Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
You walk into the room with your pencil in your hand
You see somebody naked and you say, "Who is that man?"
You try so hard but you don't understand
Just what you will say when you get home
Because something is happening here but you don't know what it is
Do you, Mr. Jones?
You raise up your head and you ask, "Is this where it is?"
And somebody points to you and says, "It's his"
And you say, "What's mine?" and somebody else says, "Well, what is?"
And you say, "Oh my God, am I here all alone?"
But something is happening and you don't know what it is
Do you, Mr. Jones?
You hand in your ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
And says, "How does it feel to be such a freak?"
And you say, "Impossible!" as he hands you a bone
And something is happening here but you don't know what it is
Do you, Mr. Jones?
You have many contacts among the lumberjacks
To get you facts when someone attacks your imagination
But nobody has any respect, anyway they already expect you to all give a check
To tax-deductible charity organizations
Ah, you've been with the professors and they've all liked your looks
With great lawyers you have discussed lepers and crooks
You've been through all of F. Scott Fitzgerald's books
You're very well-read, it's well-known
But something is happening here and you don't know what it is
Do you, Mr. Jones?
Well, the sword swallower, he comes up to you and then he kneels
He crosses himself and then he clicks his high heels
And without further notice, he asks you how it feels
And he says, "Here is your throat back, thanks for the loan"
And you know something is happening but you don't know what it is
Do you, Mr. Jones?
Now, you see this one-eyed midget shouting the word "Now"
And you say, "For what reason?" and he says, "How"
And you say, "What does this mean?" and he screams back, "You're a cow!
Give me some milk or else go home"
And you know something's happening but you don't know what it is
Do you, Mr. Jones?
Well, you walk into the room like a camel, and then you frown
You put your eyes in your pocket and your nose on the ground
There ought to be a law against you comin' around
You should be made to wear earphones
'Cause something is happening and you don't know what it is
Do you, Mr. Jones?
You see somebody naked and you say, "Who is that man?"
You try so hard but you don't understand
Just what you will say when you get home
Because something is happening here but you don't know what it is
Do you, Mr. Jones?
You raise up your head and you ask, "Is this where it is?"
And somebody points to you and says, "It's his"
And you say, "What's mine?" and somebody else says, "Well, what is?"
And you say, "Oh my God, am I here all alone?"
But something is happening and you don't know what it is
Do you, Mr. Jones?
You hand in your ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
And says, "How does it feel to be such a freak?"
And you say, "Impossible!" as he hands you a bone
And something is happening here but you don't know what it is
Do you, Mr. Jones?
You have many contacts among the lumberjacks
To get you facts when someone attacks your imagination
But nobody has any respect, anyway they already expect you to all give a check
To tax-deductible charity organizations
Ah, you've been with the professors and they've all liked your looks
With great lawyers you have discussed lepers and crooks
You've been through all of F. Scott Fitzgerald's books
You're very well-read, it's well-known
But something is happening here and you don't know what it is
Do you, Mr. Jones?
Well, the sword swallower, he comes up to you and then he kneels
He crosses himself and then he clicks his high heels
And without further notice, he asks you how it feels
And he says, "Here is your throat back, thanks for the loan"
And you know something is happening but you don't know what it is
Do you, Mr. Jones?
Now, you see this one-eyed midget shouting the word "Now"
And you say, "For what reason?" and he says, "How"
And you say, "What does this mean?" and he screams back, "You're a cow!
Give me some milk or else go home"
And you know something's happening but you don't know what it is
Do you, Mr. Jones?
Well, you walk into the room like a camel, and then you frown
You put your eyes in your pocket and your nose on the ground
There ought to be a law against you comin' around
You should be made to wear earphones
'Cause something is happening and you don't know what it is
Do you, Mr. Jones?
Lyrics submitted by itsmyownmind
Ballad of a Thin Man Lyrics as written by Bob Dylan
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Spirit Within
Bertoldi Brothers
Bertoldi Brothers
Show Me a Little Shame
Ben Harper & the Innocent Criminals
Ben Harper & the Innocent Criminals
He certainly did earn that reputation.
Grand Theft Auto
Insane Ian
Insane Ian
The way this song speaks to me🥺🥺when I sing it I feel like I relate
Light Up The Sky
Van Halen
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I'm also not too sure about the gay reference. If he's being cutting edge by painting a picture of gays, he's not painting a very positive picture. The "one-eyed midget", if it is indeed genitalia, demands "give me some milk, or else go home"--give me sex or go away. If this is indeed a gay love tale, Dylan almost suggests that gays cannot form emotional relationships--clearly not true and Dylan doubtless knew that. If all these verses are gay sex scenes, that's ALL they are--sex, no relationship. Some of the situations are even abusive--Mr. Jones needs a ticket (he must PAY) to go get a bone from the geek, who before he does, calls him a freak. If the geek is gay as well, why does he call Mr. Jones the freak? The professors he's "been with" all "liked [his] looks" but there is no further mention. He has "many contacts among the lumberjacks"--he's been with many men, not a stable relationship. The only thing remotely close to a relationship is when the "sword swallower" thanks him.
The other possibility is this describes different sex acts with one person, but again it does not establish any form of emotional bond between the two men. This is almost more likely because it doesn't paint a completely anti-gay picture--lots of people have one-night stands. However, it seems to me that Dylan would want to paint a positive picture of gays since he was being so progressive by mentioning it. His other work seems oriented toward positive change--"The Times They Are AChangin'", etc., and not knocking down people for being different. After all, in "Blowing in the Wind", he asks "How many roads must a man walk down before you call him a man"--one of the several messages of acceptance in that song (in this case I think it's about racial equality but the general message fits). The acceptance proposed there does not fit with Dylan calling a gay man "such a freak" and portraying his lover (or lovers) as sideshow characters.
I would agree if it was said that this is about Mr. Jones exploring/discovering his homosexuality: "But something is happening here and you don't know what it is", only the geek seems to be uncomfortable as well, calling Mr. Jones "a freak" for being gay. The randomness of his partners suggests that everyone is simply exploring one aspect of homosexuality: the sexual act. This shallow message simply does not fit with Dylan's depth.
To me, the final nail in the coffin is that the sword-swallower crosses himself before fellating Mr. Jones. This is a Christian religious image, and there are very few sects of Christianity that are accepting of homosexuals.
I think you might have overreached on the camel idea-- a camel's face isn't very phallic and why would you "walk into the room like a penis"? The "there oughta be a law against you coming around, you should be made to wear earphones" line I'm not sure about as well because I think gays using condoms may be a recent thing--this album was recorded some 15-20 years before AIDS.
I am not sure of the true interpretation, and it is possible that homosexuality is a piece of the complete song, but I don't believe it is. I'm more inclined towards jersey73's idea, especially because it would make this song a parallel to "Like a Rolling Stone".