"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Countdown unless you're juvenile, let's go
God bless you're missed somewhere
We're sick for the big sun
It doesn't matter what you did
And if you did like you've been told
True, and everlasting, that's what you want
True
True and everlasting, that's what you want
Don't say no, you're breakfast eaten alone
Sister let go, you're borderline withdrawn
Down and lit from the bottom, there's a misfit
Better than it looks, better than it looks
Better than it looks, better than it looks
We're sick sick sick sick sick sick sick sick sick sick sick
We're sick for the big sun
Alone though and drip drip drip drip drip drip drip
I realize that too
Your lonesome will
Is this knowledge?
As forgiven as you know somewhere
Your face will remain on
It doesn't matter what you did
And if you didn't ride, let's go
Could an everlasting, that's what you want
Could, could, an everlasting, that's what you want
Don't say no, you're breakfast eaten alone
Do you remember when twenty-one years was old?
Down and lit
It doesn't matter that you killed us
Better than it looks, better than it looks
Better than it looks, better than it looks
We're sick sick sick sick sick sick sick sick sick sick sick
We're sick for the big sun
Alone and drip drip drip drip drip drip drip
I realize that too
True, true and everlasting
Didn't last that long
We're the lonesome
We're the lonesome, yeah
True and everlasting
Didn't last that long
True, true and everlasting
Didn't last that long
We're lonesome
We're the lonesome, yeah
True and everlasting
Didn't last that long
We're the lonesome
We're the lonesome
God bless you're missed somewhere
We're sick for the big sun
It doesn't matter what you did
And if you did like you've been told
True, and everlasting, that's what you want
True
True and everlasting, that's what you want
Don't say no, you're breakfast eaten alone
Sister let go, you're borderline withdrawn
Down and lit from the bottom, there's a misfit
Better than it looks, better than it looks
Better than it looks, better than it looks
We're sick sick sick sick sick sick sick sick sick sick sick
We're sick for the big sun
Alone though and drip drip drip drip drip drip drip
I realize that too
Your lonesome will
Is this knowledge?
As forgiven as you know somewhere
Your face will remain on
It doesn't matter what you did
And if you didn't ride, let's go
Could an everlasting, that's what you want
Could, could, an everlasting, that's what you want
Don't say no, you're breakfast eaten alone
Do you remember when twenty-one years was old?
Down and lit
It doesn't matter that you killed us
Better than it looks, better than it looks
Better than it looks, better than it looks
We're sick sick sick sick sick sick sick sick sick sick sick
We're sick for the big sun
Alone and drip drip drip drip drip drip drip
I realize that too
True, true and everlasting
Didn't last that long
We're the lonesome
We're the lonesome, yeah
True and everlasting
Didn't last that long
True, true and everlasting
Didn't last that long
We're lonesome
We're the lonesome, yeah
True and everlasting
Didn't last that long
We're the lonesome
We're the lonesome
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More Featured Meanings
Fast Car
Tracy Chapman
Tracy Chapman
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
The correct lyrics are (taken from the CD sheet):
Countdown unless you're juvenile let's go God bless your miss somewhere We're sick for the big sun It doesn't matter what you did and if you did it like you been told
True and everlasting that's what you want True and everlasting that's what you want
Don't say no your breakfast tears are gone Resist or let go, you're borderline withdrawn Down, unlit from the bottom there is a misfit Better than it looks, better than it looks Better than it looks, better than it looks
We're sick We're sick for the big sun We rumble and trip I realize that too
Hear the lonesome bell, is this knowledge? Ask forgiveness you know somewhere You're fixed to an atom It doesn't matter what you did And if you did it right let's go
Cruel and everlasting that's what you want Cruel and everlasting that's what you want
Don't say no your breakfast tears are wrong Do you remember when 21 years was old? Down unlit does it mattersthat you care the less? Better than it looks, better than it looks Better than it looks, better than it looks
We're sick We're sick for the big sun We rumble and trip I realize that too
True and everlasting, it didn't last that long... We're the lonesome, we're the lonesome yell True and everlasting, it didn't last that long...