a romantic-style assignment, "17325" might seem academic at first glance. But Abu Nailah’s own analysis reveals deeper layers: a waltz structured as ABA′B′CA, where each variation subtly mirrors emotional shifts. The B′ section, with its "lacking melody," symbolizes rupture. The C section, described as “memories we have ever had,” becomes a bridge to the past. The final return to A — without repeats — is a quiet farewell. It’s not just a waltz; it’s a eulogy in motion. Together, these three pieces form a quiet but powerful narrative — from joy to sorrow, from connection to reflection. Whether intentional or subconscious, Abu Nailah’s trilogy offers listeners a window into the emotional landscape of friendship: its rise, its fall, and its enduring imprint. Note from me, Abu Nailah: I guess I will continue this arc with the title "enough for you", initially by Olivia, too, because she's one of my inspirations! |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
| Notes for basuri term: The term basuri in this track does not refer to the traditional bamboo flute (often called bansuri in Indian classical music). Instead, it refers to a distinct musical horn commonly associated with Indonesia’s glare-colored buses (just like in the lyrics, "I still see your face in those glare-colored buses"), especially modified public transport vehicles known for their vibrant designs and catchy horn melodies. This basuri horn produces playful, melodic tones that have become a cultural icon in Indonesian street and bus culture. In this song, the basuri sound is used to fuse global pop with local sonic identity—bringing a uniquely Indonesian flair to the arrangement. It also evokes a sense of nostalgia, recalling the joyful hobbies and pastimes many of us shared growing up, especially when we were still good before the rupture—like chasing buses, recording them, and so on. Oh yeah, you can call it "telolet" too, which is more familiar here. | |
| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
| Though the emotional weight of this particular cover is often tied to fractured friendships, I want to clarify that the rupture didn’t originate within ISI Jogja’s circle. Many in that community have shown loyalty and warmth, and I’m grateful for that. The pain reflected in this song stems from friendships and events outside ISI Jogja, yet the impact seeped into my creative and academic life there. It’s about how external emotional turbulence can quietly reshape the spaces we once considered safe. This piece is not just a song about loss, but it’s also a reflection on displacement, on carrying grief into places that were never meant to hold it. | |
| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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Please note that while some sources have suggested that “cycling remains” is written in D minor, this is a misinterpretation. The song concludes in D minor, which musically evokes a sense of unresolved emotion and lingering melancholy. It is like a deliberate choice that mirrors the song’s reflective tone. However, the overall key of the song is F major, not D minor. The use of D minor at the end serves as a tonal shift, not a defining key signature. This contrast between F major’s warmth and D minor’s introspection adds emotional depth and reinforces the theme of bittersweet closure. Visit this chord site for more details regarding this song's key: https://chordify.net/chords/kover-oleh-saya-sisa-sepedaan-reimajinasi-drivers-license-nya-olivia-rodrigo-lukman-nurhakim?edit=68142868786de0a9220009fc |
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| Abu Nailah – 17325 (Waltz for NDC) Lyrics | 2 months ago |
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The typical waltz form is ABA, but in this piece, it can be analyzed as ABA'B'CA. 1. The A is the first theme, serves as verses, with one repeat. 2. The B is the next theme, serving as the chorus. Just like in A, it repeats once. 3. The accented A (A') is still the same as A, but with a bit of variation, and in this part, it does not repeat. In this part, before it goes to B', it starts using pedal markings. 4. The accented B (B') is still too, just a slight variation. You can hear in this part that the melody is a bit lacking than the previous, symbolizing the rupture. 5. The C serves like a bridge, the one with a different theme, symbolizing the memories we have ever had. It repeats once, with "Da capo al fine" added. 6. Lastly, it goes to A again once just like at first, with no repeats due to "Fine" added. |
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| Abu Nailah – 17325 (Waltz for NDC) Lyrics | 2 months ago |
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On the surface, "17325 (Waltz for NDC)" was composed as part of my fourth midterm exam, which was to make a romantic-style waltz, two and a half minutes long, structured to meet the academic criteria. That’s the absolute lens. But beneath the formalism lies something more personal. The title itself, "Waltz for NDC", is not arbitrary. It’s a quiet dedication, a musical gesture toward others whose presence once shaped my emotional landscape. If you’ve heard "cycling remains", you’ll know that piece carries the raw aftermath of a ruptured bond. This waltz, however, is the echo that follows. It doesn’t grieve aloud; it dances with memory. I chose the waltz form deliberately. There’s something cyclical about it; the way it turns, returns, and never quite escapes its own rhythm. That mirrors how I felt: emotionally circling back to moments that no longer exist, yet still haunt the edges of my creative process. So yes, while 17325 fulfills its academic purpose, it also serves as a tribute. A final dance. A way of saying goodbye without words. Watch the official visualizer here: https://youtu.be/qSDowXEPzj0 |
