Fix what’s wrong, but don’t rewrite what the artist wrote. Stick to the official released version — album booklet, label site, verified lyric video, etc. If you’re guessing, pause and double-check.
Respect the structure
Songs have rhythm. Pages do too. Leave line breaks where they belong. Don’t smash things together or add extra empty space just for looks.
Punctuation counts (but vibe-editing doesn’t)
Correct typos? Yes. Re-punctuating a whole verse because it ‘looks better’? Probably not. Keep capitalization and punctuation close to the official source.
Don’t mix versions
If you’re editing the explicit version, keep it explicit. If it’s the clean version, keep it clean. No mashups.
Let the lyrics be lyrics
This isn’t the place for interpretations, memories, stories, or trivia — that’s what comments are for. Keep metadata, translations, and bracketed stage directions out unless they’re officially part of the song.
Edit lightly
If two lines are wrong… fix the two lines. No need to bulldoze the whole page. Think ‘surgical,’ not ‘remix.’
When in doubt, ask the crowd
Not sure what they’re singing in that fuzzy bridge? Drop a question in the comments and let the music nerds swarm. Someone always knows.
It's an instrumental and I don't think it really has a story behind it, probably just a jam that the band cranked out one day at a rehearsal. The title probably doesn't mean anything either, most of the songs from this era likely originated as jams and were given random titles like "Why Do You Bother" and "Mark Bowen" and had lyrics added later. They probably decided that this just sounded better as an instrumental.
It's a really good instrumental with a driving rhythm, eerie keyboards and a nice little guitar lick in the middle. I personally prefer Woodpecker From Mars over this, but it's still an awesome track.
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It's an instrumental and I don't think it really has a story behind it, probably just a jam that the band cranked out one day at a rehearsal. The title probably doesn't mean anything either, most of the songs from this era likely originated as jams and were given random titles like "Why Do You Bother" and "Mark Bowen" and had lyrics added later. They probably decided that this just sounded better as an instrumental.
It's a really good instrumental with a driving rhythm, eerie keyboards and a nice little guitar lick in the middle. I personally prefer Woodpecker From Mars over this, but it's still an awesome track.