Fix what’s wrong, but don’t rewrite what the artist wrote. Stick to the official released version — album booklet, label site, verified lyric video, etc. If you’re guessing, pause and double-check.
Respect the structure
Songs have rhythm. Pages do too. Leave line breaks where they belong. Don’t smash things together or add extra empty space just for looks.
Punctuation counts (but vibe-editing doesn’t)
Correct typos? Yes. Re-punctuating a whole verse because it ‘looks better’? Probably not. Keep capitalization and punctuation close to the official source.
Don’t mix versions
If you’re editing the explicit version, keep it explicit. If it’s the clean version, keep it clean. No mashups.
Let the lyrics be lyrics
This isn’t the place for interpretations, memories, stories, or trivia — that’s what comments are for. Keep metadata, translations, and bracketed stage directions out unless they’re officially part of the song.
Edit lightly
If two lines are wrong… fix the two lines. No need to bulldoze the whole page. Think ‘surgical,’ not ‘remix.’
When in doubt, ask the crowd
Not sure what they’re singing in that fuzzy bridge? Drop a question in the comments and let the music nerds swarm. Someone always knows.
This instrumental is from the John Tabacco CD "Boson Kabloona Waiting Around". It was recorded in 1995. The title refers to Tabacco's decision on whether to join song writing partner Nick DiMauro on a new recording studio endeavor or pursue a record deal with Austin based record label "Muffin Records". Tabacco chose Muffin Records but due to financial difficulties Muffin was unable to release any of Tabacco's material. DiMauro continued work at his then new recording facility (Gateways) with Blake Seals but that soon came to an end at the beginning of the 21st century.
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This instrumental is from the John Tabacco CD "Boson Kabloona Waiting Around". It was recorded in 1995. The title refers to Tabacco's decision on whether to join song writing partner Nick DiMauro on a new recording studio endeavor or pursue a record deal with Austin based record label "Muffin Records". Tabacco chose Muffin Records but due to financial difficulties Muffin was unable to release any of Tabacco's material. DiMauro continued work at his then new recording facility (Gateways) with Blake Seals but that soon came to an end at the beginning of the 21st century.