"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
don't you like what's on your plate?
it's not free.
shaking fists at this debate.
woe is me.
woe is thee.
it's all for show, so please bake me cookies.
the stage lights glow and we stare like rookies.
take your cause and pass it around.
take one down and pass it around.
i'm not fair and you're not sound.
pass it around now you're not sound.
take your turn in beating the horse.
take him down now take him down.
gee, i hope we're not off course.
take him down now, take him down.
don't you like what's on tv?
it's not free.
we'll agree to disagree.
woe is me.
woe is thee.
it's all for show, so please call this number.
you'll never know.
and you'll always wonder.
take your cause and pass it around.
take one down and pass it around.
i'm not fair and you're not sound.
pass it around now you're not sound.
take your turn in beating the horse.
take him down now take him down.
gee, i hope we're not off course.
take him down now, take him down.
it's all for show, so please bake me cookies.
the stage lights glow and we stare like rookies.
take your cause and pass it around.
take one down and pass it around.
i'm not fair and you're not sound.
pass it around now you're not sound.
take your turn in beating the horse.
take him down now take him down.
gee, i hope we're not off course.
take him down now, take him down.
it's not free.
shaking fists at this debate.
woe is me.
woe is thee.
it's all for show, so please bake me cookies.
the stage lights glow and we stare like rookies.
take your cause and pass it around.
take one down and pass it around.
i'm not fair and you're not sound.
pass it around now you're not sound.
take your turn in beating the horse.
take him down now take him down.
gee, i hope we're not off course.
take him down now, take him down.
don't you like what's on tv?
it's not free.
we'll agree to disagree.
woe is me.
woe is thee.
it's all for show, so please call this number.
you'll never know.
and you'll always wonder.
take your cause and pass it around.
take one down and pass it around.
i'm not fair and you're not sound.
pass it around now you're not sound.
take your turn in beating the horse.
take him down now take him down.
gee, i hope we're not off course.
take him down now, take him down.
it's all for show, so please bake me cookies.
the stage lights glow and we stare like rookies.
take your cause and pass it around.
take one down and pass it around.
i'm not fair and you're not sound.
pass it around now you're not sound.
take your turn in beating the horse.
take him down now take him down.
gee, i hope we're not off course.
take him down now, take him down.
Lyrics submitted by piratekitten
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Fast Car
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This is one of my favorite songs. https://fnfgo.io
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Amazing
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Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
I disagree it talks about politics. I think the song clearly speaks of an inexperienced father and child relationship. The, let us dissect the lyrics, shall we?
don't you like what's on your plate? it's not free. shaking fists at this debate. woe is me. woe is thee.
This part is a kid whining about the food his parent put on his plate. The woe refers to the anguish caused on both of them.
it's all for show, so please bake me cookies. the stage lights glow and we stare like rookies.
The first line tells us the kid's mourning is theatrical, that it's just for the sake of cookies. In the second line the kid becomes the center of attention and does his show - "stage lights glow" - as the parents stare at him feeling lost, not knowing how to react. Rookie parents!
take your cause and pass it around. take one down and pass it around.
The refrain tells us about this spoiled kid getting what he wants. He "takes one of his parents down" and passes his cause (to get cookies) around.
i'm not fair and you're not sound. pass it around now you're not sound.
"i'm not fair" is what the child said to his parent and "you're not sound" is the response he gets. The second phrase says that when the parent gives the kid what he wants, this parent is no longer being reasonable: "pass it around now you're not sound"
take your turn in beating the horse. take him down now take him down.
This part is ambiguous. Two possible interpretations:
gee, i hope we're not off course. take him down now, take him down.
Reflects the parent's concern that the boy's (or girl's) education is getting off course and their need to control him: "take him down now, take him down"
don't you like what's on tv? it's not free. we'll agree to disagree. woe is me. woe is thee.
Something on TV is upsetting the kid now. Maybe he wants to see cartoons, maybe he saw something scary or maybe he wants to buy a toy he saw in a commercial
it's all for show, so please call this number. you'll never know. and you'll always wonder.
If the kid saw something scary, then the first phrase is the parent figure explaining to the kid that the needn't be sacred, things he saw aren't real, it's all just for show. But the kid will never know for sure and will always wonder what scary things might lurk at night, beneath his closed, bed or the such.
If the kid wants something from the commercial, the parent figure explains him that those things are just for show (therefore he doesn't intend to buy them) while the child pleads the adult to make a phone call to request what he wants. In this case, my interpretation of the other two verses is that the parent would "never know" if the way he raises his child is off route, or not. He will always wonder.
And that's it! If you liked or not, please give me feedback! Does this interpretation make any sense?