Pull down the shades, lets kill the morning
Lets kill the morning, let it die
Will your eyes flash out a warning
But they'll be another morning after afternoon and tonight
Fuck long hours sick with singing
Sick with singing the same songs
In the bars, they'll soon be drinking
Lets cash my check and drink along

Old times, hello, hey, I've missed you
Old life, hey now, let me in
Because you win on every issue
Now, can I kiss you?
Don't you care how long it's been?
It has been so many years, I lived my yearning
But in every bed, it led me through
They only bloom on what was burning
And it grew, the fire grew
And now with nothing to consume
It's turned on me in my glass room
Where I'll burn, you think I'm finished
Think I'm not winning
Well, go on, assume

So, take me, I'm yours, morning starship
Sparkling stars line your lights as they lift off the loneliest street corner
This clown has yet leaned against
I'll let all these fine faces fold into me
The warmth from the space lights illumines the sea as the laughingest mouths wetly open,
But we set them sighing
We'll take them flying
And we'll take this man left almost passed out
Cause we're pretty sure he needs a hand
He says he can't stand
And when we pick him up
He asks us where this ship will land
But he knows we know it isn't coming down
He knows we know we'll fly so far
Til finally stars hold him in all around
Til he forgets the ground
Til he forgets the crawling way
Real people sometimes are


Lyrics submitted by smileforthecamera

Bruce Wayne Campbell Interviewed on the Roof of the Chelsea Hotel, 1979 Lyrics as written by Will Robinson Sheff

Lyrics © Hipgnosis Songs Group

Lyrics powered by LyricFind

Bruce Wayne Campbell Interviewed on the Roof of the Chelsea Hotel, 1979 song meanings
Add Your Thoughts

8 Comments

sort form View by:
  • +2
    General Comment

    Bruce Wayne Campbell (stage name: Jobriath) was a pop star in the 70's who is credited for being the first massively marketed pop star, as well as the first one to be openly homosexual. However, he came at the end of the glam rock era, and despite his large contract and generally good reviews, he was overall ignored by the public. He died of AIDS in 1983, still under contract from his label though long since "retired," and unknown to all but a few select fans.
    Pretty much the song is describing a fictional interview with this man. It's very beautifully written and composed, and I think it's the perfect way to end the album which since The Stage Names has been focused with stories about artists and the people who make up the ranks of people who fall into that category. It's a very sad song, and the verse "Old times, hello, hey, I've missed you Old life, hey now, let me in Because you win on every issue Now, can I kiss you? Don't you care how long it's been? It has been so many years, I lived my yearning But in every bed, it led me through They only bloom on what was burning And it grew, the fire grew And now with nothing to consume It's turned on me in my glass room Where I'll burn, Think I'm not winning Well, go on, assume" Is just perfect. It's imagery is beautiful too. When you think about how this was a man who was supposed to be the next Bowie, but ended up leaving virtually nothing but his bones behind him, everything else vanished in the "fire" that was the build up behind his work which eventually swallowed him whole. I'll stop now as I already assume the length of this post will scare anyone away from reading it... but I could go on forever about it, and it's not even my favorite song!!!!

    reds21on July 27, 2008   Link
  • +1
    General Comment

    the lyric is "they only BLEW on what was burning".

    iamsoupcombuston March 08, 2009   Link
  • 0
    General Comment

    That was actually pretty interesting, reds, I didn't know any of that! The saw the song as being kinda like the final result of living the life Calling And Not Calling set out. After a while, she (well, it's not said, but I think the narrator is probably Shannon Wilsey) gets more and more introverted and reclusive, looking back on the groupie life she used to have before she became what she was now- and so she wants it back but it'll never happen, and the fire of yearning has turned on her- becoming a desctructive force in her life.

    What I don't understand is the final verse, and what the "morning starship" is. It sounds like it could be suicide, but it's way more optimistic-sounding like that. It would fit, though- "this ship isn't coming down" would imply that. And here's a theory- what if "this man left almost passed out" is John Allyn Smith, hero of the OTHER last track of the double album? Now, he DID kill himself, so that fits with that interpretation, and- and I guess here's the selling point of that interpretation for me- so did Shannon Wilsey, due in part to all her failed relationships with rock stars leaving her with depression. So I suppose this is the perfect song to end on- filling in the very large gap and entire centrepoint of the whole double-album, between Title Track, at the end of her groupie career, and Savannah Smiles, where she's found dead.

    Appers66on July 28, 2008   Link
  • 0
    General Comment

    "Take Me I'm Yours" and "Morning Starship" are the titles of Jobriath songs.

    This passage makes me think that in the song, the "morning starship" is death:

    "He asks us where this ship will land But he knows we know it isn't coming down He knows we know we'll fly so far Til finally stars hold him in all around Til he forgets the ground Til he forgets the crawling way Real people sometimes are"

    It's definitely about some sort of escape.

    I think the part about how the fire turns on the narrator may be about AIDS ravaging his body. The destruction in his life has claimed everything else he had so now it's literally consuming him.

    JeremyB1on July 29, 2008   Link
  • 0
    General Comment

    The Hotel Chelsea is a famous place in NY where alot of artists lived, Jobriath included for some time. Not sure how much that helps but yeah it's about the time he would realize, 1979, that his career was dead.

    joeshmo39on September 11, 2008   Link
  • 0
    General Comment

    The alien ship additionally ties in with a lot of the glam rock space themes. I think the last part is talking about how even though Campbell is ruined in terms of his musical career and will die of AIDS, he is, in some sense, not meant for this planet and his spirit moves on with the starship.

    Also no offense Appers66, but I'm pretty sure you are misrepresenting the lyrics. This song stands alone pretty well as talking about the gay glam-rock musician Bruce Wayne Campbell a.k.a. Jobriath.

    mercury258on September 17, 2008   Link
  • 0
    General Comment

    There was an interview done with Campbell in 1979 from the Hotel. It was supposedly the first one since his Jobriath days. The lyrics here don't track the interview very much at all. Here's the zip file of the page scans of the interview. See if you can come up with any parallels: championstudios.net/jobriath/attitude.zip

    Dying in 1983, he could not have know he had AIDS but might have been aware of some venereal-based disease. VD is often described as a "fire". In the interview, he describes getting a lot of mail from the Health Board. And fire is also the fire of passion. His sexual partners only bloom on the fire of that passion and therefore are limited emotionally. Despite the "fire problem" he says he is winning because he lived the kind of life he wanted to live. Campbell was raised an Army brat and moved constantly and therefore was probably quite distant from his father. The real interview has Campbell acting schizo. He speaks of Jobriath in the third person and at one point says Jobriath died. And therefore the part of the lyrics where he talks to his "old self" is consistent.

    Don't miss this very clear Youtube video from his rooftop Pyramid at the Chelsea: youtube.com/watch

    banishedhearton September 20, 2008   Link
  • 0
    General Comment

    He built a glass pyramid on top of the Chelsea, so I think that is somewhat where the "glass room" is coming from...but it also serves as a nice parallel to how public his life was at the time of his career imploding.

    I think the song has a lot to do with him reflecting on his career and this alter-ego that the record company and the media help create for him...I hear the last verse as Jobriath (alter-ego or who he was then) deciding to "leave this world behind" or whatever, and the starship stops to pick up Bruce Wayne Campbell (his real self) and take him along, too. The narrator is looking at himself and these different personas/lives that he's been through, and he's ready to just fly away from it all.

    thommyon April 19, 2010   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Holiday
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday". I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.