This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Oh, when they beat upon a broken guitar
And all the streets, they reek of tropical charms
The embassies lie in hideous shards
Where tourists snore and decay
When they dance in a reptile blaze
You wear a mask, an equatorial haze
Into the past, a colonial maze
Where there's no more confetti to throw
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be evicted
You're out of luck, you're singing funeral songs
To the studs, they're anabolic and bronze
They seem to strut in their millennial fogs
'Til they fall down and deflate
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be evicted
Oh, and now, you've had your fun
Under an air-conditioned sun
It's burned into your eyes
Leaves you plain and left behind
I'll see them rise and fall
Into the jaws of a pestilent love
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be a victim
And all the streets, they reek of tropical charms
The embassies lie in hideous shards
Where tourists snore and decay
When they dance in a reptile blaze
You wear a mask, an equatorial haze
Into the past, a colonial maze
Where there's no more confetti to throw
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be evicted
You're out of luck, you're singing funeral songs
To the studs, they're anabolic and bronze
They seem to strut in their millennial fogs
'Til they fall down and deflate
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be evicted
Oh, and now, you've had your fun
Under an air-conditioned sun
It's burned into your eyes
Leaves you plain and left behind
I'll see them rise and fall
Into the jaws of a pestilent love
You wouldn't know what to say to yourself
Love is a poverty you couldn't sell
Misery waits in vague hotels
To be a victim
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The Night We Met
Lord Huron
Lord Huron
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
There are enough mistakes there for me to suggest someone change it to this:
Oh when they beat upon a broken guitar And on the streets they reek of tropical charms The embassies lie in hideous shards Where tourists snore and decay
And when they dance in a reptile blaze You wear a mask an equatorial haze Into the past a colonial maze Where there's no more confetti to throw
You wouldn't know what to say to yourself Love is a poverty you couldn't sell Misery waits in vague hotels to be evicted
You're out of luck, you're singing funeral songs To the studs, they're anabolic and bronze They seem to strut, in their millennial fog Till they fall down and deflate
You wouldn't know what to say to yourself Love is a poverty you couldn't sell Misery waits in vague hotels to be evicted
Oh and now you've had your fun Under an air-conditioned sun It's burned into your eyes Leaves you plain and left behind I see them rise and fall Into the jaws of a pestilent love
You wouldn't know what to say to yourself Love is a poverty you couldn't sell Misery waits in vague hotels to be evicted
yea, this song is great.. i love it. but i must agree, that movie sucked!
Beck is so versatile, and my friend doesn't understand why I have so many Beck cd's in my cd case. It's because Beck has so many different types of songs, so you can never get tired of him. And he's still making more cds. So you can't lose with Beck.
fabulous song - its like he's totally absorbed a latin style but given it his own mutation - evocative of a post-industrial tourist resort in central america where a hapless musician has been drawn by a paycheck and where he absorbs the ennui. and the lyrics span everything from post-colonial tourist economies to their effect on the individual as one of purposelessness and deflation. Beck has always skated close to a depressive's outlook; but the humour and intelligence of his music and lyrics rescue him from that and make the disappointment and failure so much more interesting. viva la beck.
great song...it was in the movie "heartbreakers" not a good movie...but it was made better with beck.
Love this song. Absolutely. All of Beck's Latin songs are excellent. I like how he has assimilated all these musical styles into his repertoire. It makes his albums infinitely listenable - there are Beck songs for every mood, and you can go through all of his albums and never get sick of him because of all the differences.
quica= the coolest instrument ever!!! beck is soooo incredibly talented and versatile!
i must agree that this song is great, and how Beck is able to adapt diferent styles in music and to stick with the same formula. By the way, the movie sucked big time
I agree that part of Beck's appeal is his versatiliy, he can pull off so many different sounds and styles. Anyway, I love this song. I'm not really sure what it means to be honest.
I agree, Beck is an adaptable artist and you definetly can't lose with him. Anyway, I interpreted this part of the song:
to the studs they're anabolic and bronze they seem to strut in their millennial fogs 'til they fall down and deflate
When I heard these lyrics I thought of pompous jocky/ atheletic guys on steroids (hence the anabolic) flaunting theirselves while they're young (millenial fogs?) until they get older and lose their physique ('til they fall down and deflate). I dunno'.