"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Come on!
Uggh!
Come on, although ya try to discredit
Ya still never edit
The needle, I'll thread it
Radically poetic
Standin' with the fury that they had in '66
And like E-Double I'm mad
Still knee-deep in the system's shit
Hoover, he was a body remover
I'll give ya a dose
But it'll never come close
To the rage built up inside of me
Fist in the air, in the land of hypocrisy
Movements come and movements go
Leaders speak, movements cease
When their heads are flown
'Cause all these punks
Got bullets in their heads
Departments of police, the judges, the feds
Networks at work, keepin' people calm
You know they went after King
When he spoke out on Vietnam
He turned the power to the have-nots
And then came the shot
Yeah!
Yeah, back in this...
Wit' poetry, my mind I flex
Flip like Wilson, vocals never lackin' dat finesse
Whadda I got to, whadda I got to do to wake ya up
To shake ya up, to break the structure up
'Cause blood still flows in the gutter
I'm like takin' photos
Mad boy kicks open the shutter
Set the groove
Then stick and move like I was Cassius
Rep the stutter step
Then bomb a left upon the fascists
Yea, the several federal men
Who pulled schemes on the dream
And put it to an end
Ya better beware
Of retribution with mind war
20/20 visions and murals with metaphors
Networks at work, keepin' people calm
Ya know they murdered X
And tried to blame it on Islam
He turned the power to the have-nots
And then came the shot
Uggh!
What was the price on his head?
What was the price on his head!
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard, I think I heard a shot
"Black nationalism"
"He may be a real contender for this position should he abandon his supposed obedience to white liberal doctrine of non-violence...and embrace black nationalism"
"Through counter-intelligence it should be possible to pinpoint potential trouble-makers..."
"And neutralise them"
Wake up! Wake up! Wake up! Wake up!
Wake up! Wake up! Wake up! Wake up!
"How long? Not long, 'cause what you reap is what you sow."
Uggh!
Come on, although ya try to discredit
Ya still never edit
The needle, I'll thread it
Radically poetic
Standin' with the fury that they had in '66
And like E-Double I'm mad
Still knee-deep in the system's shit
Hoover, he was a body remover
I'll give ya a dose
But it'll never come close
To the rage built up inside of me
Fist in the air, in the land of hypocrisy
Movements come and movements go
Leaders speak, movements cease
When their heads are flown
'Cause all these punks
Got bullets in their heads
Departments of police, the judges, the feds
Networks at work, keepin' people calm
You know they went after King
When he spoke out on Vietnam
He turned the power to the have-nots
And then came the shot
Yeah!
Yeah, back in this...
Wit' poetry, my mind I flex
Flip like Wilson, vocals never lackin' dat finesse
Whadda I got to, whadda I got to do to wake ya up
To shake ya up, to break the structure up
'Cause blood still flows in the gutter
I'm like takin' photos
Mad boy kicks open the shutter
Set the groove
Then stick and move like I was Cassius
Rep the stutter step
Then bomb a left upon the fascists
Yea, the several federal men
Who pulled schemes on the dream
And put it to an end
Ya better beware
Of retribution with mind war
20/20 visions and murals with metaphors
Networks at work, keepin' people calm
Ya know they murdered X
And tried to blame it on Islam
He turned the power to the have-nots
And then came the shot
Uggh!
What was the price on his head?
What was the price on his head!
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard a shot
I think I heard, I think I heard a shot
"Black nationalism"
"He may be a real contender for this position should he abandon his supposed obedience to white liberal doctrine of non-violence...and embrace black nationalism"
"Through counter-intelligence it should be possible to pinpoint potential trouble-makers..."
"And neutralise them"
Wake up! Wake up! Wake up! Wake up!
Wake up! Wake up! Wake up! Wake up!
"How long? Not long, 'cause what you reap is what you sow."
Lyrics submitted by piesupreme
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Fast Car
Tracy Chapman
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Dreamwalker
Silent Planet
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
The US government deciding that people who disobey them and are not following their evil capatilist views should be killed, and its asking people to "wake up" to that fact