The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Photographs of fancy tricks to get your kicks at sixty-six
He thinks of all the lips that he licks
And all the girls that he's going to fix
She gave a little flirt, gave herself a little cuddle
But there's no place here for the mini-skirt waddle
Capital punishment, she's last year's model
They call her Natasha when she looks like Elsie
I don't want to go to Chelsea
Oh, no, it does not move me
Even though I've seen the movie
I don't want to check your pulse
I don't want nobody else
I don't want to go to Chelsea
Everybody's got new orders
Be a nice girl and kiss the warders
Now the teacher is away
All the kids begin to play
Men come screaming, dressed in white coats
Shake you very gently by the throat
One's named Gus, one's named Alfie
I don't want to go to Chelsea
Oh, no, it does not move me
Even though I've seen the movie
I don't want to check your pulse
I don't want nobody else
I don't want to go to Chelsea
Photographs of fancy tricks to get your kicks at sixty-six
He thinks of all the lips that he licks
And all the girls that he's going to fix
She gave a little flirt, gave herself a little cuddle
But there's no place here for the mini-skirt waddle
Capital punishment, she's last year's model
They call her Natasha when she looks like Elsie
I don't want to go to Chelsea
Oh, no, it does not move me
Even though I've seen the movie
I don't want to check your pulse
I don't want nobody else
I don't want to go to Chelsea
He thinks of all the lips that he licks
And all the girls that he's going to fix
She gave a little flirt, gave herself a little cuddle
But there's no place here for the mini-skirt waddle
Capital punishment, she's last year's model
They call her Natasha when she looks like Elsie
I don't want to go to Chelsea
Oh, no, it does not move me
Even though I've seen the movie
I don't want to check your pulse
I don't want nobody else
I don't want to go to Chelsea
Everybody's got new orders
Be a nice girl and kiss the warders
Now the teacher is away
All the kids begin to play
Men come screaming, dressed in white coats
Shake you very gently by the throat
One's named Gus, one's named Alfie
I don't want to go to Chelsea
Oh, no, it does not move me
Even though I've seen the movie
I don't want to check your pulse
I don't want nobody else
I don't want to go to Chelsea
Photographs of fancy tricks to get your kicks at sixty-six
He thinks of all the lips that he licks
And all the girls that he's going to fix
She gave a little flirt, gave herself a little cuddle
But there's no place here for the mini-skirt waddle
Capital punishment, she's last year's model
They call her Natasha when she looks like Elsie
I don't want to go to Chelsea
Oh, no, it does not move me
Even though I've seen the movie
I don't want to check your pulse
I don't want nobody else
I don't want to go to Chelsea
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This is one of my favorite songs. https://fnfgo.io
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Chelsea is/has been at various times an entertainment and sometime red-light district of London. With this bit of knowledge in hand the rest of the song's meaning falls out fairly easily. Truly enough, another of Elvis' misogynistic, or at least feminambivalent tracks, disappointed by the tawdriness of the everyday dressed up flimsily as the exotic and so on. Around the time this song made the hit parade in England, according to Elvis in an interview somewhere, he got into a cab and asked to be driven, where else, to Chelsea, on some business or other. Supposedly the driver turned around with a sneer and a "Ha, Ha, bloody Ha!"