So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
Do you hear that whistle wail?
I think the end is comin' in
I'm a whole lot worse for wear
But I'm determined to slip this skin
And I know you're dyin' for a good time
I'm dyin' to breathe again
Oh my, my Virginia
We could run all night and dance upon the architecture
Come and take my hand, I'll give the very best I can
But boy, I still want to be your man
I'm still these nervous feet and heart of stone
Forget this dead man's town, I'll take you home
Do you hear me late at night?
Always pickin' at the pieces
Sometimes nothin' comes out right
And nothin' is relievin'
But every soul man's song
Is a night I'd like to spend with you
Just twistin' the night away
But it's past quarter to three
And it's past the midnight hour
Mustang Sally's left the building
And we're so much worse without her
If I could put down this old hammer
I'd take you somewhere new
Oh my, my Virginia
We could run all night and dance upon the architecture
Come and take my hand, I'll give the very best I can
But boy, I still want to be your man
I'm still these nervous feet and heart of stone
Forget this dead man's town, I'll take you home
Oh my, my Virginia
We could run all night and dance upon the architecture
Come and take my hand, I'll give the very best I can
But boy, I still want to be your man
I'm still these nervous feet and heart of stone
Forget this dead man's town, I'll take you home
I think the end is comin' in
I'm a whole lot worse for wear
But I'm determined to slip this skin
And I know you're dyin' for a good time
I'm dyin' to breathe again
Oh my, my Virginia
We could run all night and dance upon the architecture
Come and take my hand, I'll give the very best I can
But boy, I still want to be your man
I'm still these nervous feet and heart of stone
Forget this dead man's town, I'll take you home
Do you hear me late at night?
Always pickin' at the pieces
Sometimes nothin' comes out right
And nothin' is relievin'
But every soul man's song
Is a night I'd like to spend with you
Just twistin' the night away
But it's past quarter to three
And it's past the midnight hour
Mustang Sally's left the building
And we're so much worse without her
If I could put down this old hammer
I'd take you somewhere new
Oh my, my Virginia
We could run all night and dance upon the architecture
Come and take my hand, I'll give the very best I can
But boy, I still want to be your man
I'm still these nervous feet and heart of stone
Forget this dead man's town, I'll take you home
Oh my, my Virginia
We could run all night and dance upon the architecture
Come and take my hand, I'll give the very best I can
But boy, I still want to be your man
I'm still these nervous feet and heart of stone
Forget this dead man's town, I'll take you home
Lyrics submitted by andyrew909
Casanova, Baby! Lyrics as written by Brian Fallon
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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