"It's time for this real nigga shit.."
"Bumpy Knucks.."
"Ha, hah-hah"
"Niggaz can't see I.."
"Fr-Fre-Fre, Freddie Foxxx with the twin millis" -> O.C.
"Ha, hah-hah"
"Bu-Bu, Buh-Bu, Bu, Bumpy Knucks.."
"Niggas can't see I.."
"It's time for this real nigga shit.."

When I was small I made pause tapes for "Super Sperm"
Rappin in high school, drinkin forties, smokin sherm
Listen to Cold Crush and Grandmaster Caz spittin
Gettin somethin in that niggaz ain't now gettin; feel me
Remember everybody wanted to be "Peace, God, Divine"
Real niggaz kept they attributes, right through '99
Peace to the god Taheem, watching over me
White chariots and horses, get me over rough courses
While I silence those voices that doubted my ability
To rip, through these young ass niggaz
When I walk into the Lyricist Lounge, lyricists lounge
Cause niggaz know that Bumpy Knucks'll tear this mutha down
Cause the rawest most illest shit, make up my sound
That's why I stay gettin money, like them niggaz uptown
I'm in your face - nigga whassup now
Fuck all that peacemakin bullshit
I heard you spit you like to pull shit
That's all bullshit, you keep your nine on some full shit
You say you bust it, that's BULLSHIT!
You know the illest MC that ever did it
The rawest nigga that ever chewed up rhymes and spit it
In the new millennium cities, watch what I do
I'm bout to save hip-hop like Ghost did the Wu

For the DJ's, the rappers, the writers, the breakers
The movers, the shakers, the beat, the makers
What's stronger than hip-hop niggaz they can't take us
If we deal with the real, and shut down the fakers

For the DJ's, the rappers, the writers, the breakers
The movers, the shakers, the beat, the makers
What's stronger than hip-hop niggaz they can't take us
If we deal with the real, and shut down the fakers

I'm proud to be a black man in my existence, so fuck the Klan
I ain't blinded by your jewels and your million dollar checks
I'm always ready for whatever's next
My road in life ain't easy cause I'm complex
You know the real, nigga turnin these fake hard niggaz to grasshoppers
Cause f'real here comes the realest, when I cock the manstoppers
I remember talkin to Big Poppa; he said "Foxxx, you the illest,"
(uhh) I make the realest nigga feel it
Got a little mob of niggaz I send to rob niggaz
Take all that fly jewelry, and give it to my moms
I keep the industry up in arms like Zack La Roche
Cause they hate to see me comin, with this too black approach
Through the hardest time in hip-hop, I stayed afloat
So let me give the media some fly shit to quote
I'ma always be a nigga, lookin through your eyes
So nothin that you do to me should come as no surprise
I continue bein raw dog, puttin in work
I drown a bitch and get away, like my name was Captain Kirk
Motherfuckers wanna hear it raw, Bumpy make it hurt
Step on stage, rip the whole shit down and merc'

For the DJ's, the rappers, the writers, the breakers
The movers, the shakers, the beat, the makers
What's stronger than hip-hop niggaz they can't take us
If we deal with the real, and shut down the fakers

What fucked you up is that I'm so nice and don't rehearse
On any record I'm the king of the third verse
It's +Strictly Business+, if it's +Personal+ I let you know
I hold your heart until the Lord tell me let you go
Don't need advice from no corny ass A&R that never filled a milk crate
With breakbeats, I keep it raw nigga straight street
To my comrades in L.A, L.A., L.A.
I still got the bulletproof - Pelle, Pelle, Pelle
Keep the music underground as I reiterate twice
Tell niggaz to they face, I thought you wasn't nice
Kick my ass? Nah, not likely; out mic me?
Not likely, stay on the sidelines like Spike Lee
Niggas know Bumpy like to flow all out
Microphone, gun in hands nigga, go all out
No exceptions to females I ride 'em giddyup
How bad I wanna fuck Brat, since she pushed them titties up
It's the underground sound that designs the street
Freddie Foxxx designed the rhyme, Premier designed the beat

For the DJ's, the rappers, the writers, the breakers
The movers, the shakers, the beat, the makers
What's stronger than hip-hop niggaz they can't take us
If we deal with the real, and shut down the fakers

"Bumpy Knucks.."
"Niggaz can't see I.."
"Fr-Fre-Fre, Freddie Foxxx with the twin millis" -> O.C.
"Bu-Bu, Buh-Bu, Bu, Bumpy Knucks.."
"It's time for this real nigga shit.."


Lyrics submitted by SongMeanings

R.N.S. Lyrics as written by Christopher E Martin Freddie Foxxx

Lyrics © Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

R.N.S. song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Mental Istid
Ebba Grön
This is one of my favorite songs. https://fnfgo.io
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.