Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
In the beginning
We could hang with the dude
But it's been too much of nothing
Of that stank attitude
Now they curse your name
And there's a bounty on your face
It's your own fault daddy
Godwhacker's on the case
We track your almighty ass
Through seven heaven-worlds
Me, Slinky Redfoot
And our trusty angel-girls
And when the stars bleed out
That be the fever of the chase
You better get gone poppie
Godwhacker's on the case
Be very very quiet
Clock everything you see
Little things might matter later
At the start of the end of history
Climb up the glacier
Across bridges of light
We sniff you, Big Tiger
In the forest of the night
Cause there's no escape
From the Rajahs of Erase
You better run run run
Godwhacker's on the case
Be very very quiet
Clock everything you see
Little things might matter later
At the start of the end of history
Yes we are the Godwhackers
Who rip and chop and slice
For crimes beyond imagining
It's time to pay the price
You better step back son
Give the man some whackin' space
You know this might get messy
Godwhacker's on the case
We could hang with the dude
But it's been too much of nothing
Of that stank attitude
Now they curse your name
And there's a bounty on your face
It's your own fault daddy
Godwhacker's on the case
We track your almighty ass
Through seven heaven-worlds
Me, Slinky Redfoot
And our trusty angel-girls
And when the stars bleed out
That be the fever of the chase
You better get gone poppie
Godwhacker's on the case
Be very very quiet
Clock everything you see
Little things might matter later
At the start of the end of history
Climb up the glacier
Across bridges of light
We sniff you, Big Tiger
In the forest of the night
Cause there's no escape
From the Rajahs of Erase
You better run run run
Godwhacker's on the case
Be very very quiet
Clock everything you see
Little things might matter later
At the start of the end of history
Yes we are the Godwhackers
Who rip and chop and slice
For crimes beyond imagining
It's time to pay the price
You better step back son
Give the man some whackin' space
You know this might get messy
Godwhacker's on the case
Lyrics submitted by blackiswhite, edited by SeeBread
Godwhacker Lyrics as written by Walter Becker Donald Fagen
Lyrics © Wixen Music Publishing
Lyrics powered by LyricFind
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Mountain Song
Jane's Addiction
Jane's Addiction
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Nice try associating "God" in this song with Saddam Hussein, but Reagan and the Bushes didn't create Saddam; you've got him mixed up with Manuel Noriega. Saddam was created by European bankers and his buddy/fellow Baathist Hafez al-Assad in Syria; he was just the least slimy of two alternatives when the Iraq-Iran War broke out (as horrible as Saddam was to HIS people, Khomeini and the Green Bands were even worse to the people of Iran; we backed what we thought was the least nasty of two nasty alternatives).
No, this song isn't allegorical at all - it's Manichaean fantasy, the story of a pair of cosmic Super Flys who hunt down a god (lower case) guilty of "crimes beyond imagining," and then treat him like the cook at Benihana treats a cut of wagyu steak. Although the tagline "at the start of the end of history" tempts the listener to believe he's listening to an allegory of post-Cold War politics, this is just Fagen and Becker doing riffs on Gnosticism. Again.
I believe you (along with Bolosky and TMiller68) are correct. There's no allegory here at all. The only place I believe you're incorrect is the "lower case". This is, as Bolosky said (below your comment) about the God of the Bible. For me, as much as I know that Steely Dan music has always been worldly, fleshly, in a word evil to some degree (I mean even the name of the group for crying out loud, is from Naked Lunch ... but I digress ...), but I've always enjoyed the imagination, high talent, and execution. I suppose it's inevitable that the truth comes out when Christ said, in so many words "They are either for us or against us". There's no inbetween. And sooner or later it just comes out clearly. :(