She had to leave...

Los Angeles

All her toys wore out in black and her boys had too
She started to hate every nigger and Jew
Every Mexican that gave her lotta shit
Every homosexual and the idle rich
She had to get out
She gets confused
Flying over the dateline her hands turn red
Cause the days change at night change in an instant the days
Change at night change in an instant
She had to leave
Los Angeles
She found it hard to say goodbye to her own best friend
She bought a clock on Hollywood blvd the day she left
It felt sad she had to get out


Lyrics submitted by punker87, edited by Rubisco, bV

Los Angeles Lyrics as written by Charles Thompson

Lyrics © Universal Music Publishing Group

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Los Angeles song meanings
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    General Comment

    In the era this lyric was penned, punk and other forms of metal rock where in a backlash against the turmoil of the 60-70s counterculture. The generation coming of age then experienced the counterculture from a younger perspective: as if listening to one's parents argue and wondering if they are going to both be alive in the morning. People who were young children, but aware of events going on, during the counterculture, naturally built up an insulating wall to protect themselves, particularly on topics such as race, gender identity, class, etc., which the counterculture struggle had been about. The generation originally listening to X in live performances were very atuned to the release and pleasure to be experienced from raw and candid expressions of what was bugging them. Thus the very raw racial epithets in this lyric have an authenicity for them.

    Notice that in some singing of the lyrics (live or recorded) you can almost hear "cross the date line" as both or either "cross the Orange County line" and "cross the color line". Both had resonance as it relates the racial angst a mostly white punk set in Los Angeles.

    In many ways the protagonist of this lyric is dealing with her feelings of distress and confusion about race that were very typical for the generation coming of age immediately after the death of the counterculture, and what was envigorating about these lyrics in part is the very fact of candidly using epithets that expressed the sense of unease this generation felt about all topics of race, etc, that reminded them of the counterculture struggle going on that they were old enought to witness with horror but too young to actually be part of.

    nullportalon October 06, 2005   Link

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