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Bitter Poem Lyrics

And even if it's who you really are, you really are,
You wanna feel wanted
And even if it's true you really are, who you really are,
Then I'll look above you.

I'm out of advice, umbrellas wash away in the rain
I can't wait to see what you become when you became.

And even when you lose, you pushed us all, you pushed us all,
A little bit further.
Reminded me of you as I'm nodding off, as I'm nodding off
In a massage parlor.

I don't even know whose side I'm on, are both sides the same?
I can't wait to see what you become when you became.

And even if it's you who ratted on, who ratted on, your only brother
You're purple and you're blue
Is it chemical imbalance or some other struggle?
Nobody's to blame, can't use force
Take me to court, cause I couldn't love you
Nobody could use you if you want, use if you want, ain't it fun?

But I'm out of advice, umbrellas wash away in the rain
I can't wait to see what you become when you became.

And even though it's late the promise stands; it doesn't fade.
And even if it's true you often find the best laid plans,
Will fall down broken all around you now.

Oh I can't hear you!
Are you talking to me?
Now I can't hear you!
Did you say that you're happy for me?
Did you say, did you say,
Did you say that you're happy for me?
Did you say, did you say,
Did you say that you're happy for me?
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Cover art for Bitter Poem lyrics by Cold War Kids

Song is about a gay man who's in love with a heterosexual man. who converted him into being homosexual and now the heterosexual guy is trying to go back and live a straight life. I can't wait to see what you've become when you became I don't even know whose side I'm on our Both sides the same

Cover art for Bitter Poem lyrics by Cold War Kids

This is my favorite Cold War Kids song. I believe it’s about lost love, and watching each other lead independent lives. The song is written from the perspective of a man that ran from the openness of his lover, perhaps a woman whom often abundantly shared affection. Despite having a serious relationship, the woman followed their break up with perhaps many “band-aid” encounters or relationships. Although the man has accepted he once loved her, she has a difficult time recognizing the relationship’s end. She continues to pursue empty replacements for their love, hindering the “healing” process (ratted on / you’re purple and you’re blue). On the other side, the man is lonely and only feels physical touch “in a massage parlor.” He can’t help it; he feels like he’s relatively “stronger” for remaining true to his feelings (I’ll look above you). He feels that perhaps she’s acting insane and running amuck out of hurt (chemical imbalance) rather than recovering and healing from heartbreak. The song resolves as he watches the girl he loves become loved. Her running resulted in actually encountering someone with genuine feelings, and now she cannot blame him. She can’t say he’s accountable (take me to court), the books are balanced— although not as she would like. She doesn’t have “him,” the love of her life, and although she finds it unfair—he accepts it. He isn’t happy, though. He’s still heartbroken. The “umbrellas” are gone as she is rendered clean again by the rain of genuine love from another. No more encounters and rebound relationships. He sees it’s the real deal, but realizes she hasn’t seen their end as he has watched it from afar. Thus he is bitter, but accepting. It’s like he’s viewed the end of an era of her out-of-control behavior, and he realizes it isn’t quite what either thought it would be, but the twisted dance is over. It’s very much like “First,” but I prefer the fragility and vulnerability in tone of this song.

 
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