This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Misery is all we know lately
Saturdays are all the same
Sympathy is overrated
Like a snapshot when you've lost the game
Now it's all the funeral
I've become a serial
Killer of us both
Now it's all the funeral
I've become a serial
Killer of us both
No, I
Don't want to get thrown in your ocean
Don't try
You know that we already know it
It's over
At your own burial
Don't forget to cry
At your own burial
Licking up my eighty-first birthday
Every day this body goes to waste
Remembering how I would raise an army
When we went back to your place
Now it's all the funeral
I've become a serial
Killer of us both
Now it's all the funeral
I've become a serial
Killer of us both
No, I
Don't want to get thrown in your ocean
Don't try
You know that we already know it
It's over
At your own burial
Don't forget to cry
At your own burial
At your own burial
Don't forget to cry
At your own burial
Saturdays are all the same
Sympathy is overrated
Like a snapshot when you've lost the game
Now it's all the funeral
I've become a serial
Killer of us both
Now it's all the funeral
I've become a serial
Killer of us both
No, I
Don't want to get thrown in your ocean
Don't try
You know that we already know it
It's over
At your own burial
Don't forget to cry
At your own burial
Licking up my eighty-first birthday
Every day this body goes to waste
Remembering how I would raise an army
When we went back to your place
Now it's all the funeral
I've become a serial
Killer of us both
Now it's all the funeral
I've become a serial
Killer of us both
No, I
Don't want to get thrown in your ocean
Don't try
You know that we already know it
It's over
At your own burial
Don't forget to cry
At your own burial
At your own burial
Don't forget to cry
At your own burial
Lyrics submitted by heathereve
Burial Lyrics as written by Christian Karlsson Andrew Wyatt Blakemore
Lyrics © Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC, Downtown Music Publishing
Lyrics powered by LyricFind
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Mountain Song
Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
I'm surprised how wrong you all are. Not to be offensive, sorry. "Misery is all we know lately Saturdays are all the same Sympathy is overrated Like a snapshot when you've lost the game" The relationship has failed and sympathizing with the other will not resolve conflicts so deeply rooted. No matter the level of understanding-- The differences are irreconcilable. We have lost. "Now it's all the funeral I've become a serial Killer of us both Now it's all the funeral I've become a serial Killer of us both" I have to call it here. It's done. Commence the funeral to grieve and cope what we once had because there is no further to go. "No, I Don't want to get thrown in your ocean Don't try You know that we already know it It's over" I pretty literal statement. I am not a fish in your sea. We are not only done here but there is no possibility in the future either. "At your own burial Don't forget to cry At your own burial" CRY! There is something to grieve at the loss of what we had. Cope with the loss and don't have hope of this ever returning. "Licking up my eighty-first birthday Every day this body goes to waste Remembering how I would raise an army When we went back to your place" Now I am worn... I have been wearing down for so long and my starry eyed youth will not return. Once I had the energy to fight for anything, but now I begrudgingly accept that there's nothing left to that man.
a pretty literal<br /> left to that man I once was.
@aaronsc cool, sounds spot on to me...<br /> i'm kinda wondering about the "snapshot when you've lost the game"...i am not thinking it has any significant meaning to the OVERALL meaning of the song...so it's kinda irrelevant but i'm curious, it mean?<br /> ok, a snapshot, that'd be a photo, is overrated when you've lost the game, so like you don't want a picture of a moment in a game you lost? That seems to be the only meaning, interesting that for his comparison of how overrated sympathy between them was, he chose something so arbitrary...bcse personally i wouldn't mind a snapshot of a game i was in where i lost, especially if it was doing something cool... So this one is going over my head or making me scratch it. For such deliberate lyrics...seems like an odd choice. But, i have faith i'm missing something, or i'm just a lot more vain than other people but i even like barrel shots of barrels i didn't come out of. THey ARE overrated though...anyway, not criticising, how could you?!
since we're being sticklers on our sentences:<br /> *any significant affect on the OVERALL meaning of the song
@CaptSibigeuon <br /> Sympathy towards a past event that cannot be changed is like a person who is sad while looking at the picture of a lost game. It's okay to be sad from time to time while viewing this picture "don't forget to cry", but don't let that sympathy turn to misery that will consume your whole life-- Blending together every day to be the same tragic mundane existence out of sadness, each saturday to saturday. On my 81st Birthday as an old man I will sit at the end of the line and view the happier moments with nostalgia.<br /> <br /> The picture of the game lost holds a lot of meaning to this song, because it was in that mental snapshot the other person decided to live forever in sorrow. They never viewed it as a funeral to a lost time to then move on. They improperly treated it as a death of self. On the other hand, he "licks up" his 81st birthday. He lives up to it despite while he goes to waste, he lived through the misery and joy to still be able to recall that joy in the end. To view something nostalgically and to view something in sympathy is a very different beast.<br /> <br /> It's good that you like the pictures of a game lost. You enjoy living no matter the outcome. Many will be destroyed in those moments and find it hard to carry on. We should always enjoy those snapshots. The depth/passion of every moment (even those containing misery) is such an intricate experience to live, as long as you remember to live/experience them fully. Without those moments and without those moments ensured as passing, a person has yet to live a REAL life at all.<br /> <br /> Sorry, I can type for hours on Miike Snow's lyrics. One of the few artists that carries a real depth to their lyrics, and done so beautifully at that.