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Living Well Is The Best Revenge Lyrics
it's only when your poison spins
into the life you'd hoped to live
and suddenly you wake up in a shaken panic
now
you had set me up like a lamb to slaughter
garbo as teh farmer's daughter
unbelieveable.
the gospel according to...who?
I lay right down.
all your sad and lost apostles
hum my name and flare their nostrils
choking on the bones you tossed to them
now I'm not one to sit and spin
because living well is the best revenge
and baby, I am calling you on that.
don't turn your talking points on me.
history will set me free
the future is our and you don't even
rate a footnote. now
so who's chasing you?
where did you go, you disappear
midsentence in a judgement crisis...
I see my in and go for it.
you weakened shill
all your sad and lost apostles
hum my name and flare their nostrils
choking on the bones you tossed to them
now I'm not one to sit and spin
because living well is the best revenge
and baby, I am calling you on that.
you, savor your dying breath
I forgive but I don't forget.
you work it out.
let's hear that argument again.
camera 3. go. now.
all your sad and lost apostles
hum my name and flare their nostrils
choking on the bones you tossed to them
now I'm not one to sit and spin
because living well is the best revenge
and baby, I am calling you on that.
baby I am calling you on that.
baby I am calling you on that.
into the life you'd hoped to live
and suddenly you wake up in a shaken panic
now
you had set me up like a lamb to slaughter
garbo as teh farmer's daughter
unbelieveable.
the gospel according to...who?
I lay right down.
hum my name and flare their nostrils
choking on the bones you tossed to them
now I'm not one to sit and spin
because living well is the best revenge
and baby, I am calling you on that.
history will set me free
the future is our and you don't even
rate a footnote. now
where did you go, you disappear
midsentence in a judgement crisis...
I see my in and go for it.
you weakened shill
hum my name and flare their nostrils
choking on the bones you tossed to them
now I'm not one to sit and spin
because living well is the best revenge
and baby, I am calling you on that.
I forgive but I don't forget.
you work it out.
let's hear that argument again.
camera 3. go. now.
hum my name and flare their nostrils
choking on the bones you tossed to them
now I'm not one to sit and spin
because living well is the best revenge
and baby, I am calling you on that.
baby I am calling you on that.
baby I am calling you on that.
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Interesting theory, fanman. In my opinion, however, this song is a social and political protest levelled directly at the Bush administration. "All your sad and lost apostles... choking on the bones you tossed to them" would then refer to Cheney, Gonzales and all the other Bush allies. "History will set me free... and you don't even rate a footnote, now" could mean that history would judge Bush harshly, as bad and ultimately insignificant leader. Quotes like "you disappear midsentence in a judgement crisis" and "you work it out. let's hear that argument again. camera 3. go. now" seem to question Bush's judgement and ability to actually present a convincing case for his point of view (without resorting to violnce). Generally, "Accelerate" seems to me to be a very politically charged album. Songs like Houston ("If the storm doesn't kill me, the government will"), Mr Richards ("Mr Richards, you're forgiven for a narrow lack of vision") and Until the day is done ("the verdict is dire, the country's in ruins") are full of Stipe's brilliantly bitter social critisism. But then again, that's just my point of view ;).
Hey Woland ... stop beating around the "Bush." :) That is EXACTLY what this song and many of the others on this wonderful socially-critical album are trying to make.
Unlike most of the his past political commentary, which oft-times was wrapped in complete metaphor, this time Michael is wielding a very blunt hammer, derisively disregarding Bush and the rest of the red state, red meat crowd who blindly lapped up the bones that were being thrown to them without much of a thought. Stipe constantly mocks all of those on this album, including the line: " all your sad and lost apostles hum my name and flare their nostrils" which I think is his own personal vindication for the way Stipe the political activist as well as others, like the Dixie Chicks, were treated back in the hey-day of the Iraqi war, when they were contemptuously dismissed by those with "flaring nostrils" who could never think for themsleves.
I think the criticism in this song is being leveled against the sexual hypocrisy of the religious right, hence the strong innuendo of
All you sad and lost apostles Hum my name and flare their nostrils Choking on the bones you toss around
With the "bone" being "tossed around" alluding to the apes in 2001: A Space Odyssey, as well as to a "boner" (flash back "HUM my name").
