Up in the highest of heights, O'Hara blinks and fights
This land is yours, this land is mine
I see the captain in red and Cairo at his head
This land is yours, this land is mine

The lightning over the park, the waters, brash and dark
We take a swim, we take a swim
I never meant to escape the carpet and the trade
This land is yours, this land is mine

And when I make up my mind, I change it all the time
I take it back, I take it back
The numbers over the dam, Jo Davies and the band
I count them out, I count them out

There was a car in the bay, by the boat that swept and swayed
Whoever you are in the light, in the water that we made
I'm counting it out, I'm counting it out, I'm working it out
Inside, I'm counting it out from the floor

The ferry hatches Moline, Panola Beauty Queen
She takes a bow, she takes a bow
In Charles, we climb the hill and Danville window sill
I take it back, I take it back

My sister she counts the bars, the Macon county cars
She takes a bow, she takes a bow
The Mississippi amends, the Carver and the bends
This land is yours, this land is mine

My brother punches my ear, the injured ivory deer
I call my dad, I call my dad
We skip inside of the store, the Mason winter door
This land is yours, this land is mine

There was a car in the bay, by the boat that swept and swayed
Whoever you are in the light, in the water that we made
I'm holding your hand by the shore with our collars pulled up tight
I'm counting it out, I'm counting it out, I'm working it out inside

I'm counting it out, I'm counting it out, I'm working it out inside
I'm counting it out

This land is not your land, for the right hand
Takes what it can, ransacks with the mad man
For this land is not yours or mine to have
This land was made for the good of itself



Lyrics submitted by musicforlife!

No Man's Land Lyrics as written by Sufjan Stevens

Lyrics © BMG Rights Management

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No Man's Land song meanings
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  • +1
    General Comment

    The suggestion that Sufjan doesn't realize the time signature he's writing is really just silly. With his proficiency in odd time signatures (7/4 in "Dear Mr. Supercomputer", 5/4 in the first movement of "Come on, Feel the Illinoise", alternating 5/4:6/4 in "Tallest Man, Broadest Shoulders", 9/4 in "Detroit, Lift Up Your Weary Head!", etc.), it's most certainly a stylistic device he employs with specific intent. I honestly doubt he just plays a riff on one of his instruments and "rolls with it", especially considering the cooperation of people other than himself.

    Also, Dreamer, it's not hard to tell what time signature a song is in if you keep a good running beat in your head as you listen to it. Then you simply count the beats as they come. As for its significance... An unusual time signature, especially when it's part of a passage consisting mostly of common time, usually has an accentuating effect. In No Man's Land, the extra beat added by the 5/4 measure in each phrase is almost exclusively reserved for the flute run. This serves to set it off from the rest of the phrase and signify a transition to a new one.

    Czechnmymailon July 26, 2008   Link

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