This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
There is no culture is my brag,
Your taste for bullshit reveals a lust for a home of office
This is the home of the vain!
This is the home of the vain!
Where are the obligatory niggers?
Hey there fuckface!
Hey there fuckface!
There are twelve people in the world
The rest are paste
This is the home of the vain!
This is the home of the vain!
I just left the hotel amnesia, I had to go there
Where it is I can't remember,
But now I can remember, now I can remember
Hafta! hafta!
Message for yer! message for yer!
Too much reliance on girl here
On girls here, behind every shell-actor
Snobbier snobbier
Too much romantic here
I destroy romantics, actors,
Kill it!
Kill it!
Kill it a!
Kill it!
Kill it a!
You won't find anything more ridiculous, than this new profile
Razor unit, made with the highest british attention to the
Wrong detail, become obsolete units surrounded by hail.
The classical!
The classical!
The classical!
Hotel aggro!
Message for yer! message for yer!
The classical!
Poleaxe a!
One of the millennium of conspiracy,
Forever,
I know it means a lot of stomach gas,
I know it means a lot of stomach gas,
I've never felt better in my life
I've never felt better in my life
Poleaxe a!
The classical!
Stomach gas
I've never felt better in my life
I've never felt better in my life
Poleaxe a!
Millennium of conspiracy
Play out classical
I've never felt better in my life
Better in my life
Your taste for bullshit reveals a lust for a home of office
This is the home of the vain!
This is the home of the vain!
Where are the obligatory niggers?
Hey there fuckface!
Hey there fuckface!
There are twelve people in the world
The rest are paste
This is the home of the vain!
This is the home of the vain!
I just left the hotel amnesia, I had to go there
Where it is I can't remember,
But now I can remember, now I can remember
Hafta! hafta!
Message for yer! message for yer!
Too much reliance on girl here
On girls here, behind every shell-actor
Snobbier snobbier
Too much romantic here
I destroy romantics, actors,
Kill it!
Kill it!
Kill it a!
Kill it!
Kill it a!
You won't find anything more ridiculous, than this new profile
Razor unit, made with the highest british attention to the
Wrong detail, become obsolete units surrounded by hail.
The classical!
The classical!
The classical!
Hotel aggro!
Message for yer! message for yer!
The classical!
Poleaxe a!
One of the millennium of conspiracy,
Forever,
I know it means a lot of stomach gas,
I know it means a lot of stomach gas,
I've never felt better in my life
I've never felt better in my life
Poleaxe a!
The classical!
Stomach gas
I've never felt better in my life
I've never felt better in my life
Poleaxe a!
Millennium of conspiracy
Play out classical
I've never felt better in my life
Better in my life
Lyrics submitted by birthcontrolblues, edited by hendr1x, middledistancerunner, antoniod4k, plimsoul89
The Classical Lyrics as written by Mark E Smith
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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Hayalperest
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Dreamwalker
Silent Planet
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
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Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
I love how Malkmus consistently ripped these boys off in his Pavement days...rather impressive.
This song killsssssss
My favorite song of all time.
One of my favourites. Hex Enduction Hour is essentially an attack on British pop culture, which is what this song seems to be about. Ahh Mark E. Smith is insane and i love him. It's unfortunate how little known this band is.
Apparently the line "Where are the obligatory niggers?" cost them a record deal with a Motown label.
@orangebeaker Go figure!
lots of errors in the lyrics here 1st one: it's "Parallax", not "Poleaxe a"
Surely "reveals a lust for a form of obvious", not "a home of office".
@curiosofsi I believe it is a "form of office" definitely not "home of office"
Here in England, The Fall are more popular / well known than Pavement, so I still don't know why Pavement get so much shit? They're sound-alikes, I know, but Pavement have developed away from this sound. Anyway, The Fall > Pavement any day.
@Syaoranoni I love them both and agree with all you said
Surely "Your taste for bullshit reveals a lust for a form of office"
I love, "made with the highest British attention to the wrong detail". Pavement of all bands had the nerve to cover this on a Peel Session no less. John said it made an old man very happy, namely, him. It was pretty good.
My favorite comes from an interview I read w/ Pavement saying how they covered this live and S.M. apparently ended the song stating, "He hates us...he hates us." Very funny. It is also funny how much shit Pavement receives for being Fall sound alikes and how much more popular they are than The Fall. I love them both, just saying. (There are two Pavement comments out of four for this song).
Brilliant tune...I agree that this band is criminally over(under?)looked in the grand scheme of indie/post-punk fandom of all ages. Mark E. Smith deserves a medal for his dedication and excellence in a field with never was' and never will be's. I can't believe how many so-called punk/indie/post-punk fans i talk to that have no idea who The Fall are. They are the scene, they are no scene, they have no scene.
'Conduit for Sale' indeed.