So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
Farewell Angelina
The bells of the crown
Are being stolen by bandits
I must follow the sound
The triangle tingles
And the trumpet play slow
Farewell Angelina
The sky is on fire
And I must go
There's no need for anger
There's no need for blame
There's nothing to prove
Everything's still the same
Just a table standing empty
By the edge of the sea
Farewell Angelina
The sky is trembling
And I must leave
The jacks and queens
Have forsaken the courtyard
Fifty-two gypsies
Now file past the guards
In the space where the deuce
And the ace once ran wild
Farewell Angelina
The sky is folding
I'll see you in a while
See the cross-eyed pirates sitting
Perched in the sun
Shooting tin cans
With a sawed-off shotgun
And the neighbors they clap
And they cheer with each blast
Farewell Angelina
The sky's changing color
And I must leave fast
King Kong, little elves
On the rooftops they dance
Valentino-type tangos
While the make-up man's hands
Shut the eyes of the dead
Not to embarrass anyone
Farewell Angelina
The sky is embarrassed
And I must be gone
The machine guns are roaring
The puppets heave rocks
The fiends nail time bombs
To the hands of the clocks
Call me any name you like
I will never deny it
Farewell Angelina
The sky is erupting
I must go where it's quiet
The bells of the crown
Are being stolen by bandits
I must follow the sound
The triangle tingles
And the trumpet play slow
Farewell Angelina
The sky is on fire
And I must go
There's no need for anger
There's no need for blame
There's nothing to prove
Everything's still the same
Just a table standing empty
By the edge of the sea
Farewell Angelina
The sky is trembling
And I must leave
The jacks and queens
Have forsaken the courtyard
Fifty-two gypsies
Now file past the guards
In the space where the deuce
And the ace once ran wild
Farewell Angelina
The sky is folding
I'll see you in a while
See the cross-eyed pirates sitting
Perched in the sun
Shooting tin cans
With a sawed-off shotgun
And the neighbors they clap
And they cheer with each blast
Farewell Angelina
The sky's changing color
And I must leave fast
King Kong, little elves
On the rooftops they dance
Valentino-type tangos
While the make-up man's hands
Shut the eyes of the dead
Not to embarrass anyone
Farewell Angelina
The sky is embarrassed
And I must be gone
The machine guns are roaring
The puppets heave rocks
The fiends nail time bombs
To the hands of the clocks
Call me any name you like
I will never deny it
Farewell Angelina
The sky is erupting
I must go where it's quiet
Lyrics submitted by typo, edited by nelliewilson
Farewell, Angelina Lyrics as written by Bob Dylan
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Bob apparently wrote this while at Baez\'s place in Carmel in late November 1964. Like with "Lay Down Your Weary Tune" written there a year before, he seems to have nicked a trad melody from her record collection; here "The Wagoner\'s Lad". \n\nHistory-wise, this would have been the week the US announced the escalation of the Vietnam War. \n\nThe holocaust idea is interesting, but seems like Bob more generally kicking at unpleasant parts of human nature: close-mindedness, unnecessary violence (and enjoyment of it), superstition. \n\nA sort of halfway point between his 1964 writing style with imagery of weather (like Mr. Tambourine Man, Chimes of Freedom) grotesque, circus-ish characters (Gates of Eden, MTM again) and playing cards (Jack of Diamonds) and his 1965 style where the characters get more absurd and specific (Rolling Stone, Tombstone Blues, Highway 61, Desolation Row) and the settings more urban. \n\nProbably gave it to Joan because he\'d written It\'s all over now, baby blue by the recording sessions, and it and Love Minus Zero did what he wanted from acoustic tunes better.