Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
I was left to my own devices
Many days fell away with nothing to show
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
We were caught up and lost in all of our vices
In your pose as the dust settles around us
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
Eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Oh, where do we begin?
The rubble or our sins?
Oh-oh, where do we begin?
The rubble or our sins?
And the walls kept tumbling down (oh, where do we begin?)
In the city that we love (the rubble or our sins?)
Grey clouds roll over the hills (oh, where do we begin?)
Bringing darkness from above (the rubble or our sins?)
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
Oh, how am I gonna be an optimist about this?
How am I gonna be an optimist about this?
If you close your eyes
Does it almost feel like nothing changed at all?
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
I was left to my own devices
Many days fell away with nothing to show
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
We were caught up and lost in all of our vices
In your pose as the dust settles around us
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
Eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Oh, where do we begin?
The rubble or our sins?
Oh-oh, where do we begin?
The rubble or our sins?
And the walls kept tumbling down (oh, where do we begin?)
In the city that we love (the rubble or our sins?)
Grey clouds roll over the hills (oh, where do we begin?)
Bringing darkness from above (the rubble or our sins?)
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
Oh, how am I gonna be an optimist about this?
How am I gonna be an optimist about this?
If you close your eyes
Does it almost feel like nothing changed at all?
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Lyrics submitted by psychedelicglee, edited by noelsguitar, henrymo, thatismahogony, Ashleeeee, amrj, tuckerka, marlize105, Jbail2322
Pompeii Lyrics as written by Daniel Campbell Smith
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Dreamwalker
Silent Planet
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Head > Heels
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Love this interpretation.
I totally agree. This song poses a strong connection between an apocalyptic situation and daily life. The line "if you close your eyes does it almost feel like you've been here before" explains this. In other words, if you forget just what you're sensing and focus on what you're feeling, this isn't the first time you've felt doomed, hopeless, lost. Really, it's exactly this feeling that impacts and determines your reality, less so than the actual situation.
"Where do we begin, the rubble or our sins?" echoes this idea. After a tragedy, how does one begin to recover—rebuilding the physical destruction, or making amends for the personal damage one has caused to both themselves and others. Furthermore, it shows the panic and confusion that results, but that despite this panic, using "we" suggests that the intent to rebuild and learn has brought the victims of tragedy closer.
(Not saying you specifically said this, but nonetheless) I don't think it makes sense to interpret the apocalyptic/life-shattering event that seems to be the focus of the song as a punishment or retribution for "sins" or for being "caught up in lust and all of our vices" so much as it highlights how in this kind of event can cause one to alter their priorities toward more collective, humanistic goals.