Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
They heard me singing and they told me to stop
Quit these pretentious things and just punch the clock
These days, my life, I feel it has no purpose
But late at night the feelings swim to the surface
'Cause on the suburbs the city lights shine
They're calling at me, come and find your kind
Sometimes I wonder if the world's so small
Then we can never get away from the sprawl
Living in the sprawl
Dead shopping malls rise like mountains beyond mountains
And there's no end in sight
I need the darkness someone please cut the lights
We rode our bikes to the nearest park
Sat under the swings, we kissed in the dark
We shield our eyes from the police lights
We run away, but we don't know why
And like a mirror these city lights shine
They're screaming at us, we don't need your kind
Sometimes I wonder if the world's so small
Then we can never get away from the sprawl
Living in the sprawl
Dead shopping malls rise like mountains beyond mountains
And there's no end in sight
I need the darkness someone please cut the lights
They heard me singing and they told me to stop
Quit these pretentious things and just punch the clock
Sometimes I wonder if the world's so small
Can we ever get away from the sprawl
Living in the sprawl
Dead shopping malls rise like mountains beyond mountains
And there's no end in sight
I need the darkness someone please cut the lights
Quit these pretentious things and just punch the clock
These days, my life, I feel it has no purpose
But late at night the feelings swim to the surface
'Cause on the suburbs the city lights shine
They're calling at me, come and find your kind
Sometimes I wonder if the world's so small
Then we can never get away from the sprawl
Living in the sprawl
Dead shopping malls rise like mountains beyond mountains
And there's no end in sight
I need the darkness someone please cut the lights
We rode our bikes to the nearest park
Sat under the swings, we kissed in the dark
We shield our eyes from the police lights
We run away, but we don't know why
And like a mirror these city lights shine
They're screaming at us, we don't need your kind
Sometimes I wonder if the world's so small
Then we can never get away from the sprawl
Living in the sprawl
Dead shopping malls rise like mountains beyond mountains
And there's no end in sight
I need the darkness someone please cut the lights
They heard me singing and they told me to stop
Quit these pretentious things and just punch the clock
Sometimes I wonder if the world's so small
Can we ever get away from the sprawl
Living in the sprawl
Dead shopping malls rise like mountains beyond mountains
And there's no end in sight
I need the darkness someone please cut the lights
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Spirit Within
Bertoldi Brothers
Bertoldi Brothers
Battle Royale
Word Alive, The
Word Alive, The
This song is def a twin to "Unfair" (a song she has been quoted as saying is about falling in love with someone who is already in a relationship) so it is presumably about the same person. Given the references to buying an apartment and not being able to see her love interest "after tonight," it's most likely that she's moving away and she'll "wait a day to break the bad news" (i.e. notifying him that she's leaving once she's already gone).
And, of course, the fact that she sees in him a fellow "idealist" and "dreamer" (terms commonly given to people with the INFP personality on the Myers–Briggs Type Indicator (MBTI)) portends that she'll always be left wondering if they would've been perfect together.
Techno Ted
Audioslave
Audioslave
Techno Ted may be a person who caused Chris incredible emotional pain & trepidation as well as moments of peace & happiness but now is removed and awaiting his fate. Darling may be a different person who is also free of him and can live her life free of Ted's tyranny. "In between all the laughing, and daydreams ... lies: a desert of truth" Lies are like a desert or the omission of Truth: Where there were Lies then Truth was absent. The song, "Techno Ted", may be a cathartic celebration of the downfall of this person.
Fortnight
Taylor Swift
Taylor Swift
The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Light Up The Sky
Van Halen
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
My interpretation of the song is one in which the protagonist is living in an oppressive environment; it's not overtly oppressive, like Communist Russia, but at the same time, her identity is being stifled to an extent by those around her. They "hear [her] singing and they tell [her] to stop" and to quit being "pretentious." In my understanding of the word, pretentious connotes showing off or being ostentatious, and the fact that these people are equating her singing, a form of expression, to pretentiousness implies that any outpour of emotion or thought is looked down upon; everyone is expected to stay mute, conform, and follow order ("just punch the clock"). I think one of the more insightful lines in the song is when the narrator says that she "needs the darkness, someone please cut the lights." Normally, one must shed light on something to discover its meaning or truth, or in others case, follow the light, but here, she needs the opposite. I feel like this is a way of her going against the grain of what is expected of her. I hear some echoes of Emerson throughout parts of the song, particularly from his essay "Self Reliance." Anyway, this song really is my favorite one by Arcade Fire!
Nobody fucking expects anything of you! You will do as you please, as you always have. You are not persecuted other than you doing it to yourself. Gawd, get it through your thick head! You are free to do as you please. Nobody can stop you, but you. Live. Laugh. Have Sex. Enjoy life. Just don't drag others along when they're not allowed in the front door or front seat. You are such a fucking asshole at times.