Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
If you were here beside me, instead of in New York
If the curve of you was curved on me
I'd tell you that I loved you, before I even knew you
'Cause I loved the simple thought of you
If our hearts are never broken and there's no joy in the mending
There's so much this hurt can teach us both,
And there's distance and there's silence, your words have never left me,
They're the prayer that I say every day
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
The lone neon lights and the ache of the ocean
And the fire that was starting to spark
I miss it all, from the love to the lightning
And the lack of it snaps me in two
If you were here beside me, instead of in New York
In the arms you said you'd never leave
I'd tell you that it's simple and it was only ever thus
There is nowhere else that I belong
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
The lone neon lights and the ache of the ocean,
And the fire that was starting to spark
I miss it all from the love to the lightning
And the lack of it snaps me in two
Just give me a sign, there's an end with a beginning
To the quiet chaos driving me back
The lone neon lights and the warmth of the ocean
And the fire that was starting to go out
If the curve of you was curved on me
I'd tell you that I loved you, before I even knew you
'Cause I loved the simple thought of you
If our hearts are never broken and there's no joy in the mending
There's so much this hurt can teach us both,
And there's distance and there's silence, your words have never left me,
They're the prayer that I say every day
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
The lone neon lights and the ache of the ocean
And the fire that was starting to spark
I miss it all, from the love to the lightning
And the lack of it snaps me in two
If you were here beside me, instead of in New York
In the arms you said you'd never leave
I'd tell you that it's simple and it was only ever thus
There is nowhere else that I belong
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
Come on, come out, come here, come here
The lone neon lights and the ache of the ocean,
And the fire that was starting to spark
I miss it all from the love to the lightning
And the lack of it snaps me in two
Just give me a sign, there's an end with a beginning
To the quiet chaos driving me back
The lone neon lights and the warmth of the ocean
And the fire that was starting to go out
Lyrics submitted by putonyourbathingsuits
New York Lyrics as written by Nathan Connolly Gary Lightbody
Lyrics © CONCORD MUSIC PUBLISHING LLC, Spirit Music Group
Lyrics powered by LyricFind
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Mountain Song
Jane's Addiction
Jane's Addiction
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
I feel that the "if our hearts are never broken/ then there's no joy in the mending" line means that if there is pain from their separation, the day they are together again will bring happiness. The "give me a sign/ there's an end and a beginning" line might mean that with the end of their separation comes the beginning of a new life for them. I have a special connection to this song, since I am in a long distance relationship with someone who lives across the ocean from me, and I am a resident of New York (: