The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Bones, bones
Bones, bones
They talked about you
Like you were a piece of cake
One that tasted just like a sugar snowflake
(They would beg for their lives)
Still all their parts would break
See my own reflection
On your tongue
From this kiss there is nowhere to run
To run, to run, to run
Bones
The boys are probably
Way too tough to get hurt
Bones
Now we all cry like little girls
(Little girls)
So, now I guess it's my turn to get butterflies
When you smile but unlike them I will realize
(It's better when you're at the graveyard)
With mirrors in the skies
You were gonna hurt me
So bad tonight
From this kiss there is nowhere to hide
To hide, to hide, to hide
Bones
The boys are probably
Way too tough to get hurt
Bones
(Bones)
Now we all cry like little girls
(Little girls)
Bones
Under your bed
(Bones)
Under your bed
Then, the boys get rest
You were gonna hurt me
You were gonna hurt me so bad
Bones
The boys are probably
Way too tough to get hurt
Bones
The boys are probably
Way too tough to get hurt
(Tough to get hurt)
Bones
(Bones)
Now we all cry like little girls
(Little girls)
Bones
(Bones)
Bones
(Bones)
Bones
Bones
Bones, bones
They talked about you
Like you were a piece of cake
One that tasted just like a sugar snowflake
(They would beg for their lives)
Still all their parts would break
See my own reflection
On your tongue
From this kiss there is nowhere to run
To run, to run, to run
Bones
The boys are probably
Way too tough to get hurt
Bones
Now we all cry like little girls
(Little girls)
So, now I guess it's my turn to get butterflies
When you smile but unlike them I will realize
(It's better when you're at the graveyard)
With mirrors in the skies
You were gonna hurt me
So bad tonight
From this kiss there is nowhere to hide
To hide, to hide, to hide
Bones
The boys are probably
Way too tough to get hurt
Bones
(Bones)
Now we all cry like little girls
(Little girls)
Bones
Under your bed
(Bones)
Under your bed
Then, the boys get rest
You were gonna hurt me
You were gonna hurt me so bad
Bones
The boys are probably
Way too tough to get hurt
Bones
The boys are probably
Way too tough to get hurt
(Tough to get hurt)
Bones
(Bones)
Now we all cry like little girls
(Little girls)
Bones
(Bones)
Bones
(Bones)
Bones
Bones
Lyrics submitted by risefromtheashes
Bones Lyrics as written by Elliott Marsh Sharp Adriel Alan Garcia
Lyrics © BMG Rights Management, Universal Music Publishing Group
Lyrics powered by LyricFind
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
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IT seems to me that the song is talking about a girl who had been with so many guys, whom she had hurt, this time the guy knows about her and what she does (turn the boys into her bones, (Bones being old dead affairs) he thinks he can take her kiss, her seduction and he does, he gets with her and doesn't fall into the trap of getting hurt, but then afterwards he longs for the kiss and this girl, but knows she is impossible and to him he is just "bones"
'Sticks and stones can break my bones, but words will never hurt me'
Maybe?