This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
When I was young and full of grace
And spirited a rattlesnake
When I was young and fever fell
My spirit I will not tell
You're on your honor not to tell
I believe in coyotes and time as an abstract
Explain the change, the difference between
What you want and what you need, there's the key
Your adventure for today what do you do
Between the horns of the day?
I believe my shirt is wearing thin
And change is what I believe in
When I was young and give and take
And foolish said my fool awake
When I was young and fever fell
My spirit, I will not tell
You're on your honor, on your honor
Trust in your calling, make sure your calling's true
Think of others, the others think of you
Silly rule, golden words make, practice, practice makes perfect
Perfect is a fault, and fault lines change
I believe my humor's wearing thin
And change is what I believe in
I believe my shirt is wearing thin
And change is what I believe in
When I was young and full of grace
And spirited a rattlesnake
When I was young and fever fell
My spirit, I will not tell
You're on your honor, on your honor
I believe in example
I believe my throat hurts
Example is the checker to the key
I believe my humor's wearing thin
And I believe the poles are shifting
I believe my shirt is wearing thin
And change is what I believe in
And spirited a rattlesnake
When I was young and fever fell
My spirit I will not tell
You're on your honor not to tell
I believe in coyotes and time as an abstract
Explain the change, the difference between
What you want and what you need, there's the key
Your adventure for today what do you do
Between the horns of the day?
I believe my shirt is wearing thin
And change is what I believe in
When I was young and give and take
And foolish said my fool awake
When I was young and fever fell
My spirit, I will not tell
You're on your honor, on your honor
Trust in your calling, make sure your calling's true
Think of others, the others think of you
Silly rule, golden words make, practice, practice makes perfect
Perfect is a fault, and fault lines change
I believe my humor's wearing thin
And change is what I believe in
I believe my shirt is wearing thin
And change is what I believe in
When I was young and full of grace
And spirited a rattlesnake
When I was young and fever fell
My spirit, I will not tell
You're on your honor, on your honor
I believe in example
I believe my throat hurts
Example is the checker to the key
I believe my humor's wearing thin
And I believe the poles are shifting
I believe my shirt is wearing thin
And change is what I believe in
Lyrics submitted by xpankfrisst
I Believe Lyrics as written by Michael E. Mills John Michael Stipe
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Great version of a great song,
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I think Shanier's comment sums a lot up - there's something about this song that just makes you want to throw off any shackles that might be holding you back, throw caution to the wind and just do what you feel.
Stipe is a talented guy - I admire REM's music a great deal and his lyrics are so rich.... but there's something about this song that makes it a breath of fresh air everytime I hear it. The following just says it all for me:
Trust in your calling, make sure your calling's true Think of others, the others think of you Silly rule golden words make practice Practice makes perfect Perfect is a fault and fault lines change
What a great song.
The song was originally called "When I Was Young" and is listed as a track on "Fables of the Reconstruction", but was pulled at the last minute when the band realised it was no good. They then took it apart, kept the good bits and called it "I Believe", which Stipe took from a Mahalia Jackson gospel song.
The song is positive and upbeat, as were most of the songs the band were writing at that time (1986). The old cliches the narrator sincerely believes in, like "think of others" and "practice makes perfect", are bolstered by humourous asides about sore throats and old shirts. Ultimately, what does he believe in? "Change" as a positive force in life.
Interestingly, one of the best lines is the result of an accidental mis-reading. The first verse originally ended with "What do you do between the HOURS of the day", but when a friend read it as "HORNS" Stipe realised that was a much better image and kept it.
@darlomunday But Mahalia Jackson took it from the timeless Christian liturgy. I Believe = Credo in Church Latin, which refers to the Apostles Creed or Nicene Creed: I believe in God the Father almighty, maker of Heaven and Earth....” Clearly Stipe believed in something else, but I have no doubt he knew he knew he was speaking in an ancient tradition. <br /> <br /> I think the song, rather than pointing out contradiction, embraces and celebrates paradox, as in the practice makes perfect line, true in each part and more so as a whole in its paradoxical glory. I always heard the final clause as “in fault lies change.” Perfection, purity, is the concern of many religions, and Stipe elegantly deconstructs and reclaims the conception as an article of faith in his idiosyncratic, highly personal existential creed, celebrating dynamism, flow, indeterminacy, individuality itself, claimed and created personal purpose.<br /> <br /> With no disrespect to Christian believers, I profess the Stipe Creed. It electrified me the first time I heard it and still makes me tear up every time, forty years later.
