The song "Fortnight" by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word "fortnight" shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Hey, Jude, don't make it bad,
Take a sad song and make it better.
Remember to let her into your heart,
Then you can start to make it better.
Hey, Jude, don't be afraid,
You were made to go out and get her.
The minute you let her under your skin,
Then you begin to make it better.
And anytime you feel the pain,
Hey, Jude, refrain,
Don't carry the world upon your shoulders.
For well you know that it's a fool
Who plays it cool
By making his world a little colder.
Da da da da da da da da da.
Hey, Jude, don't let me down,
You have found her, now go and get her.
Remember to let her into your heart,
Then you can start to make it better.
So let it out and let it in, hey Jude, begin,
You're waiting for someone to perform with.
And don't you know that it's just you, hey Jude you'll do,
The movement you need is on your shoulder.
Da da da da da da da da da.
Hey, Jude, don't make it bad,
Take a sad song and make it better.
Remember to let her under your skin,
Then you begin to make it better
Better, better, better, better ohhuh!
Hey Jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Take a sad song and make it better.
Remember to let her into your heart,
Then you can start to make it better.
Hey, Jude, don't be afraid,
You were made to go out and get her.
The minute you let her under your skin,
Then you begin to make it better.
And anytime you feel the pain,
Hey, Jude, refrain,
Don't carry the world upon your shoulders.
For well you know that it's a fool
Who plays it cool
By making his world a little colder.
Da da da da da da da da da.
Hey, Jude, don't let me down,
You have found her, now go and get her.
Remember to let her into your heart,
Then you can start to make it better.
So let it out and let it in, hey Jude, begin,
You're waiting for someone to perform with.
And don't you know that it's just you, hey Jude you'll do,
The movement you need is on your shoulder.
Da da da da da da da da da.
Hey, Jude, don't make it bad,
Take a sad song and make it better.
Remember to let her under your skin,
Then you begin to make it better
Better, better, better, better ohhuh!
Hey Jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Nah, ... na, na, nananana ... nananana, hey jude
Lyrics submitted by Ice, edited by UnixWiz, ParanoidRocker, Joanton120, zoinkzurdead
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Fortnight
Taylor Swift
Taylor Swift
Standing On The Edge Of Summer
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Fast Car
Tracy Chapman
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Head > Heels
Ed Sheeran
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Jude = Julian Lennon, John's first son. At the time, Paul visited Cynthia when she was divorcing John. John was barely around to see Julian grow up, and his relationship was strained b/c of his own issues and Yoko. Paul wrote this song to Julian (originally titled Hey Jules) to make him feel better.
I was just in Liverpool and took a "Beatles Tour". The tour guide happen to grow up with the Beatles and lived across the street from Ritchie (Ringo Star). She had many Beatles stories, but did tell us that Paul wrote Hey Jude to make Julian feel better about his mom and dad's divorce and the fact that John did not spend as much time with Julian as Julian would've like.