She paints her fingers with a close precision
He starts to notice empty bottles of gin
And takes a moment to assess the sin she's paid for

A lonely speaker in a conversation
Her words are swimming through his ears again
There's nothing wrong with just a taste of what you paid for

Say what you mean, tell me I'm right
And let the sun rain down on me
Give me a sign, I wanna believe

Whoa oh oh oh oh, Mona Lisa
You're guaranteed to run this town
Whoa oh oh oh oh, Mona Lisa
I'd pay to see you frown

He senses something, call it desperation
Another dollar, another day
And if she had the proper words to say
She would tell him
But she'd have nothing left to sell him

Say what you mean, tell me I'm right
And let the sun rain down on me
Give me a sign, I wanna believe

Whoa oh oh oh oh, Mona Lisa
You're guaranteed to run this town
Whoa oh oh oh oh, Mona Lisa
I'd pay to see you frown

Mona Lisa, wear me out
I'm pleased to please ya
Mona Lisa, wear me out

Say what you mean, tell me I'm right
And let the sun rain down on me
Give me a sign, I wanna believe

Whoa oh oh oh oh, Mona Lisa
You're guaranteed to run this town
Whoa oh oh oh oh, Mona Lisa
I'd pay to see you frown

Say what you mean, tell me I'm right
And let the sun rain down on me
Give me a sign, I wanna believe

There's nothing wrong with just a taste of what you paid for


Lyrics submitted by exitxemergency, edited by PATDlyrics

The Ballad of Mona Lisa Lyrics as written by Butch Walker Brendon Urie

Lyrics © Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

The Ballad of Mona Lisa song meanings
Add Your Thoughts

56 Comments

sort form View by:
  • +8
    General Comment

    So, Brendon said in an interview that this song was a sort of sequel to “I Write Sins Not Tragedies”, which is about the best man walking in on the fiancee of the groom on the night before the wedding sleeping with someone else. “The Ballad of Mona Lisa” is from the perspective of the best man, who confessed to the groom that his soon-to-be-wife was sleeping with another man the night before their wedding.

    “She paints her fingers with a close precision” She, the ex bride, is worrying about her appearance, because she’s turned into a prostitute, and she’ll lose business if she isn’t kept shiny and clean. “He starts to notice empty bottles of gin” He, the best man, is realizing how much he’s been drinking because he’s wondering if he did the right thing by telling the groom about the bride sleeping with someone else. “And takes a moment to assess the sin she’s paid for” he then starts noticing how she’s dealing with the sin that “she paid for”.

    “A lonely speaker in a conversation” they’re talking to each other, but not really. They’re making small talk, and it doesn’t really matter, he doesn’t need her help. “Her words are swimming through his ears again” basically, he’s thinking about what she said to him when she found out that he ratted her out. “There’s nothing wrong with just a taste of what you paid for” she’s a prostitute now, and she looks really tempting, and he’s the one that got her into this mess, so he’s thinking that he’s gonna get to sleep with her, because he turned her into one.

    “Say what you mean, tell me I’m right” He’s contradicting himself, first wanting her to let him know did he do the right thing, sleeping with the ex fiancee of his friend? Then he’s thinking, just tell me its okay. “Let the sun rain down on me” he wants the truth, but he’s not sure what it is. “Give me a sign, I want to believe” He wants her to let him know if what he’s done is right, but then (contradicting again) he’s thinking that he wants to believe for himself.

    “Whoa, Mona Lisa, you’re guaranteed to run this town, whoa, mona lisa, i’d pay to see you frown” She has him in her grasp, just like she had the groom in her grasp, and the man she slept with. She’s turned into a prostitute and everybody knows it, and they’d “pay to see her frown” because she’s done bad things by sleeping with someone else while about to get married.

    “He senses something call it desperation” He’s noticing that she’s running out of things to say, and how to act. “Another dollar another day” So he keeps coming back, mistaking the desperation for need of money and business. “If she had the proper words to say she would tell him that she’s have nothing left to sell him” When in reality, she doesn’t want him coming back. He’s the one that called her out, so she doesn’t want to please him in any form.

    “Mona lisa wear me out, pleased to please ya, mona lisa wear me out” He’s saying keep doing him, he doesn’t want to think about if what he’s doing is right or not. He’s pleased to please her, because thats what his instinct is.

    “There’s nothing wrong with just a taste of what you paid for” He’s thinking to himself, because he’s the reason she’s a prostitute, that there’s nothing wrong with getting a taste of it. So the song ends on a slightly eerie note, because he doesn’t think what he’s doing is wrong, that its perfectly okay to do it, so he’s more reassuring himself than anybody else.

    downsetoneon March 20, 2013   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Magical
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.