This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
How many times have I called you
While you were working just to say
Left messages on your answering machine
About three or four times a day
There aren't many more ways in words that I can say
So I'll just say numerically from my heart to you - 143
So many times I've brought roses
Just to see that smile on your face
I can't remember how many e-mails I sent you
Just to tell you about my day
There aren't many more ways in words that I can say
So I'll just say numerically from my soul to you - 143
Girl you know you are so special to me
And you deserve to be treated exclusively
I treat you like Valentines Day 365 a year
Make sure that everything you need will always be right here
I just refuse to be your typical ordinary run of the mill
Garden variety lover
I'll make sure everyday you live will be like Christmas Eve
I wanna make you feel fine
Just like a summer breeze
Cause I refuse to be predictable average run of the mill
Garden variety love
See sometimes words may get in the way
Of things that you really really meant to say
So I wanna out this time to make sure that how I really feel
Gets through to you
Cause listen
There aren't many more ways and words that I can say
So I choose to tell you how I feel in a numerical way'
Got so tired of trying to find the most complicated way
To say it to you so I simplified and broke it down
To 143 - and that means I love you
While you were working just to say
Left messages on your answering machine
About three or four times a day
There aren't many more ways in words that I can say
So I'll just say numerically from my heart to you - 143
So many times I've brought roses
Just to see that smile on your face
I can't remember how many e-mails I sent you
Just to tell you about my day
There aren't many more ways in words that I can say
So I'll just say numerically from my soul to you - 143
Girl you know you are so special to me
And you deserve to be treated exclusively
I treat you like Valentines Day 365 a year
Make sure that everything you need will always be right here
I just refuse to be your typical ordinary run of the mill
Garden variety lover
I'll make sure everyday you live will be like Christmas Eve
I wanna make you feel fine
Just like a summer breeze
Cause I refuse to be predictable average run of the mill
Garden variety love
See sometimes words may get in the way
Of things that you really really meant to say
So I wanna out this time to make sure that how I really feel
Gets through to you
Cause listen
There aren't many more ways and words that I can say
So I choose to tell you how I feel in a numerical way'
Got so tired of trying to find the most complicated way
To say it to you so I simplified and broke it down
To 143 - and that means I love you
Lyrics submitted by kanale4
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The Night We Met
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
i love this song.. but i dont get what he means by "143" haha.. im dumb..