This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
From the primeval mass
Let precious chaos vent
Sacred flesh drenched in fornication
Beloved by Set
May the winds gather her together
From the secrets of men
After thousands of years of terrifying silence
She comes again
(All Destroyer)
The abolition of the yeshua begins
Shattered are the icons of the worthless
The Goddess scorned is a Valkyrie born
Scattered are the wings of the virulent holy
Leave their husks to be the prey of vultures and dogs
World without end
Cherish the lissome wants of pernicious evil
Dusk in her eyes
Torn bloody weeping skies
Darkness will hasten to devour
And the weak will flee or die
Sie sind es die sich
Anderlieb festhalten
Fuer immer betend auf knien
Vor der (finisteren) goetten
I slay the lamb in the fervour of thine
Abandonment unto Our Lady
With a quenchless thirst for the infinite
For Her that exists beyond all knowledge
Storming from tired centuries
Under the glare of a waxing death-moon
Terrible beauty of love severed
Rip the baby from the virginal womb
The blood of Jesus
Is the wine of the dead
And the drunken angels
Bleed with incest
The Liliot suckle on Her fruitful breasts
And yield the swords that sever and stain
There will be no act or passion wrought
That shall not be attributed to Her names
To the name of Baphomet
Artemis, Bastet, Astarte
I yearn to thee who art darkness in thy rising
"Weltmacht oder Niedergang"
Let precious chaos vent
Sacred flesh drenched in fornication
Beloved by Set
May the winds gather her together
From the secrets of men
After thousands of years of terrifying silence
She comes again
(All Destroyer)
The abolition of the yeshua begins
Shattered are the icons of the worthless
The Goddess scorned is a Valkyrie born
Scattered are the wings of the virulent holy
Leave their husks to be the prey of vultures and dogs
World without end
Cherish the lissome wants of pernicious evil
Dusk in her eyes
Torn bloody weeping skies
Darkness will hasten to devour
And the weak will flee or die
Sie sind es die sich
Anderlieb festhalten
Fuer immer betend auf knien
Vor der (finisteren) goetten
I slay the lamb in the fervour of thine
Abandonment unto Our Lady
With a quenchless thirst for the infinite
For Her that exists beyond all knowledge
Storming from tired centuries
Under the glare of a waxing death-moon
Terrible beauty of love severed
Rip the baby from the virginal womb
The blood of Jesus
Is the wine of the dead
And the drunken angels
Bleed with incest
The Liliot suckle on Her fruitful breasts
And yield the swords that sever and stain
There will be no act or passion wrought
That shall not be attributed to Her names
To the name of Baphomet
Artemis, Bastet, Astarte
I yearn to thee who art darkness in thy rising
"Weltmacht oder Niedergang"
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Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
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Is that German in the song? What does it mean?