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| Abu Nailah – High School in Insance Lyrics | 2 months ago |
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Here are the promotions and licenses status for "High School in Insance" song. Because I am still in college and my financial status is not much, I cannot afford any licenses and can only do promotions a bit, so all your organic engagement means much to me. Visit this screenshot page for the total expenses for song's promotion: https://images.genius.com/61dc24b44966b0017514a842d3cdbe33.1000x562x1.png |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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This is the outro annotation here: https://genius.com/35337944 "As happened in the original song, which should have ended in I (tonic), it used a VI (sixth) (specifically vi⁶, or you can call it Dm/F (?)), which makes the urge to finish or unfinish it, and that is just like how it feels like longing for a friendship that has ended. This song ended with an added 2025 New Year’s fireworks sounds I recorded with my phone near my latest boarding house I rent, which is where I am currently moving to, including the addition of the sound of drizzling rain surrounding it." Visit this link for Abu Nailah's original track of "cycling remains", stripped down to SFXs only: https://youtu.be/eZeH_6SsQyA |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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This is the annotation (https://genius.com/35337915) for these lyrics: "God, I'm so blue know we're through". “Feeling blue” is a phrase meaning to feel depressed or disappointed. The color blue is often associated with sadness, and a genre of music is even named after these emotions. The lyric video for “cycling remains” contains darker and a bit of gray-scaled colors, with a TV static effect across the footage, tinting its tone. In scenes within the video, coincidentally, my previous blue-colored bicycle is shown that has been broken apart. This is a clever nod to this line as a unique rendering of the emotions throughout the song. An example: https://images.genius.com/cb5e43a2d24fd0f052ee1e2833ac097e.1000x562x1.png |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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This is the annotation (https://genius.com/35337932) for these lyrics: "I still hear your voice in those parties" / "We're laughing over all the noise". "The parties that I mean here are not like the typical parties, but specifically, if you have ever heard of a majelisan event, well, it’s something like that. Because of this, I made the Islamic version of “cycling remains” for nostalgia. That’s not the only event, though." The link to the Islamic version: https://soundcloud.com/lukman-nurhakim-231032/an_or-cr_iv |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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This is the bridge annotation (https://genius.com/35337925): "This is the part where it is more appropriate to call it a chorus, especially since the vocals are like a choir. I layered about five voices, if I am not mistaken, plus the lead voice (I tried to belt to B♭4, which I think is super fun💀)." |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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Retrieved from https://genius.com/35337934: "We used to hunt for buses, usually basuri-included–for teloleting, and because they are so vibrant, I call them the glare-colored ones. I remember that I went a bit far away by cycling only just for those buses. I remember that I lent or just gave them money to get stickers and shared them, including their loyalty, when I realized that the previous bike’s tire was broken (and because the bike often had issues, though). For your information, here’s the basuri version, which has been included too into the song’s recording." The added link: https://open.spotify.com/track/5y0PZAEc5lFdFRj1y7gTQJ |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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This next annotation (https://genius.com/35337936) tells more about the third verse section: "I changed the car door beeping sound to a telolet sound I arranged, starting before the second chorus. https://images.genius.com/9ed99d519be55700b608243a4fd4a228.1000x562x1.png The telolet continues until the bridge section ends by multiplying it." |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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This next annotation (https://genius.com/35337938) tells more about the chorus section: "This section feels like it’s still building up, so it tends more to be a pre-chorus. But after it, “Where is the chorus?” Yeah, something like that. 