So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
Mm dooby do, dahm dahm, dahm do dahm ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm ooh dahm
Mm dooby do
(Come softly, darling)
(Come softly, darling)
(Come softly, darling)
(Come softly, darling)
(Come softly, darling)
(Come to me, stay)
(You're my ob-session)
(For ever and a day)
I want, want you to know
I love, I love you so
Please hold, hold me so tight
All through, all through the night
(Speak softly, darling)
(Hear what I say)
(I love you always)
(Always, always)
I've waited, waited so long
For your kisses and your love
Please come, come to me
From up, from up above
(Come softly, darling)
(Come softly, darling)
I need, need you so much
Wanna feel your warm touch
Mm dooby do, dahm dahm, dahm do dahm ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm ooh dahm
Mm dooby do, dahm dahm, dahm do dahm ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm ooh dahm
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm ooh dahm
Mm dooby do
(Come softly, darling)
(Come softly, darling)
(Come softly, darling)
(Come softly, darling)
(Come softly, darling)
(Come to me, stay)
(You're my ob-session)
(For ever and a day)
I want, want you to know
I love, I love you so
Please hold, hold me so tight
All through, all through the night
(Speak softly, darling)
(Hear what I say)
(I love you always)
(Always, always)
I've waited, waited so long
For your kisses and your love
Please come, come to me
From up, from up above
(Come softly, darling)
(Come softly, darling)
I need, need you so much
Wanna feel your warm touch
Mm dooby do, dahm dahm, dahm do dahm ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm ooh dahm
Mm dooby do, dahm dahm, dahm do dahm ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm do dahm, ooby do
Dahm dahm, dahm ooh dahm
Lyrics submitted by SongMeanings
Come Softly to Me Lyrics as written by Barbara Ellis Gary Troxel
Lyrics © Kanjian Music, Sony/ATV Music Publishing LLC, Royalty Network
Lyrics powered by LyricFind
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He certainly did earn that reputation.
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"Come Softly to Me" is a popular song written by Gretchen Christopher, Barbara Ellis and Gary Troxel that was performed by The Fleetwoods, composed of Christopher, Troxel, and Ellis. It was recorded in late 1958, and released and published in 1959; it was the first release for the new Dolphin Records label.
The original title was "Come Softly," but was changed en route to its becoming a hit. Bob Reisdorf, the owner of Dolphin Records, which in 1960 changed to Dolton Records, was responsible for the title change. He thought that "Come Softly" might be too obvious and considered risqué, so he had it changed to "Come Softly to Me." The title phrase never appears in the song's lyrics.
Recording the song at home, the group sang it a cappella with the rhythmic shaking of Troxel's car keys. The tape was then sent to Los Angeles where the sparse instrumental accompaniment was added, including an acoustic guitar played by Bonnie Guitar. Released in 1959, the single reached #1 on the U.S. Billboard Hot 100 in April.[1]