In general, it paints the religious right as atavistic, and deftly employs images of the evolution of the species against them, implying their antipathy towards that theory is largely due to the fact that they're getting left behind. And, as we've seen so often, they keep getting caught with their pants down, doing things they would condemn others for and would legislate against.
Not seeing much in this song specifically aimed at the Bush administration, but of course, they pander to these sorts
Regardless of who this specifically targets, it's a great little song for anyone who's put down by "the man." The message is clear: No matter how much you hurt me, no matter how much you try to take from me, I know that I am right and will not let you ruin my life because I am stronger than that. Beautiful.
Ebrown is dead on target with this one, IMO. It's definitely about the media, and probably inspired by the Glen Beck/Rush Limbaugh-type demagogues who "toss bones" to their listeners who will basically believe anything they hear. It sounds like Stipe is coming from the POV of someone who's been the target of that sort of media propaganda, someone who fought back and was vindicated ("you disappear midsentence in a judgment crisis...I see my in and go for it"). He may or may not have a specific situation in mind or it might even be fictional, but it was probably politically inspired knowing Stipe.
I think the political meanings is far more likely. I hadn't thought of the dixie chicks type of link but it makes sense now I think of it. 'you don't even rate a footnote' has got to be directed at Bush or Cheney.
While the song certainly is related to the Bush Administration, I believe the song is actually about the media and what Michael believes has been its pandering to Bush. "You disappear midsentence in a judgment crisis . . . you weakened shill" makes it most clear to me - as if the only thing worse than the Bush Administration are those who promote it. The American public are the "sad and lost apostles" that are "choking on the bones" tossed to them by the media, little sound bites and talking points that unfortunately shape the opinions of millions.
Just my two cents.
Judging by most of Stipe's songs I'd say this has a political meaning, but personally when I read it the first thing I could think of was religion, almost as if he's standing up to Jesus and saying "who are you to judge or guide my life, I'm going to live the way I want to", he talks about the apostles all humming his name perhaps all gunning for him, but he doesn't care he just wants to live his life.
(no offence intended to anybody just my take on the song)
To Ebrown9810 and Cyberghost,
To Ebrown9810 and Cyberghost,
I'm not sure if Stipe is standing up to Jesus or his teachings about love and forgiveness per se, but certainly Stipe is taking on the judgemental and often hypocritical religious far-right.
I'm not sure if Stipe is standing up to Jesus or his teachings about love and forgiveness per se, but certainly Stipe is taking on the judgemental and often hypocritical religious far-right.
"...You had set me up like a lamb to slaughter...." (ie. using the political left, homosexuals, etc as whipping posts is a traditional strategy by far right political and religious leaders....)
"...You had set me up like a lamb to slaughter...." (ie. using the political left, homosexuals, etc as whipping posts is a traditional strategy by far right political and religious leaders....)
"...Garbo as a farmer's daughter..." (I still have to research the movie's plot to get the reference...)
"...Garbo as a farmer's daughter..." (I still have to research the movie's plot to get the reference...)
"....Unbelievable, the gospel according to who???" (ie. the hypocricy issue...and that -...
"....Unbelievable, the gospel according to who???" (ie. the hypocricy issue...and that - perhaps - the "real" message in the Bible is valid (ie. Love...) but being ignored.
"...I lay right down..." (perhaps Stipe regrets not taking on Bush and his buddies in the religious far-right earlier??)
..."now I'm not one to sit and spin" (ie. Stipe does not fit the image of The Devil??)
..."You savor your dying breath" (referencing the idea that far-right Christians only look towards completing their 'checklist' in order to earn their way to getting to heaven, but they're not paying attention to their behaviour or what is happening NOW???)
I saw it as an end to an ugly relationship ruined by the other party, and their group of friends. Living Well is the Best Revenge indeed! I live that everyday.
The beautiful thing about abour Stipes lyrics is the room for interpretation. The whole album was outstanding, their best work to date (surpassing Document to me).
Agree with elevation and ebrown that this song is about right wing pundits. But specifically, pretty sure this song is actually from the point of view of Jesus who is talking to a well know right wing pundit in the last moments of the pundits life. And Jesus is not pleased with the way he threw Jesus' name around. Fantastic lyric.