I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
The Mississippi Delta
Was shining like a national guitar
I am following the river
Down the highway
Through the cradle of the Civil War
I'm going to Graceland, Graceland
Memphis, Tennessee
I'm going to Graceland
Poor boys and pilgrims with families
And we are going to Graceland
My traveling companion is nine years old
He is the child of my first marriage
But I've reason to believe
We both will be received
In Graceland
She comes back to tell me she's gone
As if I didn't know that
As if I didn't know my own bed
As if I'd never noticed
The way she brushed her hair from her forehead
And she said, "losing love
Is like a window in your heart
Everybody sees you're blown apart
Everybody sees the wind blow"
I'm going to Graceland
Memphis, Tennessee
I'm going to Graceland
Poor boys and pilgrims with families
And we are going to Graceland
And my traveling companions
Are ghosts and empty sockets
I'm looking at ghosts and empties
But I've reason to believe
We all will be received
In Graceland
There is a girl in New York City
Who calls herself the human trampoline
And sometimes when I'm falling, flying
Or tumbling in turmoil I say
"Whoa, so this is what she means"
She means we're bouncing into Graceland
And I see losing love
Is like a window in your heart
Well, everybody sees you're blown apart
Everybody feels the wind blow
Ooh, ooh, ooh
In Graceland, in Graceland
I'm going to Graceland
For reasons I cannot explain
There's some part of me wants to see
Graceland
And I may be obliged to defend
Every love, every ending
Or maybe there's no obligations now
Maybe I've a reason to believe
We all will be received
In Graceland
Whoa, oh, oh
In Graceland, in Graceland, in Graceland
I'm going to Graceland
Was shining like a national guitar
I am following the river
Down the highway
Through the cradle of the Civil War
I'm going to Graceland, Graceland
Memphis, Tennessee
I'm going to Graceland
Poor boys and pilgrims with families
And we are going to Graceland
My traveling companion is nine years old
He is the child of my first marriage
But I've reason to believe
We both will be received
In Graceland
She comes back to tell me she's gone
As if I didn't know that
As if I didn't know my own bed
As if I'd never noticed
The way she brushed her hair from her forehead
And she said, "losing love
Is like a window in your heart
Everybody sees you're blown apart
Everybody sees the wind blow"
I'm going to Graceland
Memphis, Tennessee
I'm going to Graceland
Poor boys and pilgrims with families
And we are going to Graceland
And my traveling companions
Are ghosts and empty sockets
I'm looking at ghosts and empties
But I've reason to believe
We all will be received
In Graceland
There is a girl in New York City
Who calls herself the human trampoline
And sometimes when I'm falling, flying
Or tumbling in turmoil I say
"Whoa, so this is what she means"
She means we're bouncing into Graceland
And I see losing love
Is like a window in your heart
Well, everybody sees you're blown apart
Everybody feels the wind blow
Ooh, ooh, ooh
In Graceland, in Graceland
I'm going to Graceland
For reasons I cannot explain
There's some part of me wants to see
Graceland
And I may be obliged to defend
Every love, every ending
Or maybe there's no obligations now
Maybe I've a reason to believe
We all will be received
In Graceland
Whoa, oh, oh
In Graceland, in Graceland, in Graceland
I'm going to Graceland
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The skeleton key to this song, and the whole album, is Paul Simon's song "Late in the Evening," which, I think, first appeared on the "One Trick Pony" soundtrack.
The key is the line "it was late in the evening, and the music pulled me through..."
The whole Graceland album braids three strands, Simon's own personal story of loss and love, the recurring power of African and African-American music to refresh the musical world, and the related power of that music to heal loss and love.
So the "Graceland album," to me, is a "Canterbury Tales" pilgrimage back to the "roots of rhythm," in Africa, in Memphis, where black music jumped the barrier into white culture through Elvis' music, in New Orleans, where Zydeco continued the dialogue.
And the song itself is about Simon healing his own pain by going back to his musical roots.
IMHO
@tappanking Wonderful. <br /> Walt Reed of Emory University also sees <br /> "National guitar" evoking black Delta blues musicians <br /> and "Down the Highway . . . " evoking Highway 61 (and Dylan . . . ) <br /> vimeo.com/51693600
Actually, Simon has said the song really has nothing to do with Elvis, which is why he was hesitant about naming the album (and even the song) Graceland.
It's a pilgrimage of sorts...his wife has just left him, and he's taking a bus/train to Graceland with his son. And the journey has something to do with redemption, at least he hopes. The people travelling with him ("ghosts and empty sockets") also look like they need to be redeemed.
So it's about turmoil, and how it leads us to flee and seek something to make it better. That's what it is to me.
I've always thought that line "Through the cradle of the civil war" was a lovely play on words. He seems to be talking about both geography and the civil war he's in with his marriage ending.