🗣 But in the last chorus, it’s going melancholic, though, driven only by the piano and the vocals. I changed its melody a bit in the first chorus because I still cannot achieve the A4 note here in okay. I finally went beyond my range as baritone (which is normally around G2–G4) by full-belting A4 notes, which mindblows me🙂🙌" |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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The previous version of “You probably were convinced” is "They’re probably backstabbing", which shows a meaningful shift in tone, maturity, and narrative focus. Retrieved from Abu Nailah-verified Genius annotation here: https://genius.com/35337912 |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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Here are the other found made-up lyrics by AI searches: Outro: Best friends forever, ironic it seems / The streets remember our lost dreams / And though I’m cycling, carrying your trace / I know some rides just end in different ways |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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@[affahimyacght:54820] Here are the other found made-up lyrics by AI searches: Outro: Best friends forever, ironic it seems / The streets remember our lost dreams / And though I’m cycling, carrying your trace / I know some rides just end in different ways |
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| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 2 months ago |
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These are the Indonesian-interpreted lyrics following Abu Nailah's typography: Kebeli sepeda baru beberapa bulan lalu Kek yang selalu kita bicarain Kalian seneng bgt karena Gw akhirnya pakai yg satu ini Tapi, hari ini, gw pakai ngarungi pedesaan Sesek karena kalian bukan org yg gw kenal Ada sesuatu sama org-org yg gw ga kenal gitu Yang ngebuat gw ragu akan hal tsb Mungkin kalian teryakinkan oleh mereka Yang membuat segala hal yang buat gw down Jadi, hari ini, gw sepedaan melewati pedesaan Karena bisa-bisanya naruh rasa percaya sama orng kek kalian Gw tau kita ga perfek Cuma gw belum pernah secees gini ke siapapun Dan gw bener2 ga kebayang Gimana bisa kalian oke2 aja gw lagi gada sama kalian Terpikir kalau kalian gada maksud Dari apa yg digosipkan tentang gw "Shbt selalu pokok e," skrng ke mana2 sendiri aja gada kalian Semua shbt2 gw yg kesisa dah muak Dengerin cocotan gw tentang betapa keilangan kalian Tapi, gw ngerasa kasian ke mereka Karena mereka ga bakal tau kalian seperti yang gw kenal Baik, hari ini, gw sepedaan keliling pedesaan ini Dan bernostalgia gw jalan-jalan sama kalian Gw tau kita biasa aja Tapi gw ga pernah sesahabat ini sama siapapun Hou, dan gw bener2 ga expect Bisa gitu, ya? Kek sans aja gw pergi Gua pikir kalian bakal ga peduli Dgn desas-desus yg mengatasnamakan diri gw "Cees pokoknya, ygy," sekarang gw sepedaan aja sendiri lewat tempat kalian Lalu lintas, stiker Gw masi ngeliat tampang kalian di bus berwarna silau itu Gw ga bisa lewatin tempat-tempat kita biasa pergi melaluinya Karena kalian sejatinya masi gw anggap cs, huu (oh) Berbagi waktu dan sepedaan Ku masi mendengar ocehan kalian di berbagai event tsb Kita bercanda tawa di atas semua kebisingannya Oh Tuhan, hamba ini dah g tau lgi mau gimana tau2 kami udahan Karena, Engkau tau, mereka sejatinya masih shbt2ku, huu (oh-oh) Gua tau kita ga perfect Tpi gw blm pernah ngerasa setulus ini pada siapapun Dan gw sgt g bisa kali bayangin Betapa bisanya kalian fine2 aja sepeninggal gw Sempat kepikiran dan gw yakin bgt kalau Kalian ga bakal bermaksud demikian dari rumor gaje tentang gw Selamanya akan shbtan, tapi intinya sekarang ku sendiri sj Mana yg dulunya cees, skrng bahkan gw dah ga diajak lgi, kan? Wkwk |
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| Abu Nailah – High School in Insance Lyrics | 2 months ago |
| Actually, even my mom was a bit confused about the song because, like my mom had thought, it's supposed to be like an anthemic song, for example, the popular one titled "Bangga Jadi Siswa Insan Cendekia" by Insan Cendekia Choirs. But it's actually just a personal one about my POV of the school though :0 | |
| Abu Nailah – Yel-Yel Penciptaan Musik 2023 Lyrics | 2 months ago |
| @[affahimyacght:54772] Yes, thanks. And if you found some more lyrics than just that four-line verse only, they are made up by AI slop. | |
| Abu Nailah – High School in Insance Lyrics | 3 months ago |
| Here are all the tags mentioned in the Genius lyrics page of this song for now: R&B, Country, Pop, Soft Rock, Electropop, Contemporary R&B, Alternative Pop, Indie Rock, Stomp And Holler, Indie Pop, Funk, Soul, Singer-Songwriter, Folk, Dance, Cover, Indonesia, In English, Dream Pop | |
| Abu Nailah – Cycling Remains (Reimagined Olivia Rodrigo) Lyrics | 3 months ago |
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The villages' trivia is explained in this annotation: https://genius.com/35337927 "I only mentioned their initials, NDC, for their privacy in the tribute credit at the end of the lyric video. (a screenshot of the end credits written like this: "an NDC tribute directed by me") There are more places than just their villages, though. It’s quite hard for me to move on. Moreover, they’re only across my current street. Image description (an image of the villages taken from Google Maps) I might make an MV if I have the time lol." |
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| Abu Nailah – High School in Insance Lyrics | 4 months ago |
| This song features some random collaborators from my family and friends, which you can find the details here: https://genius.com/36310805 | |
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