Great great song and such a shame that there are only 3 comments. This seems, at times, to be about becoming fed up with things and wanting change. And also with accepting change as a good thing "Perfect is a fault and fault lines change"
Stipe is absolutely incredible to me. He seems to explore so many ideas and seems to contradict himself throughout some of the songs he has written, has anyone noticed? In the dvd "tourfilm" he says: "I'll believe anything when I'm there" Which may explain the contradictions. There is so much stuff out there that it's hard to know what to believe but I think Stipe's song explore many issues very well if you are willing to take a look at them. They do it not by trying to impose a stone-chiseled view of things but by presenting things as he sees them at the time, and his vantage point does seem to change (which is what he believes in)
One thing I've always loved about this song is the first 15 seconds of the album version on Life's Rich Pageant.
I love how it starts with a very traditional banjo piece that sounds like something right out of back country Appalachia. Then, when the song launches - if you're really listening - you realize that the band did indeed take that traditional sound and gave it a modern makeover. I just find it fascinating musically. I'm not sure if it was meant to convey something about the song meaning itself, but it adds a special element.
@whitewolfbc Agreed, i love that part so much and it works so well as a transition to the rest of the song.
R.E.M.'s finest, hands down.
The joys and fears of youth and aging! Adventure in the south! :-D
Wonderful wonderful song.
The references to rattlesnakes and coyotes make me think of the American Southwest. The rattlesnake, of course, symbolizes the idealized American spirit (lately, the Tea Party has tried to co-opt this symbol). Benjamin Franklin wrote in a famed letter to the Pennsylvania Gazette (December 1775):
"... I recollected that her eye excelled in brightness, that of any other animal, and that she has no eye-lids. She may therefore be esteemed an emblem of vigilance. She never begins an attack, nor, when once engaged, ever surrenders: She is therefore an emblem of magnanimity and true courage. ...she never wounds 'till she has generously given notice, even to her enemy, and cautioned him against the danger of treading on her.
"Was I wrong, Sir, in thinking this a strong picture of the temper and conduct of America? ...the rattles...[are] just thirteen, exactly the number of the Colonies united in America; and I recollected too that this was the only part of the Snake which increased in numbers. ... One of those rattles singly, is incapable of producing sound, but the ringing of thirteen together, is sufficient to alarm the boldest man living.
"... In winter, the warmth of a number together will preserve their lives, while singly, they would probably perish. The power of fascination attributed to her, by a generous construction, may be understood to mean, that those who consider the liberty and blessings which America affords, and once come over to her, never afterwards leave her, but spend their lives with her."
It is sad that today's America does not conduct itself with the quiet, unpretentious dignity of the rattlesnake.
(Interestingly, there is another R.E.M. song that also makes reference to a rattlesnake: "The Sidewinder Sleeps Tonight.")
@picturesofthesun I think the Sidewinder reference is (much to my disappointment) about a type of payphone, not Crotalus cerastes, the little horned rattler. I always hoped one of these American bands would do a song about rattlesnakes that might get people to look at them more positively, because like lots of snakes, they're endangered in a lot their range. People are always killing them for no reason (which is the sort of behaviour that causes most snakebites in developed countries: the snakes are just defending themselves).
@picturesofthesun <br /> ever notice that it's spelt<br /> <br /> beLIEve
great song, about accepting changes
This is the song I always listened to before I took any test--in high school, in college, learning to drive, et c. Or before any job interview. Something in this song always made me braver.
I´m doing the same since 10 years ago!
In response to what Laocoon said about Stipe's contradictions, I think Stipe is taking a lot of common-held beliefs and deliberately juxtaposing them to show how ridiculous some are. For example, the "practice makes perfect/perfect is a fault" comparison reveals that everyone wants to try so hard and repeat their actions till they've refined them to perfection, yet everyone seems to despise things that are perfect. It's like the student in school who gets straight A's working his rear off...everyone else in the class secretly hates the kid because of what he's able to accomplish. Thus for me, the "fault lines change" line is about how the razor line cut by society on things that are good or not is very fickle, and as you said, we should accept this change and really not get down over it. Most of the illusions to youth work with this well too, as when you are young you build up all of your ideas and get them knocked down by people as you go through the years, and you either interpret the believe in change to be that you should be welcome to changing yourself or that people will change around you and might accept you over time. Either way, it's a very uplifting song.
@realitysoldier but as a musician, Stipe knows both that practice makes perfect, and that perfect is a fault. The perfection must be achieved, and then broken, to create true beauty. He is not mocking the aphorisms but exploring, deconstructing, transforming and reclaiming them.