Okay, let's clear up the whole Graceland issue...
Maybe it was just a word he read in a newspaper, or an offhand decision of that nature. I'd like to believe that it wasn't, because that really cheapens the whole thing doesn't it?
Elvis Presley is the embodiment of rock/popular music, so the persona's pilgrimage to Graceland mirrors Simon's musical journey to South Africa. Plus the whole idea of Graceland was a fantasy destination - a place that represented the flashy artifice of American culture in a particular period of history.
my favorite line is, "she comes back to tell me she is gone, as if i didn't know that, as if i didn't know my own bed, as if i never noticed, how she brushed her hair from her forehead." paul nails how if feels when you break up with someone. First and foremost, he is mad and makes fun of her, as most people make fun of their ex, But then the next line he softens his voice and basically says he still loves her. He nails the feeling of loving her and hating her at the same time.
I don't see how "graceland" could be just a placeholder word. It is integral to the basic story of the song, which is about a father and and son driving through the Mississippi Delta to see Graceland, which is a popular tourist attraction in Memphis, TN (at the top of the Delta). If it were another word like "wasteland", it wouldn't make sense to the story. As far as any deeper meaning, that's open for interpretation.
I watched Carrie Fisher's one woman show a few weeks ago, and she talked about breaking up with him by flying to the other-side of the country to wherever they were working on her movie, so maybe that's where the "there's a girl in New York City" comes from Also, I always assumed 'who calls herself a human trampoline' was a bipolar reference, or maybe their on/of relationship given the context of the earlier part of that sentence.
It sounds like Simon's effort to exorcise his memory of Carrie Fisher through a USA road trip but it's not really working.
So, there's two ways to look at this song - literal and metaphorical, just like any song really...
The literal meaning of this song has been confirmed to be about a road trip Paul Simon took with his young son from his first marriage after parting ways with Carrie Fisher. As I'd assume is the case with many famous couples, their relationship was fairly turbulent and they dated on/off both before AND after their marriage...I believe the split is what provided the catalyst for doing the album.
Of course, the metaphor within this song is much deeper and what makes it tangible to us as listeners beyond just Simon's personal experience. Don't we all try to get away after a bad break-up just to have it follow us in our heads and play back the many conversations or keys to why it failed? As he remembers something his lover said, he quotes her: "Losing love is like a window to your heart - everybody sees your blown apart, everybody sees the wind blow." Things that you gloss over at the time or try to ignore can end up coming back to you again and again, much like he remembers the line and hears it just a little differently each time he repeats it.
Ultimately, as he approaches his destination (literally and metaphorically) he is confident that he'll be able to move past the end of something that he cannot understand or explain and just be received as he is.
This song has such beautiful lyrics. I've always loved Paul Simon but this song I had mostly heard on the radio and just thought was a fun, light song about Graceland. It wasn't until I sat down and listened to it that I realized it was really about his divorce and being a single dad. "Losing love is like a window in your heart. Everybody sees you're blown apart." Love that line. It's a very mature and sophisticated song. He paints such a beautiful picture of travelling with his son and his introspection after his marriage. The song to me is about him finally being able to let go. Graceland is a metaphor for his salvation, and the portrait he paints of all the wandering pilgrims with their broken families travelling is just beautiful. We are all like him, lost and wandering and looking for salvation.
@jjim <br /> <br /> "The portrait he paints of all the wandering pilgrims with their broken families travelling is just beautiful. We are all like him, lost and wandering and looking for salvation."<br /> <br /> Well-said; I think you're spot on!!<br /> <br /> Sure, "Graceland" may have started out as a placeholder word as he was drafting it musically, before he began the lyric. But then he did something only Paul Simon could; He took the one word and worked backwards to craft the imagery of trying to connect with his son over a vacation week to Graceland after his failed marriage. <br /> <br /> Whether the trip to Graceland actually happened is irrelevant, the song does its job at evoking the emotion. <br /> <br /> As a divorced dad, I remember it was difficult trying to connect one-on-one with my 9 y/o son, his little kid brain transitioning to adolescence. The double-meaning of Graceland, as a tourist spot and word signifying redemption/salvation highlights Paul's brilliance. Describing his divorce using the "civil war" oxymoron, wow perfect. IMHO, "We both will be received" maybe refers to his forgiving himself for the failed relationship. I wonder if Paul identified with the "human trampoline" as a fellow repeat rebounder, given this this was his second try at marriage. <br /> <br /> I love the song musically, too. Zydeco meets a travelling country ditty. Empty enough to hear Kumalo & Phiri shine with those beautiful unison 16th note arpeggios. Funny, they are actually out of sync in places, but it's awesome they left it as-is.