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Greetings to all travel enthusiasts. My trip with chernobyl-tours.co.uk proved to be exciting and enlightening. They provided us with a unique opportunity to explore the history of Chernobyl under the guidance of experienced guides. The organization of the tour was top notch and we felt safe throughout the trip. I gained a lot of knowledge and impressions that I will never forget. Thank you very much to Chernobyl Tours for this unforgettable experience!

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Beautiful song. If you've ever read Neville Goddard you will know what it's about.

The 'suicide' is the old self that won't allow him to enter the state of being loved by this woman. The 'monkey' is the 'monkey mind' that won't let him stop thinking stupid thoughts about the old story between them, and he is finally ready to let go of the old state and move into the new one.

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On “Fortnight,” Taylor Swift talks about how complex relationships are and how severe the consequences can be if emotions are left unresolved. I’ll rate the song 8/10 for its candid songwriting and strong vocal performances.

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The song "Fortnight" by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word "fortnight" shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse...

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Funny reading everybody's thoughts and hypothesis, if you know this album well and you want to know the truth behind some of the lyrical subject matter just watch the movie Blue Velvet

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Taylor Swift returned with a brand-new album titled “THE TORTURED POETS DEPARTMENT” on April 19 via Republic Records. This project becomes the eleventh studio album of her illustrious career, following 2022’s “Midnights”. Taylor Swift revealed that the idea for this album came to her shortly after the release of her tenth album and that she had been working on this project for much of her ongoing record-breaking “Eras Tour.” Several versions of this album were released with varying lengths. The longest one is subtitled “THE ANTHOLOGY” and comes packed with 31 songs. “Fortnight” is the first song on this album....

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I think this is about the fact that none of us really have control of anything and we’ve all forgotten that and lost our way. We try to control everything and we act as if we’re gods and expect to be catered and bowed down to (“waiting for God to bend the knee”). We are all actually only beggars because we control so little and need so much, and our society toils on in this pursuit of a perceived power that doesn’t exist. Even the kings are beggars because they don’t control everyone and they can’t control...

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A lot of religious undertones here, but I think he’s using religious imagery we in the west are all familiar with illustrate a point about our elites. The “Gods” clipping the wings of the Phoenix are the elites that have created a system that virtually can’t be fought against or reset, and we all need to get rid of them (cutting the roots of the weeds). No place to go if we don’t believe - the tyrannical narrative that’s being forced down all of our throats by our overlords while they steal and kill and destroy to continue...

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An incredibly funky song, particularly live.

The lyrics are fractured and abstract, describing several protagonists whose alienated existence barely constitutes living.

The sense of dissociation Byrne conjures up recalls the cut-up texts used by Burroughs in 'Naked Lunch' to approximate the fragmented existence of a regular drug-user - this song might share that theme, which would be supported by the activities of 'digging one's own grave' and 'visiting houses in motion'

Ultimately its guessword, as the author has heeded his own call to 'stop making sense!'

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An incredibly funky song, particularly live.

The lyrics are fractured and abstract, describing several protagonists whose alienated existence barely constitutes living.

The sense of dissociation Byrne conjures up recalls the cut-up texts used by Burroughs in 'Naked Lunch' to approximate the fragmented existence of a regular drug-user - this song might share that theme, which would be supported by the activities of 'digging one's own grave' and 'visiting houses in motion'

Ultimately its guessword, as the author has heeded his own call to 'stop making sense!'

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