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Nothing but the Sun Lyrics
In there, Out there (repeat several times)
Then I began to see the sun and the moon
As I wandered round in orbit
On this land that I called home
No Messiah up in the sky
That I could ever see, that I could ever know
To find my soul
Standing in the face of the gale
A raging night on the island
I passed an old man with a dog
On a hillside
Head bent in the weight of years
Headed back indoors
Lost myself in a T.V.
Three women in a kitchen in Chechnya
Staring at the world with frightened eyes
And all I had done below the sun
Would count for nothing
In the turning of the world
When there is nowhere left to go
You walk alone and watch the void
Eclipse it all
Nothing but the sun
Nothing but the sun
Nowhere to run
Nothing but the sun
As I wandered round in orbit
On this land that I called home
No Messiah up in the sky
That I could ever see, that I could ever know
To find my soul
A raging night on the island
I passed an old man with a dog
On a hillside
Head bent in the weight of years
Headed back indoors
Lost myself in a T.V.
Three women in a kitchen in Chechnya
Staring at the world with frightened eyes
Would count for nothing
In the turning of the world
When there is nowhere left to go
You walk alone and watch the void
Eclipse it all
Nothing but the sun
Nowhere to run
Nothing but the sun
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Runrig’s “Nothing But the Sun” is a profound meditation on spiritual disillusionment, personal solitude, and global suffering. Released in 1995 on the album Mara, the song reflects the band’s engagement with contemporary issues and introspective questioning of meaning and purpose.
“In there, Out there” (repeated) This opening mantra blurs the boundary between inner thought and the outer world, setting the stage for a reflection on how personal and collective realities intertwine.
“Then I began to see the sun and the moon / As I wandered round in orbit / On this land that I called home” These lines suggest a sense of detachment or existential drifting. The speaker sees the heavens while feeling emotionally unmoored on Earth, evoking a disconnection from what was once familiar.
“No Messiah up in the sky / That I could ever see, that I could ever know / To find my soul” Here, Runrig rejects the idea of divine salvation. The speaker finds no celestial saviour to guide him, implying that spiritual discovery must be grounded, internal, and human.
“Standing in the face of the gale / A raging night on the island / I passed an old man with a dog / On a hillside / Head bent in the weight of years / Headed back indoors” A powerful Highland image. The old man, enduring the storm, becomes a symbol of the human condition - weary but weathered, retreating from hardship. The setting underscores both physical and emotional isolation.
“Lost myself in a T.V. / Three women in a kitchen in Chechnya / Staring at the world with frightened eyes” This sudden zoom out to global tragedy is striking. The Chechen Wars (ongoing in the mid-1990s) are seen through the lens of media. The juxtaposition of personal comfort and distant suffering highlights emotional numbness and the moral complexity of witnessing global pain from afar.
“And all I had done below the sun / Would count for nothing / In the turning of the world / When there is nowhere left to go / You walk alone and watch the void / Eclipse it all” This verse expresses a kind of existential surrender - one’s life and actions feel insignificant amidst the relentless, indifferent motion of the world. The “void” suggests a creeping nihilism or loss of purpose.
“Nothing but the sun / Nothing but the sun / Nowhere to run / Nothing but the sun” The repeated chorus feels like a resignation. The sun, often a symbol of life, here becomes an inescapable force of exposure, clarity, or even judgement. There’s no hiding, no comfort - only the overwhelming presence of reality.
Conclusion: “Nothing But the Sun” is one of Runrig’s most introspective and quietly devastating songs. It reflects on spiritual loss, global injustice, and personal meaning in a complex world. Through grounded imagery, shifting perspectives, and a stark chorus, it asks: how do we find purpose in a world that offers neither certainty nor refuge?