The song "Fortnight" by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word "fortnight" shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Rise and shine, get out of bed
Get ready for the day
Get a coffee from the deli
And walk the riverbank
Be careful with your headphones on
When you cross the FDR
Don't want to be a casualty
Before you make it to the bar
And hide your shapes and worried face
Just sit down in the back
Your friends got there ahead of you
And night is falling fast
Oh, you know you shouldn't say it
So you're thinking it out loud
Some things we lost are never to be found
But if you're gonna talk like that
At least buy another round
And we can keep drinking till St. Dymphna kicks us out
This world is made of blinking lights
They're changing all the time
But depending who you're talking to
It's likely to be fine
I watched you go from bad to worse
The blues is here to stay
Sometimes it's the simple things that make it all okay
Oh, you don't have to lie, say you're alright
We're just happy that you're here
But if you yell and tell me to go to hell
Well, at least you'd sound sincere
Oh, you know it's all a spectacle
When you go to take a bow
You always did get nervous in a crowd
But if you need some company
I'd gladly stick around
And we can keep drinking till St. Dymphna kicks us out
Let's get enabled
Great minds, they think alike
I never was a good judge of when to call it a night
Oh, you don't have to say it
So you're thinking it out loud
Some things go south and they never turn around
But if you want a confidant
I'd never let you down
Oh, we can keep drinking till St. Dymphna kicks us out
Yeah, we can keep drinking till St. Dymphna kicks us out
Get ready for the day
Get a coffee from the deli
And walk the riverbank
Be careful with your headphones on
When you cross the FDR
Don't want to be a casualty
Before you make it to the bar
And hide your shapes and worried face
Just sit down in the back
Your friends got there ahead of you
And night is falling fast
Oh, you know you shouldn't say it
So you're thinking it out loud
Some things we lost are never to be found
But if you're gonna talk like that
At least buy another round
And we can keep drinking till St. Dymphna kicks us out
This world is made of blinking lights
They're changing all the time
But depending who you're talking to
It's likely to be fine
I watched you go from bad to worse
The blues is here to stay
Sometimes it's the simple things that make it all okay
Oh, you don't have to lie, say you're alright
We're just happy that you're here
But if you yell and tell me to go to hell
Well, at least you'd sound sincere
Oh, you know it's all a spectacle
When you go to take a bow
You always did get nervous in a crowd
But if you need some company
I'd gladly stick around
And we can keep drinking till St. Dymphna kicks us out
Let's get enabled
Great minds, they think alike
I never was a good judge of when to call it a night
Oh, you don't have to say it
So you're thinking it out loud
Some things go south and they never turn around
But if you want a confidant
I'd never let you down
Oh, we can keep drinking till St. Dymphna kicks us out
Yeah, we can keep drinking till St. Dymphna kicks us out
Lyrics submitted by bruxadoll, edited by rabidshrew
Till St. Dymphna Kicks Us Out Lyrics as written by Conor M. Oberst
Lyrics © Kobalt Music Publishing Ltd.
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Fortnight
Taylor Swift
Taylor Swift
Fast Car
Tracy Chapman
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
I wonder who this is about.
Kathleen Kennedy. RFK's daughter