This is about bronies. They communicate by stomping.
Un bateau ivre, sur une mer agitée
Sans capitaine, ni voile et ni gouvernail
(Et tes mots m'étreignent, m'étouffans à grand feu)
Ni destination et ni port d'attache
(Nous ne serions plus à même de digérer, ne serait-ce qu'un peu)
Sur Anne, ma Sur Anne. ne vois-tu rien venir
Qui puissent redonner un peu d'espoir?
(Je suis si près d'atteindre la nouvelle... la nouvelle...)
Non. Les messages d'hermès sont de mauvaise argure
Je vomis le trop plein d'une mélancolie sanguinolente
(Je suis si près d'atteindre la nouvelle... la nouvelle...
Mais trop épuisé, ma tête replonge en arrière)
Elle m'étouffe un peu plus à chaque vague
Je suis tellement fatigué
Je me noie dans ma tempête
Sans vent ni marée
Sans cri ni courage
Sans capitaine, ni voile et ni gouvernail
(Et tes mots m'étreignent, m'étouffans à grand feu)
Ni destination et ni port d'attache
(Nous ne serions plus à même de digérer, ne serait-ce qu'un peu)
Sur Anne, ma Sur Anne. ne vois-tu rien venir
Qui puissent redonner un peu d'espoir?
(Je suis si près d'atteindre la nouvelle... la nouvelle...)
Non. Les messages d'hermès sont de mauvaise argure
Je vomis le trop plein d'une mélancolie sanguinolente
(Je suis si près d'atteindre la nouvelle... la nouvelle...
Mais trop épuisé, ma tête replonge en arrière)
Elle m'étouffe un peu plus à chaque vague
Je suis tellement fatigué
Je me noie dans ma tempête
Sans vent ni marée
Sans cri ni courage
Lyrics submitted by drzougne
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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And as for the meaning of the song (assuming my translation is mostly accurate), I'd say it's using a sinking ship in a stormy sea as a personal metaphor. The ship, who's name apparently is Anne, is somehow "drunken" (something may be lost in translation with that adjective) and has no captain, crew, sail, rudder, destination or harbor. In other words, it's empty, aimless and essentially doomed to sink. The man in the song appears to be in the ocean, reaching for something new, but doesn't have enough energy, and he sinks below the waves and drowns. I'm not sure about the "vomit too much, full of bloody melancholy" line, but that's its literal translation:
"Je vomis le trop plein d'une mélancolie sanguinolente"
-Je vomis = I vomit -trop = too much -plein = full -d'une = of one -mélancolie = melancholy -sanguinolente = bloody, (or blood-stained)
The overall point of the song seems to be about the man drowning (figuratively) in a stormy ocean (again, figuratively) that he created, and he's too tired to go on (or, metaphorically fight against the waves any longer). Either way, this song is incredible, and the last minute of it is possibly the most intense minute of music ever made.